Jim Hall
A sensitive, versatile guitarist equally gifted in solo, trio or larger combo settings, Jim Hall was a dynamic jazz contributor from the '50s onward. His playing reflected the influences of Django Reinhardt and Charlie Christian, and featured blues-tinged solos, carefully crafted statements, and a rich, full tone and sound. His harmonic and rhythmic subtlety, achieved without sacrificing swing or intensity, were legendary. Hall began his professional career in Cleveland as a teen, then attended the Cleveland Institute of Music. After moving to Los Angeles and studying classical guitar with Vicente Gómez, Hall joined Chico Hamilton's quintet in the mid-'50s. He was in the Jimmy Giuffre 3 from 1956 to 1959, and made his recording debut as a leader in 1957. Hall made several sessions for Pacific Jazz and Pausa in the '60s. He worked extensively in the late '50s and into the mid-'60s, though he was also encountering severe problems with alcohol. There were sessions with Ben Webster, the masterpiece Undercurrent with Bill Evans, and a stint with Ella Fitzgerald in 1960 and 1961. Hall recorded frequently with Paul Desmond, and worked with Lee Konitz, Sonny Rollins, and Art Farmer. He played in the studio band for The Merv Griffin Show, worked with Evans again, and made some excellent duo records with Ron Carter. Hall divided his time in the '70s, '80s, and '90s between leading groups and doing sessions. He recorded for CTI, Milestone, Horizon, Artist House, and A&M (Japan) in the '70s, then mostly for Concord in the '80s. He recorded for MusicMasters in the '90s. Mosaic issued a comprehensive box set of his recordings with Desmond in 1987. His early Pacific Jazz recordings and much of his work with Rollins has been reissued on CD, as have some of the CTI, Fantasy, and Milestone dates. The Concord and MusicMasters sessions remain in print. Jim Hall died at his apartment in Manhattan on December 10, 2013; he was 83 years old.
© Ron Wynn & David Nelson McCarthy /TiVo
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Good Friday Blues
Jim Hall, The Modest Jazz Trio
Jazz - Editado por Mile End el 5/05/2008
16-Bit CD Quality 44.1 kHz - Stereo -
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Folk Jazz
Jazz contemporáneo - Editado por Firefly Entertainment el 5/05/2008
16-Bit CD Quality 44.1 kHz - Stereo -
Good Friday Blues: The Modest Jazz Trio
Jazz - Editado por CoolNote el 1/01/2000
16-Bit CD Quality 44.1 kHz - Stereo -
Folk Jazz
Jazz contemporáneo - Editado por Supreme Media el 5/05/2008
16-Bit CD Quality 44.1 kHz - Stereo -
The Unreleased Sessions
Jazz - Editado por Lone Hill Jazz el 1/01/2004
16-Bit CD Quality 44.1 kHz - Stereo -
Jazz Guitar (Remastered)
Jazz - Editado por Avid Entertainment el 1/01/2000
16-Bit CD Quality 44.1 kHz - Stereo -
Jazz Guitar - Ultimate Collection, Vol. 2
Jazz - Editado por Documents 2 el 13/12/2014
16-Bit CD Quality 44.1 kHz - Stereo -
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The Classic Years
Jazz - Editado por Sleeping Giant Music el 16/04/2012
16-Bit CD Quality 44.1 kHz - Stereo -
Third Stream Music: The 1960 Atlantic Recordings
Jazz - Editado por Soundmark el 1/01/1960
16-Bit CD Quality 44.1 kHz - Stereo -
Revelation
Bob Brookmeyer, Jim Raney, Jim Hall
Jazz - Editado por Diamond Days el 5/05/2008
16-Bit CD Quality 44.1 kHz - Stereo -
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Jazz Guitar
Jazz - Editado por Firefly Entertainment el 1/01/2000
16-Bit CD Quality 44.1 kHz - Stereo -
Two Jims and Zoot
Zoot Sims, Jimmy Raney, Jim Hall
Jazz - Editado por Mainstream Records el 1/01/1964
16-Bit CD Quality 44.1 kHz - Stereo -
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Good Friday Blues
Jim Hall Trio, Jim Hall, Modest Jazz Trio
R&B - Editado por Wave Octave el 11/02/2019
16-Bit CD Quality 44.1 kHz - Stereo -
Music On Air
Jazz - Editado por Underground Inside Records el 6/05/2016
16-Bit CD Quality 44.1 kHz - Stereo -
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Greensleeves, Time After Time and a Lot of Great Songs
Pop - Editado por Bamboodi el 27/01/2014
16-Bit CD Quality 44.1 kHz - Stereo