Zoot Sims
Idioma disponible: inglésThroughout his career, Zoot Sims was famous for epitomizing the swinging musician, never playing an inappropriate phrase. He always sounded inspired, and although his style did not change much after the early 1950s, Zoot's enthusiasm and creativity never wavered. Zoot's family was involved in vaudeville, and he played drums and clarinet as a youth. His older brother, Ray Sims, developed into a fine trombonist who sounded like Bill Harris. At age 13, Sims switched permanently to the tenor, and his initial inspiration was Lester Young, although he soon developed his own cool-toned sound. Sims was a professional by the age of 15, landing his first important job with Bobby Sherwood's Orchestra, and he joined Benny Goodman's big band for the first time in 1943; he would be one of BG's favorite tenormen for the next 30 years. He recorded with Joe Bushkin in 1944, and even at that early stage, his style was largely set. After a period in the Army, Sims was with Goodman from 1946-1947. He gained his initial fame as one of Woody Herman's "Four Brothers" during his time with the Second Herd (1947-1949). Zoot had brief stints with Buddy Rich's short-lived big band, Artie Shaw, Goodman (1950), Chubby Jackson, and Elliot Lawrence. He toured and recorded with Stan Kenton (1953) and Gerry Mulligan (1954-1956). Sims was also a star soloist with Mulligan's Concert Jazz Band of the early '60s and visited the Soviet Union with Benny Goodman in 1962. A freelancer throughout most of his career, Sims often led his own combos or co-led bands with his friend Al Cohn; the two tenors had very similar sounds and styles. Zoot started doubling on soprano quite effectively in the '70s. Through the years, he appeared in countless situations, and always seemed to come out ahead. Fortunately, Zoot Sims recorded frequently, leading sessions for Prestige, Metronome, Vogue, Dawn, Storyville, Argo, ABC-Paramount, Riverside, United Artists, Pacific Jazz, Bethlehem, Colpix, Impulse, Groove Merchant, Famous Door, Choice, Sonet, and a wonderful series for Pablo.
© Scott Yanow /TiVo Leer más
Throughout his career, Zoot Sims was famous for epitomizing the swinging musician, never playing an inappropriate phrase. He always sounded inspired, and although his style did not change much after the early 1950s, Zoot's enthusiasm and creativity never wavered.
Zoot's family was involved in vaudeville, and he played drums and clarinet as a youth. His older brother, Ray Sims, developed into a fine trombonist who sounded like Bill Harris. At age 13, Sims switched permanently to the tenor, and his initial inspiration was Lester Young, although he soon developed his own cool-toned sound. Sims was a professional by the age of 15, landing his first important job with Bobby Sherwood's Orchestra, and he joined Benny Goodman's big band for the first time in 1943; he would be one of BG's favorite tenormen for the next 30 years. He recorded with Joe Bushkin in 1944, and even at that early stage, his style was largely set.
After a period in the Army, Sims was with Goodman from 1946-1947. He gained his initial fame as one of Woody Herman's "Four Brothers" during his time with the Second Herd (1947-1949). Zoot had brief stints with Buddy Rich's short-lived big band, Artie Shaw, Goodman (1950), Chubby Jackson, and Elliot Lawrence. He toured and recorded with Stan Kenton (1953) and Gerry Mulligan (1954-1956). Sims was also a star soloist with Mulligan's Concert Jazz Band of the early '60s and visited the Soviet Union with Benny Goodman in 1962. A freelancer throughout most of his career, Sims often led his own combos or co-led bands with his friend Al Cohn; the two tenors had very similar sounds and styles. Zoot started doubling on soprano quite effectively in the '70s. Through the years, he appeared in countless situations, and always seemed to come out ahead. Fortunately, Zoot Sims recorded frequently, leading sessions for Prestige, Metronome, Vogue, Dawn, Storyville, Argo, ABC-Paramount, Riverside, United Artists, Pacific Jazz, Bethlehem, Colpix, Impulse, Groove Merchant, Famous Door, Choice, Sonet, and a wonderful series for Pablo.
© Scott Yanow /TiVo
-
Zoot Suite (Live)
Be Bop - Editado por HighNote Records el 15/02/2007
16-Bit CD Quality 44.1 kHz - Stereo -
Zoot Sims Plays Johnny Mandel: Quietly There
Jazz - Editado por Fantasy Records el 1/01/1984
16-Bit CD Quality 44.1 kHz - Stereo -
12 Classic Albums: 1956 - 1962
Jazz contemporáneo - Editado por Enlightenment el 4/07/2017
16-Bit CD Quality 44.1 kHz - Stereo -
-
Zoot Sims In Paris (Live At Blue Note Club, Paris, 1961)
Jazz - Editado por EMI Music Japan Inc. el 1/01/1962
16-Bit CD Quality 44.1 kHz - Stereo -
Zoot Sims With Bucky Pizzarelli
Jazz - Editado por Inner City Records el 1/08/1976
16-Bit CD Quality 44.1 kHz - Stereo -
The All Star Small Groups
Jazz - Editado por LRC Ltd. - Groove Merchant Records el 1/01/2001
16-Bit CD Quality 44.1 kHz - Stereo -
Zoot Sims Avec Henri Renaud Et Son Orchestre
Chanson francesa - Editado por New Release Catalog el 1/01/2010
16-Bit CD Quality 44.1 kHz - Stereo -
Zoot Sims And The Gershwin Brothers (Album Version)
Jazz - Editado por Fantasy Records el 6/06/1975
Discoteca Ideal Qobuz16-Bit CD Quality 44.1 kHz - Stereo -
Tangerine
Zoot Sims, Modern Jazz Giants and Cool Jazz
Jazz - Editado por Jazz Experience el 18/02/2017
16-Bit CD Quality 44.1 kHz - Stereo -
Down Home (Remastered 2013)
Jazz - Editado por Bethlehem Records el 3/06/2012
24-Bit 96.0 kHz - Stereo -
Zoot Sims And The Gershwin Brothers (Original Jazz Classics Remasters)
Jazz - Editado por Pablo el 6/06/1975
Discoteca Ideal Qobuz16-Bit CD Quality 44.1 kHz - Stereo -
-
Jazz Alive! A Night At The Half Note (Live)
Zoot Sims, Al Cohn, Phil Woods
Jazz - Editado por Blue Note Records el 1/01/1959
16-Bit CD Quality 44.1 kHz - Stereo -
Somebody Loves Me (Remastered)
Zoot Sims, Bucky Pizzarelli, Buddy Rich
Jazz - Editado por LRC Ltd. - Groove Merchant Records el 1/01/1974
16-Bit CD Quality 44.1 kHz - Stereo -
Recado Bossa Nova
Bossa nova - Editado por Fresh Sound Records el 16/11/2004
16-Bit CD Quality 44.1 kHz - Stereo -
Suddenly It's Spring
Jazz - Editado por Fantasy Records el 26/05/1983
16-Bit CD Quality 44.1 kHz - Stereo -
In A Sentimental Mood
Jazz - Editado por Universal Music AB el 21/11/1984
16-Bit CD Quality 44.1 kHz - Stereo -
New Beat Bossa Nova, Vol. 1 - 2 (Bossa Nova Jazz)
Latin jazz - Editado por White el 25/04/2013
16-Bit CD Quality 44.1 kHz - Stereo -
Stretching Out
Jazz - Editado por Blue Note Records el 1/01/1958
16-Bit CD Quality 44.1 kHz - Stereo -