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Olympia|Flamingo

Flamingo

Olympia

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Since the start of the 2010s, Australia has been exporting new musical gems non-stop to the rest of the world. The latest takes the form of Olivia Jayne Bartley, aka Olympia, with her brilliantly classy sophomore indie-pop album Flamingo. Three years after Self Talk, the Wollongong-born Melburnian reminds us that she knows Blondie’s records like the back of her well-manicured hand. Indeed, the abundance of powerful choruses (Star City and Shoot to Forget being particularly noteworthy) recall Debbie Harry’s band throughout. Expertly mixing power pop ballads with guitar solos and hedonistic synth pop, this record is nothing revolutionary, but full of emotion nonetheless © Clotilde Maréchal

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Flamingo

Olympia

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1
Star City
00:03:25

Olympia, MainArtist

2019 Universal Music Australia Pty Limited under exclusive licence for UK and Europe to Opposite Number 2019 Universal Music Australia Pty Limited under exclusive licence for UK and Europe to Opposite Number

2
Come Back
00:03:47

Olympia, MainArtist

2019 Universal Music Australia Pty Limited under exclusive licence for UK and Europe to Opposite Number 2019 Universal Music Australia Pty Limited under exclusive licence for UK and Europe to Opposite Number

3
Easy Pleasure
00:03:34

Olympia, MainArtist

2019 Universal Music Australia Pty Limited under exclusive licence for UK and Europe to Opposite Number 2019 Universal Music Australia Pty Limited under exclusive licence for UK and Europe to Opposite Number

4
Nervous Riders
00:03:04

Olympia, MainArtist

2019 Universal Music Australia Pty Limited under exclusive licence for UK and Europe to Opposite Number 2019 Universal Music Australia Pty Limited under exclusive licence for UK and Europe to Opposite Number

5
Hounds Explicit
00:03:38

Olympia, MainArtist

2019 Universal Music Australia Pty Limited under exclusive licence for UK and Europe to Opposite Number 2019 Universal Music Australia Pty Limited under exclusive licence for UK and Europe to Opposite Number

6
Won't Say That
00:02:54

Olympia, MainArtist

2019 Universal Music Australia Pty Limited under exclusive licence for UK and Europe to Opposite Number 2019 Universal Music Australia Pty Limited under exclusive licence for UK and Europe to Opposite Number

7
Two Hands
00:02:58

Olympia, MainArtist

2019 Universal Music Australia Pty Limited under exclusive licence for UK and Europe to Opposite Number 2019 Universal Music Australia Pty Limited under exclusive licence for UK and Europe to Opposite Number

8
Shoot To Forget
00:02:58

Olympia, MainArtist

2019 Universal Music Australia Pty Limited under exclusive licence for UK and Europe to Opposite Number 2019 Universal Music Australia Pty Limited under exclusive licence for UK and Europe to Opposite Number

9
First You Leave
00:04:00

Olympia, MainArtist

2019 Universal Music Australia Pty Limited under exclusive licence for UK and Europe to Opposite Number 2019 Universal Music Australia Pty Limited under exclusive licence for UK and Europe to Opposite Number

10
Flamingo
00:03:12

Olympia, MainArtist

2019 Universal Music Australia Pty Limited under exclusive licence for UK and Europe to Opposite Number 2019 Universal Music Australia Pty Limited under exclusive licence for UK and Europe to Opposite Number

11
Wrong Number
00:03:31

Olympia, MainArtist

2019 Universal Music Australia Pty Limited under exclusive licence for UK and Europe to Opposite Number 2019 Universal Music Australia Pty Limited under exclusive licence for UK and Europe to Opposite Number

Album review

Since the start of the 2010s, Australia has been exporting new musical gems non-stop to the rest of the world. The latest takes the form of Olivia Jayne Bartley, aka Olympia, with her brilliantly classy sophomore indie-pop album Flamingo. Three years after Self Talk, the Wollongong-born Melburnian reminds us that she knows Blondie’s records like the back of her well-manicured hand. Indeed, the abundance of powerful choruses (Star City and Shoot to Forget being particularly noteworthy) recall Debbie Harry’s band throughout. Expertly mixing power pop ballads with guitar solos and hedonistic synth pop, this record is nothing revolutionary, but full of emotion nonetheless © Clotilde Maréchal

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