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Alasdair Roberts|The Crook of My Arm

The Crook of My Arm

Alasdair Roberts

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The singer from Scotland's Appendix Out sits down and puts his heart into a series of traditional folk songs. The result is a beautiful, intimate thing, as Alasdair Robert's plaintive voice cries out, yet stays restrained from any histrionics or any unwarranted interpretations. It's a remarkable thing, that voice -- completely understated, yet filled with sadness and longing. Roberts takes the traditional route, leaving the roots-soaked indie rock sound of his band behind and delivering an album that is a tribute to the traditional songs of the past with no trappings of the present. Given the simple guitar work and the strength of the songs themselves, it's easy to get caught up in the sheer and humbling pastoral grandeur of some of these tracks. "Lord Gregory" is delivered with a mournful, strident vocal, as is the heartbreaking "The Magpie's Nest" (originally popularized by Shirley Collins). Song after song, from "Lowlands" to "The False Bride," Roberts' strengths lie in his simple song adaptations and haunted storytelling. With an album like this, it's hard to tell if it's the vessel or the message that is actually more effective -- but ultimately one needs the other to be heard and to succeed in evoking emotions from the listener. Which this album does extremely well.
© Jon Pruett /TiVo

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The Crook of My Arm

Alasdair Roberts

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1
Lord Gregory
00:04:50

Alasdair Roberts, Artist, MainArtist

2001 Secretly Canadian 2001 Secretly Canadian

2
As I Came In By Huntly Town
00:04:59

Alasdair Roberts, Artist, MainArtist

2001 Secretly Canadian 2001 Secretly Canadian

3
Bonnie Lass Among The Heather
00:03:41

Alasdair Roberts, Artist, MainArtist

2001 Secretly Canadian 2001 Secretly Canadian

4
The Magpie's Nest
00:02:02

Alasdair Roberts, Artist, MainArtist

2001 Secretly Canadian 2001 Secretly Canadian

5
Ploughboy Lads
00:01:54

Alasdair Roberts, Artist, MainArtist

2001 Secretly Canadian 2001 Secretly Canadian

6
Lowlands
00:04:14

Alasdair Roberts, Artist, MainArtist

2001 Secretly Canadian 2001 Secretly Canadian

7
Master Kilby
00:02:34

Alasdair Roberts, Artist, MainArtist

2001 Secretly Canadian 2001 Secretly Canadian

8
Standing In Yon Flower Garden
00:03:51

Alasdair Roberts, Artist, MainArtist

2001 Secretly Canadian 2001 Secretly Canadian

9
Ye Banks And Braes O' Bonnie Doon
00:02:57

Alasdair Roberts, Artist, MainArtist

2001 Secretly Canadian 2001 Secretly Canadian

10
The False Bride
00:03:56

Alasdair Roberts, Artist, MainArtist

2001 Secretly Canadian 2001 Secretly Canadian

11
The Month Of January
00:03:34

Alasdair Roberts, Artist, MainArtist

2001 Secretly Canadian 2001 Secretly Canadian

12
The Wife Of Usher's Well
00:05:18

Alasdair Roberts, Artist, MainArtist

2001 Secretly Canadian 2001 Secretly Canadian

Album review

The singer from Scotland's Appendix Out sits down and puts his heart into a series of traditional folk songs. The result is a beautiful, intimate thing, as Alasdair Robert's plaintive voice cries out, yet stays restrained from any histrionics or any unwarranted interpretations. It's a remarkable thing, that voice -- completely understated, yet filled with sadness and longing. Roberts takes the traditional route, leaving the roots-soaked indie rock sound of his band behind and delivering an album that is a tribute to the traditional songs of the past with no trappings of the present. Given the simple guitar work and the strength of the songs themselves, it's easy to get caught up in the sheer and humbling pastoral grandeur of some of these tracks. "Lord Gregory" is delivered with a mournful, strident vocal, as is the heartbreaking "The Magpie's Nest" (originally popularized by Shirley Collins). Song after song, from "Lowlands" to "The False Bride," Roberts' strengths lie in his simple song adaptations and haunted storytelling. With an album like this, it's hard to tell if it's the vessel or the message that is actually more effective -- but ultimately one needs the other to be heard and to succeed in evoking emotions from the listener. Which this album does extremely well.
© Jon Pruett /TiVo

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