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Ning Feng|Hello Mr. Paganini

Hello Mr. Paganini

Ning Feng and Thomas Hoppe

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Anyone playing the violin cannot get around the music of Paganini. Paganini is usually associated with the impossible and yet possible violin technique he invented, so much so that - because of their degree of complexity – a large part of his compositions is used for technical practice purposes. But meanwhile, the musical artistry in his works has often been overlooked or ignored. Undoubtedly, most of Paganini’s works are technically incredibly challenging, and his historical 24 Caprices are often used as the ultimate technical étude. Besides the 24 Caprices, Nel Cor Piu Non Mi Sento and God Save the King, the two theme pieces with variations for solo violin, are probably even more iconic in that all technical aspects of violin playing are demonstrated. Using the left hand pizzicato to accompany the theme, which is played at the same time using the bow, as well as the double harmonics, did not even appear in his 24 Caprices. But underneath all those dazzling skills, we should not forget about the music itself. I can hardly think of a Paganini piece without a beautiful and enjoyable Italian operatic aria. So, why not sing along? Therefore , I hope when listening to Paganini’s music on this recording, we can all appreciate not only the diabolic finger fireworks on the outside, but also the angel-like lyrical melodies on the inside.’ (from liner notes)

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Hello Mr. Paganini

Ning Feng

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1
Variations on "Non più mesta", Op. 12, MS 22: Introduzione. Adagio cantabile - Tema. Moderato - Var. I, II, III, IV - Finale. Allegro
Thomas Hoppe
00:13:21

Copyright Control, MusicPublisher - Niccolò Paganini, Composer - Ning Feng, MainArtist - Thomas Hoppe, MainArtist

2009 Channel Classics Records 2009 Channel Classics Records

2
24 Caprices for Solo Violin, Op. 1, MS 25: No. 24 in A Minor. Tema con variazioni. Quasi Presto
Thomas Hoppe
00:06:37

Copyright Control, MusicPublisher - Niccolò Paganini, Composer - Ning Feng, MainArtist - Thomas Hoppe, MainArtist

2009 Channel Classics Records 2009 Channel Classics Records

3
Variations on "God Save the King", Op. 9, MS 56: Tema. Andante - Var. I. Un poco più mosso. Spiritoso - Var. II. Con molto di dolcezza - Var. III. Lento - Var. IV. Vivace - Var. V. Larghetto - Var. VI. Presto energicamente
Ning Feng
00:05:04

Copyright Control, MusicPublisher - Niccolò Paganini, Composer - Ning Feng, MainArtist

2009 Channel Classics Records 2009 Channel Classics Records

4
Cantabile, Op. 17, MS 109
Thomas Hoppe
00:04:29

Copyright Control, MusicPublisher - Niccolò Paganini, Composer - Ning Feng, MainArtist - Thomas Hoppe, MainArtist

2009 Channel Classics Records 2009 Channel Classics Records

5
Variations on "Nel cor più non mi sento", MS 44
Ning Feng
00:14:55

Copyright Control, MusicPublisher - Niccolò Paganini, Composer - Ning Feng, MainArtist

2009 Channel Classics Records 2009 Channel Classics Records

6
Le streghe, Op. 8, MS 19: Introduzione. Maestoso - Larghetto - Tema. Andantino - Var. I, II, III - Finale. Allegretto
Thomas Hoppe
00:13:01

Copyright Control, MusicPublisher - Niccolò Paganini, Composer - Ning Feng, MainArtist - Thomas Hoppe, MainArtist

2009 Channel Classics Records 2009 Channel Classics Records

7
Violin Concerto No. 2 in B Minor, Op. 7, MS 48: III. Rondo "La Campanella"
Thomas Hoppe
00:05:48

Copyright Control, MusicPublisher - Niccolò Paganini, Composer - Ning Feng, MainArtist - Thomas Hoppe, MainArtist

2009 Channel Classics Records 2009 Channel Classics Records

8
Variations on "I palpiti", Op. 13, MS 77: Introduzione. Adagio - Tema. Allegretto grazioso - Var. I - Var. II. Adagio - Allegretto
Thomas Hoppe
00:11:24

Copyright Control, MusicPublisher - Niccolò Paganini, Composer - Ning Feng, MainArtist - Thomas Hoppe, MainArtist

2009 Channel Classics Records 2009 Channel Classics Records

Album review

Anyone playing the violin cannot get around the music of Paganini. Paganini is usually associated with the impossible and yet possible violin technique he invented, so much so that - because of their degree of complexity – a large part of his compositions is used for technical practice purposes. But meanwhile, the musical artistry in his works has often been overlooked or ignored. Undoubtedly, most of Paganini’s works are technically incredibly challenging, and his historical 24 Caprices are often used as the ultimate technical étude. Besides the 24 Caprices, Nel Cor Piu Non Mi Sento and God Save the King, the two theme pieces with variations for solo violin, are probably even more iconic in that all technical aspects of violin playing are demonstrated. Using the left hand pizzicato to accompany the theme, which is played at the same time using the bow, as well as the double harmonics, did not even appear in his 24 Caprices. But underneath all those dazzling skills, we should not forget about the music itself. I can hardly think of a Paganini piece without a beautiful and enjoyable Italian operatic aria. So, why not sing along? Therefore , I hope when listening to Paganini’s music on this recording, we can all appreciate not only the diabolic finger fireworks on the outside, but also the angel-like lyrical melodies on the inside.’ (from liner notes)

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