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Norah Jones|Come Away With Me

Come Away With Me

Norah Jones

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What does a shrug sound like? On "Don't Know Why,” the opening track of her debut effort, Norah Jones suggests a few possibilities. The first time she sings the title phrase, she gives it a touch of indifference, the classic tossed-off movie-star shrug. Her tone shifts slightly when she hits the chorus, to convey twinges of sadness; here the casual phrasing could be an attempt to shake off a sharp memory. Later, she shrugs in a way that conveys resignation, possibly regret—she's replaying a scene, trying to understand what happened.

Those shrugs and shadings, tools deployed by every jazz vocalist of the 1950s, are inescapable throughout Come Away With Me—in part because everything surrounding Jones' voice is so chill. There's room for her to emote, and room for gently cresting piano and organ chords. Unlike so many of her contemporaries, Jones knows instinctively how much (or how little!) singer the song needs. The secret of this record, which came out when Jones was 22, is its almost defiant approachability: It is calm, and open, and gentle, music for a lazy afternoon in a porch swing. As transfixing covers of Hank Williams' "Cold Cold Heart” and Hoagy Carmichael's "The Nearness of You” make clear, Jones thinks about contours and shadows when she sings; her storytelling depends as much on the scene and the atmosphere as the narrative.

And Jones applies the same understatement to the original songs here, which weave together elements of country, pop, jazz and torch balladry in inventive ways. It's one thing to render an old tune with modern cleverness, a skill Jones had honed as a solo pianist/singer before she was discovered. It's quite another to transform an original tune, like Jesse Harris' "Don't Know Why,” into something that sounds ageless and eternal, like a standard. Jones does that, over and over, using just shrugs and implications, rarely raising her voice much above a whisper. © Tom Moon/Qobuz

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Come Away With Me

Norah Jones

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1
Don't Know Why (192kHz/24bit)
00:03:06

Arif Mardin, Producer - Jay Newland, Producer - Jesse Harris, Acoustic Guitar, AssociatedPerformer, ComposerLyricist - Norah Jones, Producer, Piano, Vocals, MainArtist, AssociatedPerformer - Dan Rieser, Drums, AssociatedPerformer - Lee Alexander, AssociatedPerformer, Bass (Vocal)

℗ 2012 Capitol Records LLC

2
Seven Years (192kHz/24bit)
00:02:25

Jay Newland, Producer, Mixer, StudioPersonnel - S. Husky Hoskulds, Engineer, StudioPersonnel - Norah Jones, Producer, Vocals, MainArtist, AssociatedPerformer - Lee Alexander, AssociatedPerformer, ComposerLyricist, Bass (Vocal) - Kevin Breit, Acoustic Guitar, AssociatedPerformer - Craig Street, Producer - Brandon Mason, Asst. Recording Engineer, StudioPersonnel - Todd Parker, Assistant Mixer, StudioPersonnel - Brian Blade, Drums, AssociatedPerformer

℗ 2012 Capitol Records LLC

3
Cold Cold Heart (192kHz/24bit)
00:03:38

Arif Mardin, Producer, Mixer, StudioPersonnel - Hank Williams, Composer - Jay Newland, Mixer, Engineer, StudioPersonnel - Norah Jones, Piano, Vocals, MainArtist, AssociatedPerformer - Lee Alexander, AssociatedPerformer, Bass (Vocal) - Adam Levy, Electric Guitar, AssociatedPerformer - Todd Parker, Assistant Mixer, StudioPersonnel - Dick Kondas, Asst. Recording Engineer, StudioPersonnel

℗ 2012 Capitol Records LLC

4
Feelin’ The Same Way (192kHz/24bit)
00:02:57

Jay Newland, Producer, Mixer, StudioPersonnel - S. Husky Hoskulds, Engineer, StudioPersonnel - Norah Jones, Producer, Piano, Vocals, MainArtist, AssociatedPerformer - Lee Alexander, AssociatedPerformer, ComposerLyricist, Bass (Vocal) - Kevin Breit, Acoustic Guitar, Electric Guitar, AssociatedPerformer - Craig Street, Producer - Brandon Mason, Asst. Recording Engineer, StudioPersonnel - Todd Parker, Assistant Mixer, StudioPersonnel - Brian Blade, Drums, AssociatedPerformer

