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Busdriver|Beaus$Eros (Deluxe Version)

Beaus$Eros (Deluxe Version)

Busdriver

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Even after nine albums that were each consecutively stranger than the last, Busdriver's tenth outing is a jarring departure. Released in 2012, Beaus$Eros (pronounced "Bows and Arrows") finds the speed rapper changing gears and singing lazily over electro-pop beats. He incorporates three-part harmonies, complex melodies, and a washed-out production style (courtesy of Loden) that shares a lot in common with pre-So Peter Gabriel. This drastic stylistic switch marks a much-needed turning point of his career, but the concept is also so deliberately scattered that it's hard to tell if he has tapped into something far-out and brilliant or just gone crazy. As usual, he imitates a variety of characters (even contorting his voice to sound like a little girl in "Feelings") and tackles whatever idea happens to be floating around his brain in an abstract free-form style. One subject involves a musician trying to think of a band name, "Ass to Mouth" is gross satire of club music, and "NoBlacksNoJewsNoAsians" is a thought-provoking commentary on racism. Of the 54 minutes, the latter sounds closest to Busdriver's early hip-hop outings, although it is strung together without a rhyme scheme or hook. While many of the songs sidestep rap conventions completely and fit the 808s & Heartbreak rapper-goes-electro format, the best songs incorporate tuneful melodies and still manage enough room for Busdriver to show off his hyper-adventurous style of rhyming. These moments are few, but "Here's to Us" and the pleasingly glitched "Beaus$Eros" are neon jams. Beaus$Eros is fringe listening, but it could be the answer for those wondering what would happen if Spank Rock remixed TV on the Radio.
© Jason Lymangrover /TiVo

More info

Beaus$Eros (Deluxe Version)

Busdriver

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1
Utilitarian Uses of Love Explicit
00:04:10

Busdriver, MainArtist - Regan John Farquhar, Composer, Writer - Jolan Koks, Composer, Writer

© 2013 Temporary Whatever ℗ 2013 Temporary Whatever

2
Bon Bon Fire Explicit
00:04:08

Busdriver, MainArtist - Regan John Farquhar, Composer, Writer - Jolan Koks, Composer, Writer

© 2013 Temporary Whatever ℗ 2013 Temporary Whatever

3
Kiss Me Back to Life
00:03:19

Busdriver, MainArtist - Regan John Farquhar, Composer, Writer - Jolan Koks, Composer, Writer

© 2013 Temporary Whatever ℗ 2013 Temporary Whatever

4
You Ain't OG
00:04:24

Busdriver, MainArtist - Regan John Farquhar, Composer, Writer - Jolan Koks, Composer, Writer

© 2013 Temporary Whatever ℗ 2013 Temporary Whatever

5
NoBlacksNoJewsNoAsians
00:01:59

Busdriver, MainArtist - Regan John Farquhar, Composer, Writer - Jolan Koks, Composer, Writer

© 2013 Temporary Whatever ℗ 2013 Temporary Whatever

6
Picking Band Names Explicit
00:04:05

Busdriver, MainArtist - Regan John Farquhar, Composer, Writer - Jolan Koks, Composer, Writer

© 2013 Temporary Whatever ℗ 2013 Temporary Whatever

7
Beaus & Eros
00:03:44

Busdriver, MainArtist - Regan John Farquhar, Composer, Writer - Jolan Koks, Composer, Writer

© 2013 Temporary Whatever ℗ 2013 Temporary Whatever

8
Feelings
00:03:45

Busdriver, MainArtist - Regan John Farquhar, Composer, Writer - Jolan Koks, Composer, Writer

© 2013 Temporary Whatever ℗ 2013 Temporary Whatever

9
Ass to Mouth Explicit
00:03:25

Busdriver, MainArtist - Regan John Farquhar, Composer, Writer - Jolan Koks, Composer, Writer

© 2013 Temporary Whatever ℗ 2013 Temporary Whatever

10
Electric Blue
00:04:28

Busdriver, MainArtist - CocoRosie, FeaturedArtist - Mike Ladd, FeaturedArtist - Joelle Phuong Minh Le, FeaturedArtist - Regan John Farquhar, Composer, Writer - Jolan Koks, Composer, Writer

