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Aino Peltomaa|ÆR

ÆR

Aino Peltomaa, Harmen Fraanje and Mikko Perkola

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The Trio Peltomaa Fraanje Perkola combines the sounds of the human voice, piano and viola da gamba with electronic effects and medieval harp. The players have diverse backgrounds in early music, jazz, Finnish folk music and contemporary music, although it was medieval music that was the inspiration for their highly personal and recognisable sound. The group continues to explore the chants of Hildegard von Bingen (1098-1179), Pérotin (1160-1230) and 14th-century pilgrimage songs. Echoes from monasteries, cathedrals and pilgrimage sites are combined with delicate improvisations and original compositions; they create links between the eras and centuries as they invite the listener on a journey towards peace and tranquility. The trio is fascinated by how time is perceived and how these beautiful medieval melodies and texts speak to us now, by the idea of now the moment they were written down in the medieval manuscripts and how the power of now shapes their improvisations and compositions hundreds of years later. © Fuga Libera

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ÆR

Aino Peltomaa

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1
Unum
00:04:09

Anonymous, Lyricist - Harmen Fraanje, Composer, MainArtist - Mikko Perkola, Composer, MainArtist - Copyrigh Control, MusicPublisher - Aino Peltomaa, Composer, MainArtist

2021 Outhere 2020 Peltomaa Fraanje Perkola

2
O Virtus Sapientie
00:02:24

Anonymous, Lyricist - Hildegard Von Bingen, Composer - Harmen Fraanje, Composer, MainArtist - Mikko Perkola, Composer, MainArtist - Copyrigh Control, MusicPublisher - Aino Peltomaa, Composer, MainArtist

2021 Outhere 2020 Peltomaa Fraanje Perkola

3
Beata Viscera
00:09:47

Anonymous, Lyricist - Perotin, Composer - Harmen Fraanje, Composer, MainArtist - Mikko Perkola, Composer, MainArtist - Copyrigh Control, MusicPublisher - Aino Peltomaa, Composer, MainArtist

2021 Outhere 2020 Peltomaa Fraanje Perkola

4
Quis Dabit
00:05:29

Anonymous, Composer, Lyricist - Harmen Fraanje, Composer, MainArtist - Mikko Perkola, Composer, MainArtist - Copyrigh Control, MusicPublisher - Aino Peltomaa, Composer, MainArtist

2021 Outhere 2020 Peltomaa Fraanje Perkola

5
Sum in Aliena
00:03:23

Anonymous, Composer, Lyricist - Harmen Fraanje, Composer, MainArtist - Mikko Perkola, Composer, MainArtist - Copyrigh Control, MusicPublisher - Aino Peltomaa, Composer, MainArtist

2021 Outhere 2020 Peltomaa Fraanje Perkola

6
Rain
00:11:14

Harmen Fraanje, Composer, MainArtist - Mikko Perkola, Composer, MainArtist - Copyrigh Control, MusicPublisher - Aino Peltomaa, Composer, MainArtist

2021 Outhere 2020 Peltomaa Fraanje Perkola

7
Polorum Regina
00:05:54

Anonymous, Composer, Lyricist - Harmen Fraanje, Composer, MainArtist - Mikko Perkola, Composer, MainArtist - Copyrigh Control, MusicPublisher - Aino Peltomaa, Composer, MainArtist

2021 Outhere 2020 Peltomaa Fraanje Perkola

8
ÆR
00:05:24

Harmen Fraanje, MainArtist - Mikko Perkola, MainArtist - Copyrigh Control, MusicPublisher - Aino Peltomaa, Composer, MainArtist

2021 Outhere 2020 Peltomaa Fraanje Perkola

9
Via
00:03:23

Anonymous, Lyricist - Harmen Fraanje, Composer, MainArtist - Mikko Perkola, Composer, MainArtist - Copyrigh Control, MusicPublisher - Aino Peltomaa, Composer, MainArtist

2021 Outhere 2020 Peltomaa Fraanje Perkola

Album review

The Trio Peltomaa Fraanje Perkola combines the sounds of the human voice, piano and viola da gamba with electronic effects and medieval harp. The players have diverse backgrounds in early music, jazz, Finnish folk music and contemporary music, although it was medieval music that was the inspiration for their highly personal and recognisable sound. The group continues to explore the chants of Hildegard von Bingen (1098-1179), Pérotin (1160-1230) and 14th-century pilgrimage songs. Echoes from monasteries, cathedrals and pilgrimage sites are combined with delicate improvisations and original compositions; they create links between the eras and centuries as they invite the listener on a journey towards peace and tranquility. The trio is fascinated by how time is perceived and how these beautiful medieval melodies and texts speak to us now, by the idea of now the moment they were written down in the medieval manuscripts and how the power of now shapes their improvisations and compositions hundreds of years later. © Fuga Libera

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