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Ning Feng|Elgar & Finzi: Violin Concertos

Elgar & Finzi: Violin Concertos

Ning Feng, Royal Liverpool Philharmonic Orchestra and Carlos Miguel Prieto

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The violin was Edward Elgar’s own instrument and his Violin Concerto is

almost like a personal confession: it was ‘too emotional’, Elgar admitted,

adding that he loved it nonetheless. The solo part is one of the most

exhausting in the repertoire – a veritable compendium of bravura violin

techniques. In an interview, Fritz Kreisler, to whom the Violin Concerto is

dedicated, ranked Elgar with Beethoven and Brahms. Elgar met the

challenge: his Violin Concerto combines the singing quality of Beethoven with the symphonic drama of Brahms.

The London-born Gerald Finzi was in many ways more English than Elgar

and his teacher Ralph Vaughan Williams. As can be heard in his Violin

Concerto, a well kept secret from 1927, that had its first performance after

the premiere only in 1999. The work lasts twenty minutes: a six-minute

allegro, a superb central ten-minute molto sereno, and ending with a four-minute

hornpipe rondo. It is difficult to understand why Finzi was

dissatisfied with his two fast movements. The first combines beauty with

energy. Through its sheer romantic beauty, the molto sereno is one of

t hose pieces where the hairs stand up on the back of the neck.

from liner notes by Clemens Romijn

More info

Elgar & Finzi: Violin Concertos

Ning Feng

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Violin Concerto in B minor, Op. 61 (Edward Elgar)

1
I. Allegro
00:18:40

Edward Elgar, Composer - Royal Liverpool Philharmonic Orchestra, Orchestra, MainArtist - Copyright Control, MusicPublisher - Ning Feng, MainArtist - Carlos Miguel Prieto, Conductor, MainArtist

2018 Channel Classics Records 2018 Channel Classics Records

2
II. Andante
00:12:32

Edward Elgar, Composer - Royal Liverpool Philharmonic Orchestra, Orchestra, MainArtist - Copyright Control, MusicPublisher - Ning Feng, MainArtist - Carlos Miguel Prieto, Conductor, MainArtist

2018 Channel Classics Records 2018 Channel Classics Records

3
III. Allegro
00:20:24

Edward Elgar, Composer - Royal Liverpool Philharmonic Orchestra, Orchestra, MainArtist - Copyright Control, MusicPublisher - Ning Feng, MainArtist - Carlos Miguel Prieto, Conductor, MainArtist

2018 Channel Classics Records 2018 Channel Classics Records

Violin Concerto (Gerald Finzi)

4
I. Allegro
00:05:44

Royal Liverpool Philharmonic Orchestra, Orchestra, MainArtist - Gerald Finzi, Composer - Ning Feng, MainArtist - Carlos Miguel Prieto, Conductor, MainArtist - Boosey and Hawkes, MusicPublisher

2018 Channel Classics Records 2018 Channel Classics Records

5
II. Molto sereno
00:09:46

Royal Liverpool Philharmonic Orchestra, Orchestra, MainArtist - Gerald Finzi, Composer - Ning Feng, MainArtist - Carlos Miguel Prieto, Conductor, MainArtist - Boosey and Hawkes, MusicPublisher

2018 Channel Classics Records 2018 Channel Classics Records

6
III. Hornpipe Rondo. Allegro risoluto
00:03:56

Royal Liverpool Philharmonic Orchestra, Orchestra, MainArtist - Gerald Finzi, Composer - Ning Feng, MainArtist - Carlos Miguel Prieto, Conductor, MainArtist - Boosey and Hawkes, MusicPublisher

2018 Channel Classics Records 2018 Channel Classics Records

Album review

The violin was Edward Elgar’s own instrument and his Violin Concerto is

almost like a personal confession: it was ‘too emotional’, Elgar admitted,

adding that he loved it nonetheless. The solo part is one of the most

exhausting in the repertoire – a veritable compendium of bravura violin

techniques. In an interview, Fritz Kreisler, to whom the Violin Concerto is

dedicated, ranked Elgar with Beethoven and Brahms. Elgar met the

challenge: his Violin Concerto combines the singing quality of Beethoven with the symphonic drama of Brahms.

The London-born Gerald Finzi was in many ways more English than Elgar

and his teacher Ralph Vaughan Williams. As can be heard in his Violin

Concerto, a well kept secret from 1927, that had its first performance after

the premiere only in 1999. The work lasts twenty minutes: a six-minute

allegro, a superb central ten-minute molto sereno, and ending with a four-minute

hornpipe rondo. It is difficult to understand why Finzi was

dissatisfied with his two fast movements. The first combines beauty with

energy. Through its sheer romantic beauty, the molto sereno is one of

t hose pieces where the hairs stand up on the back of the neck.

from liner notes by Clemens Romijn

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