℗ 2012 Capitol Records LLC

5
Come Away With Me (192kHz/24bit)
00:03:18

Arif Mardin, Producer, Mixer, StudioPersonnel - Jay Newland, Mixer, Engineer, StudioPersonnel - Jesse Harris, Acoustic Guitar, AssociatedPerformer - Norah Jones, Piano, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Dan Rieser, Drums, AssociatedPerformer - Lee Alexander, AssociatedPerformer, Bass (Vocal) - Adam Levy, Electric Guitar, AssociatedPerformer - Dick Kondas, Asst. Recording Engineer, StudioPersonnel

℗ 2012 Capitol Records LLC

6
Shoot The Moon (192kHz/24bit)
00:03:56

Arif Mardin, Producer, Mixer, StudioPersonnel - Jay Newland, Mixer, Engineer, StudioPersonnel - Jesse Harris, Acoustic Guitar, AssociatedPerformer, ComposerLyricist - Norah Jones, Piano, Vocals, MainArtist, AssociatedPerformer - Lee Alexander, AssociatedPerformer, Bass (Vocal) - Adam Levy, Electric Guitar, AssociatedPerformer - Dick Kondas, Asst. Recording Engineer, StudioPersonnel - Brian Blade, Drums, AssociatedPerformer - Sam Yahel, Hammond B3, AssociatedPerformer

℗ 2012 Capitol Records LLC

7
Turn Me On (192kHz/24bit)
00:02:34

John D. Loudermilk, Composer - Arif Mardin, Producer - Jay Newland, Producer - Adam Rogers, Guitar, AssociatedPerformer - Norah Jones, Producer, Piano, Vocals, MainArtist, AssociatedPerformer - Mark Birkey, Asst. Recording Engineer, StudioPersonnel - Dan Rieser, Drums, AssociatedPerformer - Lee Alexander, AssociatedPerformer, Bass (Vocal) - Sam Yahel, Hammond B3, AssociatedPerformer

℗ 2012 Capitol Records LLC

8
Lonestar (192kHz/24bit)
00:03:06

Arif Mardin, Producer, Mixer, StudioPersonnel - Jay Newland, Mixer, Engineer, StudioPersonnel - Norah Jones, Vocals, MainArtist, AssociatedPerformer - Lee Alexander, AssociatedPerformer, ComposerLyricist, Bass (Vocal) - Rob Burger, Organ, AssociatedPerformer - Adam Levy, Acoustic Guitar, AssociatedPerformer - Dick Kondas, Asst. Recording Engineer, StudioPersonnel - Brian Blade, Drums, AssociatedPerformer - Tony Scherr, Guitar, Acoustic Guitar, AssociatedPerformer

℗ 2012 Capitol Records LLC

9
I’ve Got To See You Again (192kHz/24bit)
00:04:13

Arif Mardin, Producer, Mixer, StudioPersonnel - Jay Newland, Mixer, Engineer, StudioPersonnel - Jesse Harris, Acoustic Guitar, AssociatedPerformer, ComposerLyricist - Norah Jones, Piano, Vocals, MainArtist, AssociatedPerformer - Lee Alexander, AssociatedPerformer, Bass (Vocal) - Adam Levy, Electric Guitar, AssociatedPerformer - Dick Kondas, Asst. Recording Engineer, StudioPersonnel - Brian Blade, Drums, Percussion, AssociatedPerformer - Jenny Scheinman, Violin, AssociatedPerformer

℗ 2012 Capitol Records LLC

10
Painter Song (192kHz/24bit)
00:02:42

Arif Mardin, Producer, Mixer, StudioPersonnel - Jay Newland, Mixer, Engineer, StudioPersonnel - Norah Jones, Piano, Vocals, MainArtist, AssociatedPerformer - Lee Alexander, AssociatedPerformer, ComposerLyricist, Bass (Vocal) - Rob Burger, Accordion, AssociatedPerformer - Adam Levy, Acoustic Guitar, AssociatedPerformer - Dick Kondas, Asst. Recording Engineer, StudioPersonnel - Brian Blade, Drums, AssociatedPerformer - J.C. Hopkins, ComposerLyricist

