Joe Henderson
Joe Henderson is proof that jazz can sell without watering down the music; it just takes creative marketing. Although his sound and style were virtually unchanged from the mid-'60s, Joe Henderson's signing with Verve in 1992 was treated as a major news event by the label (even though he had already recorded many memorable sessions for other companies). His Verve recordings had easy-to-market themes (tributes to Billy Strayhorn, Miles Davis, and Antonio Carlos Jobim) and, as a result, he became a national celebrity and a constant poll winner while still sounding the same as when he was in obscurity in the 1970s. The general feeling is that it couldn't have happened to a more deserving jazz musician. After studying at Kentucky State College and Wayne State University, Joe Henderson played locally in Detroit before spending time in the military (1960-1962). He played briefly with Jack McDuff and then gained recognition for his work with Kenny Dorham (1962-1963), a veteran bop trumpeter who championed him and helped Henderson get signed to Blue Note. Henderson appeared on many Blue Note sessions both as a leader and as a sideman, spent 1964-1966 with Horace Silver's Quintet, and during 1969-1970 was in Herbie Hancock's band. From the start, he had a very distinctive sound and style which, although influenced a bit by both Sonny Rollins and John Coltrane, also contained a lot of brand new phrases and ideas. Henderson had long been able to improvise in both inside and outside settings, from hard bop to freeform. In the 1970s, he recorded frequently for Milestone and lived in San Francisco, but was somewhat taken for granted. The second half of the 1980s found him continuing his freelancing and teaching while recording for Blue Note, but it was when he hooked up with Verve that he suddenly became famous. Virtually all of his recordings are currently in print on CD, including a massive collection of his neglected (but generally rewarding) Milestone dates. On June 30, 2001, Joe Henderson passed away due to heart failure after a long battle with emphysema.© Scott Yanow /TiVo Read more
Joe Henderson is proof that jazz can sell without watering down the music; it just takes creative marketing. Although his sound and style were virtually unchanged from the mid-'60s, Joe Henderson's signing with Verve in 1992 was treated as a major news event by the label (even though he had already recorded many memorable sessions for other companies). His Verve recordings had easy-to-market themes (tributes to Billy Strayhorn, Miles Davis, and Antonio Carlos Jobim) and, as a result, he became a national celebrity and a constant poll winner while still sounding the same as when he was in obscurity in the 1970s.
The general feeling is that it couldn't have happened to a more deserving jazz musician. After studying at Kentucky State College and Wayne State University, Joe Henderson played locally in Detroit before spending time in the military (1960-1962). He played briefly with Jack McDuff and then gained recognition for his work with Kenny Dorham (1962-1963), a veteran bop trumpeter who championed him and helped Henderson get signed to Blue Note. Henderson appeared on many Blue Note sessions both as a leader and as a sideman, spent 1964-1966 with Horace Silver's Quintet, and during 1969-1970 was in Herbie Hancock's band. From the start, he had a very distinctive sound and style which, although influenced a bit by both Sonny Rollins and John Coltrane, also contained a lot of brand new phrases and ideas. Henderson had long been able to improvise in both inside and outside settings, from hard bop to freeform. In the 1970s, he recorded frequently for Milestone and lived in San Francisco, but was somewhat taken for granted. The second half of the 1980s found him continuing his freelancing and teaching while recording for Blue Note, but it was when he hooked up with Verve that he suddenly became famous. Virtually all of his recordings are currently in print on CD, including a massive collection of his neglected (but generally rewarding) Milestone dates. On June 30, 2001, Joe Henderson passed away due to heart failure after a long battle with emphysema.
© Scott Yanow /TiVo
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Page One
Jazz - Released by Blue Note Records on 10 Nov 2017
The Qobuz Ideal DiscographyHi-Res AudioThe title Page One is fitting for this disc, as it marks the beginning of the first chapter in the long career of tenor man Joe Henderson. And what a ...
24-Bit 192.0 kHz - Stereo -
Inner Urge (The Rudy Van Gelder Edition)
Jazz - Released by Blue Note Records on 30 Nov 1964
This early recording by Joe Henderson is not only one of the finest of all of his recordings, but is also a high point for 1960s jazz. At this point i ...
16-Bit CD Quality 44.1 kHz - Stereo -
Mirror, Mirror
Joe Henderson, Ron Carter, Chick Corea, Billy Higgins
Jazz - Released by MPS on 10 Aug 1993
Tenor saxophonist Joe Henderson has had a remarkably consistent career. Although he has spent periods (such as the 1970s) in relative obscurity and ot ...
