Unlimited Streaming
Listen to this album in high quality now on our apps
Start my trial period and start listening to this albumEnjoy this album on Qobuz apps with your subscription
SubscribeEnjoy this album on Qobuz apps with your subscription
Digital Download
Purchase and download this album in a wide variety of formats depending on your needs.
On their self-titled full-length debut, the 22-20s craft a more traditional, and more British, take on blues-inflected rock than Black Rebel Motorcycle Club or the White Stripes, two of the bands most often mentioned when describing this young, prolifically touring band. 22-20s reveals a group far less trippy than BRMC and not nearly as fiery and arty as the Stripes; they're actually more like the British equivalent of blues-rock standard-bearers such as the Black Keys. Shades of the Yardbirds color the revved-up guitars and harmonicas on "Devil in Me," while the band's first single, "Such a Fool," updates the dour, spare sound of Eric Burdon & the Animals only slightly. That the 22-20s reach back to the admittedly rich tradition of British blues isn't a problem; what's troublesome is that the band doesn't bring much inspiration to it. Songs like "22 Days" and "I'm the One" feel forced and blustery, and make heartache sound downright boring. Some of the bluesier cuts are more convincing; the threatening glint in Martin Trimble's voice on "Why Don't You Do It for Me?" invests the song with more emotion and personality, and "Hold On" has a nicely swampy swagger. However, the bandmembers never sound totally comfortable with this sound, no matter how much they appreciate its origins. The smooth, atmospheric production adds to this feeling, robbing the 22-20s of the immediacy they had on the 05-03 EP. As the album unfolds, the band tries on other sounds for size, with varying degrees of success: "Friends" comes across as a lukewarm Dylan impersonation, complete with nasal vocals that don't appear anywhere else on the album. On the other hand, the country-rock pastiche of "Baby, You're Not in Love" -- which sounds oddly like CCR's "Who'll Stop the Rain" -- ends up being one of 22-20s' highlights. Likewise, "Shoot Your Gun," a big, anthemic ballad with only a hint of blues, is another strong moment. Overall, the album is more competent than distinctive; maybe next time, the 22-20s will show more depth and personality.
© Heather Phares /TiVo
You are currently listening to samples.
Listen to over 100 million songs with an unlimited streaming plan.
Listen to this playlist and more than 100 million songs with our unlimited streaming plans.
From £10.83/month
Rich Costey, Mixer - Miles Showell, Masterer, MasteringEngineer - John Cornfield, Engineer - Tom Joyce, Engineer - Brendan Lynch, Producer, Produced by - Fin Barnes, Engineer - George Shilling, Engineer - Glen Bartup, Bass Guitar, Bass - James Irving, Drums - Martin Trimble, Composer, Guitar, Vocals, Guitarra - 22-20s, Featured Vocalist, Writer, MainArtist
© 2005 Parlophone Records Ltd, a Warner Music Group Company ℗ 2004 EMI Records Ltd.
Rich Costey, Mixer - Miles Showell, Masterer, MasteringEngineer - John Cornfield, Engineer - Tom Joyce, Engineer - Brendan Lynch, Producer - Fin Barnes, Engineer - George Shilling, Engineer - Glen Bartup, Bass Guitar, Bass - James Irving, Drums - Martin Trimble, Guitar, Vocals - 22-20s, Composer, Featured Vocalist, MainArtist
© 2005 Parlophone Records Ltd, a Warner Music Group Company ℗ 2004 The copyright in this sound recording is owned by EMI Records Ltd
Rich Costey, Mixer - Miles Showell, Masterer, MasteringEngineer - John Cornfield, Engineer - Tom Joyce, Engineer - Brendan Lynch, Producer - Fin Barnes, Engineer - George Shilling, Engineer - Glen Bartup, Bass Guitar, Bass - James Irving, Drums - Martin Trimble, Guitar, Vocals - 22-20s, Composer, Featured Vocalist, MainArtist
© 2005 Parlophone Records Ltd, a Warner Music Group Company ℗ 2004 The copyright in this sound recording is owned by EMI Records Ltd
Rich Costey, Mixer - Miles Showell, Masterer, MasteringEngineer - John Cornfield, Engineer - Tom Joyce, Engineer - Brendan Lynch, Producer - Fin Barnes, Engineer - George Shilling, Engineer - Glen Bartup, Bass Guitar, Bass - James Irving, Drums - Martin Trimble, Guitar, Vocals - 22-20s, Composer, Featured Vocalist, MainArtist
© 2005 Parlophone Records Ltd, a Warner Music Group Company ℗ 2004 The copyright in this sound recording is owned by EMI Records Ltd
Rich Costey, Mixer - Miles Showell, Masterer, MasteringEngineer - John Cornfield, Engineer - Tom Joyce, Engineer - Brendan Lynch, Producer - Fin Barnes, Engineer - George Shilling, Engineer - Glen Bartup, Bass Guitar, Bass - James Irving, Drums - Martin Trimble, Guitar, Vocals - 22-20s, Composer, Featured Vocalist, MainArtist
© 2005 Parlophone Records Ltd, a Warner Music Group Company ℗ 2004 The copyright in this sound recording is owned by EMI Records Ltd
Rich Costey, Mixer - Miles Showell, Masterer, MasteringEngineer - John Cornfield, Engineer - Tom Joyce, Engineer - Brendan Lynch, Producer - Fin Barnes, Engineer - George Shilling, Engineer - Glen Bartup, Bass Guitar, Bass - James Irving, Drums - Martin Trimble, Guitar, Vocals - 22-20s, Composer, Featured Vocalist, MainArtist - Charly Coombes, Vocals