© 2013 Temporary Whatever ℗ 2013 Temporary Whatever

11
Here's to Us Explicit
00:04:56

Busdriver, MainArtist - Regan John Farquhar, Composer, Writer - Jolan Koks, Composer, Writer

© 2013 Temporary Whatever ℗ 2013 Temporary Whatever

12
Colour Wheel
00:03:45

Busdriver, MainArtist - Regan John Farquhar, Composer, Writer - Jolan Koks, Composer, Writer

© 2013 Temporary Whatever ℗ 2013 Temporary Whatever

13
Swandive into a Drinking Glass
00:05:05

Busdriver, MainArtist - Regan John Farquhar, Composer, Writer - Jolan Koks, Composer, Writer

© 2013 Temporary Whatever ℗ 2013 Temporary Whatever

14
Scattered Ashes Explicit
00:03:01

Busdriver, MainArtist - Regan John Farquhar, Composer, Writer - Jolan Koks, Composer, Writer

© 2013 Temporary Whatever ℗ 2013 Temporary Whatever

15
Superhand's Mantra (Fuck Us All) Explicit
00:03:17

Busdriver, MainArtist - Aesop Rock, FeaturedArtist - Regan John Farquhar, Composer, Writer - Jolan Koks, Composer, Writer

© 2013 Temporary Whatever ℗ 2013 Temporary Whatever

16
Utilitarian Uses of Love (Zavala Remix) Explicit
00:03:12

Busdriver, MainArtist - Zavala, Remixer - Regan John Farquhar, Composer, Writer - Jolan Koks, Composer, Writer

© 2013 Temporary Whatever ℗ 2013 Temporary Whatever

17
Scattered Ashes (Sonnymoon Remix) Explicit
00:03:19

Busdriver, MainArtist - Sonnymoon, Remixer - Regan John Farquhar, Composer, Writer - Jolan Koks, Composer, Writer

© 2013 Temporary Whatever ℗ 2013 Temporary Whatever

18
Kiss Me Back to Life (Dntel Remix)
00:04:02

Busdriver, MainArtist - Dntel, Remixer - Regan John Farquhar, Composer, Writer - Jolan Koks, Composer, Writer

© 2013 Temporary Whatever ℗ 2013 Temporary Whatever

19
Utilitarian Uses of Love (Child Actor Remix) Explicit
00:04:29

Busdriver, MainArtist - Child Actor, Remixer - Regan John Farquhar, Composer, Writer - Jolan Koks, Composer, Writer

© 2013 Temporary Whatever ℗ 2013 Temporary Whatever

Album review

Even after nine albums that were each consecutively stranger than the last, Busdriver's tenth outing is a jarring departure. Released in 2012, Beaus$Eros (pronounced "Bows and Arrows") finds the speed rapper changing gears and singing lazily over electro-pop beats. He incorporates three-part harmonies, complex melodies, and a washed-out production style (courtesy of Loden) that shares a lot in common with pre-So Peter Gabriel. This drastic stylistic switch marks a much-needed turning point of his career, but the concept is also so deliberately scattered that it's hard to tell if he has tapped into something far-out and brilliant or just gone crazy. As usual, he imitates a variety of characters (even contorting his voice to sound like a little girl in "Feelings") and tackles whatever idea happens to be floating around his brain in an abstract free-form style. One subject involves a musician trying to think of a band name, "Ass to Mouth" is gross satire of club music, and "NoBlacksNoJewsNoAsians" is a thought-provoking commentary on racism. Of the 54 minutes, the latter sounds closest to Busdriver's early hip-hop outings, although it is strung together without a rhyme scheme or hook. While many of the songs sidestep rap conventions completely and fit the 808s & Heartbreak rapper-goes-electro format, the best songs incorporate tuneful melodies and still manage enough room for Busdriver to show off his hyper-adventurous style of rhyming. These moments are few, but "Here's to Us" and the pleasingly glitched "Beaus$Eros" are neon jams. Beaus$Eros is fringe listening, but it could be the answer for those wondering what would happen if Spank Rock remixed TV on the Radio.
© Jason Lymangrover /TiVo

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