24-Bit 88.2 kHz - Stereo -
Mode For Joe
Jazz - Released by Blue Note Records on 1 Nov 1966
Hi-Res Audio24-Bit 96.0 kHz - Stereo -
In 'N Out (The Rudy Van Gelder Edition)
Jazz - Released by Blue Note Records on 1 Jan 1964
Joe Henderson's third Blue Note release matches the very distinctive tenor with the veteran trumpeter Kenny Dorham and an unbeatable rhythm section: p ...
16-Bit CD Quality 44.1 kHz - Stereo -
The Elements
Jazz - Released by Milestone on 1 Jan 1973
Pitchfork: Best New ReissueRight between post bop and hard bop, Joe Henderson made a name for himself in the 1960s with five brilliant albums as the leader for Blue Note Records ...
24-Bit 192.0 kHz - Stereo -
The State Of The Tenor - Live at the Village Vanguard - Volume Two (Live At The Village Vanguard, New York/1985)
Jazz - Released by Blue Note Records on 1 Jan 1985
In a set that begs comparison to Sonny Rollins's famous Village Vanguard recordings of 1957, tenor-master Joe Henderson performed with a similar piano ...
24-Bit 96.0 kHz - Stereo -
Mirror, Mirror
Joe Henderson, Billy Higgins, Ron Carter, Chick Corea
Jazz - Released by MPS on 10 Aug 1993
Tenor saxophonist Joe Henderson has had a remarkably consistent career. Although he has spent periods (such as the 1970s) in relative obscurity and ot ...
24-Bit 192.0 kHz - Stereo -
Double Rainbow
Jazz - Released by Verve on 1 Nov 1994
The third of tenor-saxophonist Joe Henderson's tribute CDs on Verve was originally supposed to be a collaboration with the great bossa nova composer A ...
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Power To The People [Keepnews Collection] (Remastered)
Jazz - Released by Milestone on 23 May 1969
This album (which has been included in Joe Henderson's complete, eight-CD Milestone Years box set) has quite a few classic moments. At that point in t ...
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Lush Life-The Music Of Billy Strayhorn
Jazz - Released by Verve on 1 Jan 1992
With the release of this CD, the executives at Verve and their marketing staff proved that yes, indeed, jazz can sell. The veteran tenor Joe Henderson ...
16-Bit CD Quality 44.1 kHz - Stereo -
Our Thing
Jazz - Released by Blue Note Records on 5 Oct 2017
Joe Henderson's second recording as a leader features a very strong supporting cast: trumpeter Kenny Dorham (one of Henderson's earliest supporters), ...
16-Bit CD Quality 44.1 kHz - Stereo -
Page One
Jazz - Released by Blue Note Records on 10 Nov 2017
Hi-Res AudioThe title Page One is fitting for this disc, as it marks the beginning of the first chapter in the long career of tenor man Joe Henderson. And what a ...
24-Bit 96.0 kHz - Stereo -
Mode For Joe
Jazz - Released by Blue Note Records on 1 Nov 1966
24-Bit 192.0 kHz - Stereo -
The State Of The Tenor: Live At The Village Vanguard (Vol. 1 & 2 / Expanded Edition)
Jazz - Released by Blue Note Records on 1 Jan 1985
Blue Note's Doubletime series combines live sessions previously issued on two single albums onto one double CD. One of the first releases was Joe Hend ...
16-Bit CD Quality 44.1 kHz - Stereo -
Canyon Lady
Jazz - Released by Fantasy Records on 1 Oct 1973
This album has trumpeter Luis Gasca featured as a co-star with tenor-saxophonist Joe Henderson. Gasca arranged "Tres Palabras" which is played by a 13 ...
16-Bit CD Quality 44.1 kHz - Stereo -
Quiet Now: Lovesome Things
Jazz - Released by Verve on 1 Jan 1999
Joe Henderson's entry in Polygram's mellow Quiet Now series focuses on his '90s recordings for the Verve label, a period when the tenor saxophonist ha ...
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So Near, So Far (Musings For Miles)
Jazz - Released by Polydor on 1 Jan 1992
Joe Henderson's follow-up to his hugely successful Lush Life disc is another concept album, this time involving ten songs (including many lesser-known ...
16-Bit CD Quality 44.1 kHz - Stereo -
Ballads & Blues
Jazz - Released by Blue Note Records on 1 Jan 1997
This CD is part of a sampler series put out by Blue Note in 1997. Tenor great Joe Henderson is heard playing five ballads and a pair of blues from two ...
16-Bit CD Quality 44.1 kHz - Stereo