© 2005 Parlophone Records Ltd, a Warner Music Group Company ℗ 2004 The copyright in this sound recording is owned by EMI Records Ltd
Rich Costey, Mixer - Miles Showell, Masterer, MasteringEngineer - John Cornfield, Engineer - Tom Joyce, Engineer - Brendan Lynch, Producer - Fin Barnes, Engineer - George Shilling, Engineer - Glen Bartup, Bass Guitar, Writer, Bass - James Irving, Drums, Writer - Martin Trimble, Guitar, Vocals, Writer - 22-20s, Composer, Featured Vocalist, Performed by, MainArtist
© 2005 Parlophone Records Ltd, a Warner Music Group Company ℗ 2004 EMI Records Ltd., under exclusive license to Astralwerks
Rich Costey, Mixer - Miles Showell, Masterer, MasteringEngineer - John Cornfield, Engineer - Tom Joyce, Engineer - Brendan Lynch, Producer - Fin Barnes, Engineer - George Shilling, Engineer - Glen Bartup, Bass Guitar, Bass - James Irving, Drums - Martin Trimble, Guitar, Vocals - 22-20s, Composer, MainArtist
© 2005 Parlophone Records Ltd, a Warner Music Group Company ℗ 2004 The copyright in this sound recording is owned by EMI Records Ltd
Rich Costey, Mixer - Miles Showell, Masterer, MasteringEngineer - John Cornfield, Engineer - Tom Joyce, Engineer - Brendan Lynch, Producer - Fin Barnes, Engineer - George Shilling, Engineer - Glen Bartup, Bass Guitar, Bass - James Irving, Drums - Martin Trimble, Guitar, Vocals - 22-20s, Composer, Featured Vocalist, MainArtist
© 2005 Parlophone Records Ltd, a Warner Music Group Company ℗ 2004 The copyright in this sound recording is owned by EMI Records Ltd
Rich Costey, Mixer - Miles Showell, Masterer, MasteringEngineer - John Cornfield, Engineer - Tom Joyce, Engineer - Brendan Lynch, Producer - Fin Barnes, Engineer - George Shilling, Engineer - Glen Bartup, Bass Guitar, Bass - James Irving, Drums - Martin Trimble, Guitar, Vocals - 22-20s, Composer, Featured Vocalist, MainArtist
© 2005 Parlophone Records Ltd, a Warner Music Group Company ℗ 2004 The copyright in this sound recording is owned by EMI Records Ltd
Glen Bartup, Bass Guitar, Bass - James Irving, Drums - Martin Trimble, Guitar, Vocals - 22-20s, Composer, Producer, Featured Vocalist, MainArtist - John Halliday, Engineer, Recorder
© 2005 Parlophone Records Ltd, a Warner Music Group Company ℗ 2005 The copyright in this sound recording is owned by EMI Records Ltd
Album review
On their self-titled full-length debut, the 22-20s craft a more traditional, and more British, take on blues-inflected rock than Black Rebel Motorcycle Club or the White Stripes, two of the bands most often mentioned when describing this young, prolifically touring band. 22-20s reveals a group far less trippy than BRMC and not nearly as fiery and arty as the Stripes; they're actually more like the British equivalent of blues-rock standard-bearers such as the Black Keys. Shades of the Yardbirds color the revved-up guitars and harmonicas on "Devil in Me," while the band's first single, "Such a Fool," updates the dour, spare sound of Eric Burdon & the Animals only slightly. That the 22-20s reach back to the admittedly rich tradition of British blues isn't a problem; what's troublesome is that the band doesn't bring much inspiration to it. Songs like "22 Days" and "I'm the One" feel forced and blustery, and make heartache sound downright boring. Some of the bluesier cuts are more convincing; the threatening glint in Martin Trimble's voice on "Why Don't You Do It for Me?" invests the song with more emotion and personality, and "Hold On" has a nicely swampy swagger. However, the bandmembers never sound totally comfortable with this sound, no matter how much they appreciate its origins. The smooth, atmospheric production adds to this feeling, robbing the 22-20s of the immediacy they had on the 05-03 EP. As the album unfolds, the band tries on other sounds for size, with varying degrees of success: "Friends" comes across as a lukewarm Dylan impersonation, complete with nasal vocals that don't appear anywhere else on the album. On the other hand, the country-rock pastiche of "Baby, You're Not in Love" -- which sounds oddly like CCR's "Who'll Stop the Rain" -- ends up being one of 22-20s' highlights. Likewise, "Shoot Your Gun," a big, anthemic ballad with only a hint of blues, is another strong moment. Overall, the album is more competent than distinctive; maybe next time, the 22-20s will show more depth and personality.
© Heather Phares /TiVo
About the album
- 1 disc(s) - 11 track(s)
- Total length: 00:43:05
- Main artists: 22-20s
- Composer: Various Composers
- Label: Parlophone UK
- Genre: Pop/Rock Rock
© 2005 Parlophone Records Ltd, a Warner Music Group Company ℗ 2005 Parlophone Records Ltd, a Warner Music Group Company
Improve album informationWhy buy on Qobuz...
-
Stream or download your music
Buy an album or an individual track. Or listen to our entire catalogue with our high-quality unlimited streaming subscriptions.
-
Zero DRM
The downloaded files belong to you, without any usage limit. You can download them as many times as you like.
-
Choose the format best suited for you
Download your purchases in a wide variety of formats (FLAC, ALAC, WAV, AIFF...) depending on your needs.
-
Listen to your purchases on our apps
Download the Qobuz apps for smartphones, tablets and computers, and listen to your purchases wherever you go.