℗ 2012 Capitol Records LLC

11
One Flight Down (192kHz/24bit)
00:03:05

Arif Mardin, Producer, Mixer, String Arranger, AssociatedPerformer, StudioPersonnel - Jay Newland, Mixer, Engineer, StudioPersonnel - Jesse Harris, Acoustic Guitar, AssociatedPerformer, ComposerLyricist - Norah Jones, Piano, Vocals, MainArtist, AssociatedPerformer - Dan Rieser, Drums, AssociatedPerformer - Lee Alexander, AssociatedPerformer, Bass (Vocal) - Adam Levy, Electric Guitar, AssociatedPerformer - Todd Parker, Assistant Mixer, StudioPersonnel - Dick Kondas, Asst. Recording Engineer, StudioPersonnel - Sam Yahel, Hammond B3, AssociatedPerformer - Jenny Scheinman, Violin, AssociatedPerformer

℗ 2012 Capitol Records LLC

12
Nightingale (192kHz/24bit)
00:04:11

Arif Mardin, Producer, Mixer, StudioPersonnel - Jay Newland, Mixer, Engineer, StudioPersonnel - Jesse Harris, Acoustic Guitar, AssociatedPerformer - Norah Jones, Piano, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Lee Alexander, AssociatedPerformer, Bass (Vocal) - Adam Levy, Electric Guitar, AssociatedPerformer - Todd Parker, Assistant Mixer, StudioPersonnel - Dick Kondas, Asst. Recording Engineer, StudioPersonnel - Brian Blade, Drums, AssociatedPerformer

℗ 2012 Capitol Records LLC

13
The Long Day Is Over (192kHz/24bit)
00:02:45

Jay Newland, Producer, Mixer, StudioPersonnel - Jesse Harris, Composer, Acoustic Guitar, AssociatedPerformer - S. Husky Hoskulds, Engineer, StudioPersonnel - Norah Jones, Composer, Producer, Piano, Vocals, MainArtist, AssociatedPerformer - Lee Alexander, AssociatedPerformer, Bass (Vocal) - Kevin Breit, Electric Guitar, AssociatedPerformer - Craig Street, Producer - Brandon Mason, Asst. Recording Engineer, StudioPersonnel - Todd Parker, Assistant Mixer, StudioPersonnel - Bill Frisell, Electric Guitar, AssociatedPerformer - Kenny Wollensen, Drums, AssociatedPerformer

℗ 2012 Capitol Records LLC

14
The Nearness Of You (192kHz/24bit)
00:03:10

Arif Mardin, Producer, Mixer, StudioPersonnel - Ned Washington, Composer - HOAGY CARMICHAEL, Composer - Jay Newland, Mixer, Engineer, StudioPersonnel - Norah Jones, Piano, Vocals, MainArtist, AssociatedPerformer - Todd Parker, Assistant Mixer, StudioPersonnel - Dick Kondas, Asst. Recording Engineer, StudioPersonnel

℗ 2012 Capitol Records LLC

Album Description

What does a shrug sound like? On "Don't Know Why,” the opening track of her debut effort, Norah Jones suggests a few possibilities. The first time she sings the title phrase, she gives it a touch of indifference, the classic tossed-off movie-star shrug. Her tone shifts slightly when she hits the chorus, to convey twinges of sadness; here the casual phrasing could be an attempt to shake off a sharp memory. Later, she shrugs in a way that conveys resignation, possibly regret—she's replaying a scene, trying to understand what happened.

Those shrugs and shadings, tools deployed by every jazz vocalist of the 1950s, are inescapable throughout Come Away With Me—in part because everything surrounding Jones' voice is so chill. There's room for her to emote, and room for gently cresting piano and organ chords. Unlike so many of her contemporaries, Jones knows instinctively how much (or how little!) singer the song needs. The secret of this record, which came out when Jones was 22, is its almost defiant approachability: It is calm, and open, and gentle, music for a lazy afternoon in a porch swing. As transfixing covers of Hank Williams' "Cold Cold Heart” and Hoagy Carmichael's "The Nearness of You” make clear, Jones thinks about contours and shadows when she sings; her storytelling depends as much on the scene and the atmosphere as the narrative.

And Jones applies the same understatement to the original songs here, which weave together elements of country, pop, jazz and torch balladry in inventive ways. It's one thing to render an old tune with modern cleverness, a skill Jones had honed as a solo pianist/singer before she was discovered. It's quite another to transform an original tune, like Jesse Harris' "Don't Know Why,” into something that sounds ageless and eternal, like a standard. Jones does that, over and over, using just shrugs and implications, rarely raising her voice much above a whisper. © Tom Moon/Qobuz

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