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Piano solo - Verschenen op 5 mei 2014 | harmonia mundi

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4 étoiles Classica - Uitzonderlijke Geluidsopnamen - Hi-Res Audio
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Klassiek - Verschenen op 23 oktober 2012 | harmonia mundi

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4 étoiles Classica - Hi-Res Audio
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Klassiek - Verschenen op 13 april 2018 | harmonia mundi

Hi-Res Booklet Onderscheidingen Gramophone Editor's Choice
The vagaries of the market have led a French pianist to record all his albums in England (Jean-Efflam Bavouzet for Chandos) whereas an English pianist, Paul Lewis, recorded all of his for the French label Harmonia Mundi. They both share a real love of Haydn. While the Frenchman has been recording sonatas by the Austrian composer from the start, Paul Lewis waited until he had assimilated Beethoven's 32 Sonatas and Schubert's as well, so as to be able to get to the root of the repertoire. For his first album dedicated solely to Haydn, he has chosen four sonatas, 32, 40, 49, and 50, allowing him to deploy his whole expressive range, dispelling once and for all the "Papa Haydn" tag that has for so long dogged the great musical innovator. In Paul Lewis's hands, Haydn's music is not that of an ancestor, however good, but of a Viennese classicist, performed with great nuance, a fluid sound and a wonderful, plastic beauty which makes the keyboard sing, underlining Haydn's joyful and puckish side as well as his passing melancholy. © François Hudry/Qobuz
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Klassiek - Verschenen op 7 april 2008 | harmonia mundi

Onderscheidingen Gramophone Record of the Year
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Klassiek - Verschenen op 1 augustus 2010 | harmonia mundi

Hi-Res Booklet Onderscheidingen Hi-Res Audio
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Piano solo - Verschenen op 8 november 2011 | harmonia mundi

Hi-Res Booklet Onderscheidingen Hi-Res Audio
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Klassiek - Verschenen op 5 mei 2011 | harmonia mundi

Hi-Res Booklet Onderscheidingen Hi-Res Audio
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Klassiek - Verschenen op 8 februari 2019 | harmonia mundi

Hi-Res Booklet Onderscheidingen 5 Sterne Fono Forum Klassik
With both of their lives cut short before they reached forty years of age, one from tuberculosis and the other from syphilis, the piano sonatas that Weber and Schubert left behind have either long been forgotten or are unheard of among pianists and the public. Luckily, this has been rectified for Schubert’s works thanks to pioneering pianists such as Artur Schnabel and Wilhelm Kempff, but more must be done for the works of Carl Maria von Weber who is still primarily known for his opera Der Freischütz (The Marksman). It takes an exceptional musician to bring forgotten music back to life and that is exactly what Paul Lewis does in this new album after having previously released fantastic interpretations of Beethoven and Schubert under the same French record label, Harmonia Mundi. Weber was around at the same time as Beethoven and was one of the first piano virtuosos from the beginning of the 19th century. His dazzling technique can be heard in this Sonata No.2 in A flat major which is both a virtuosic and a classic work that opened the door to romanticism for many other composers thereafter. The Sonata in B major, D 575 is actually from the same year that Schubert celebrated his twentieth birthday and sought independence from his parents to become a prolific composer, despite all the risks that came with a career as an independent artist at that time. This captures the beginning of romanticism and is an original and exciting pairing between two composers who appreciated each other’s work, but whose styles were diametrically opposed: the bright lights and panache for Weber and the melancholy soul for Schubert. © François Hudry/Qobuz
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Concerten voor klavier - Verschenen op 15 april 2016 | harmonia mundi

Hi-Res Booklet Onderscheidingen 5 de Diapason
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Klassiek - Verschenen op 23 oktober 2012 | harmonia mundi

Hi-Res Booklet Onderscheidingen Hi-Res Audio
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Piano solo - Verschenen op 14 juli 2014 | harmonia mundi

Onderscheidingen 4 étoiles Classica
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Klassiek - Verschenen op 10 juli 2020 | harmonia mundi

Hi-Res Booklet
‘Miniature’ Beethoven! In our collective idea of the piano, Beethoven’s name is associated with the monument of the thirty-two sonatas, which have often been elevated to the status of the ‘New Testament’ beside the ‘Old Testament’ of Bach’s Well-Tempered Clavier. Yet, over a period of decades, the composer of Für Elise constantly returned to the genre of the bagatelle, which he called ‘trifles’ but which actually meant a great deal to him. In this small form par excellence, as in the sonata, Beethoven laid the foundations for a flourishing new genre, the piano miniature. Whether they last a few minutes or a few seconds, these Bagatelles are masterpieces! © harmonia mundi
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Klassiek - Verschenen op 25 september 2007 | harmonia mundi

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Klassiek - Verschenen op 31 juli 2007 | harmonia mundi

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Klassiek - Verschenen op 31 juli 2007 | harmonia mundi

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Piano solo - Verschenen op 12 januari 2015 | harmonia mundi

Hi-Res Booklet
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Klassiek - Verschenen op 19 december 2018 | Krapes

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Klassiek - Verschenen op 31 juli 2007 | harmonia mundi

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Klassiek - Verschenen op 15 januari 2008 | harmonia mundi

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Klassiek - Verschenen op 11 maart 2007 | Campion Cameo