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Country - Verschenen op 1 mei 1968 | Columbia - Legacy

Hi-Res Onderscheidingen The Qobuz Ideal Discography - Hi-Res Audio
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Country - Verschenen op 1 januari 1994 | American Recordings

Onderscheidingen The Qobuz Ideal Discography - Stereophile: Record To Die For
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Country - Verschenen op 3 november 1958 | Columbia Nashville Legacy

Hi-Res Onderscheidingen The Qobuz Ideal Discography - Hi-Res Audio
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Country - Verschenen op 1 oktober 1964 | Columbia Nashville Legacy

Hi-Res Onderscheidingen The Qobuz Ideal Discography - Hi-Res Audio
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Country - Verschenen op 1 januari 2002 | American Recordings

Onderscheidingen The Qobuz Ideal Discography
Produced by Rick Rubin, Johnny Cash’s legendary American recordings are not only among his major musical statements, but also its moving final will. Released in November 2002, American IV – The Man Comes Around is the last volume of the collection that was released while Cash was still alive (He passed away 10 months after its release). Using the famous “cover” recipe, Johnny Cash managed in this record to turn other musicians’ compositions, sometimes recent work, into his own unique style. Nine Inch Nails, Depeche Mode, and Sting are all covered, and when listening to Cash’s rendition of their songs it is sometimes difficult to recall their original versions. As usual, Rubin’s work on the soundboard is devoted to Johnny Cash’s voice. Caught it its last whispers, the voice is haunting, yet never morose.Indeed, the voice is key in “American IV”.  The material can bring chills (the video clip of Hurt is deeply moving and, after listening to the track, Trent Reznor proclaimed “It’s like I have lost my girlfriend. This song doesn’t belong to me anymore…”), Give My Love To Rose evokes a sadness that is a strike at the heart, and I Hung My Head expresses an innocence that is profoundly tender. Even when he deals with the classic repertoire of country music, many that he recorded in the past (Sam Hall, Give My Love To Rose, I'm So Lonesome I Could Cry, Streets of Laredo, Danny Boy) the Man in Black brings to his interpretation the sorrow and sensitivity of his dying condition, always with grace and dignity.A sad yet festive funeral, the record includes many featured guest artists: Fiona Apple and Nick Cave sing, John Frusciante of the Red Hot Chili Peppers and Marty Stuart strum their guitars, old partner Cowboy Jack Clement pulls out his dobro, Joey Waronker abandons Beck and Air to join in the rhythm section, and Benmont Tench brings in an array of keyboards including an organ, harmonium, Mellotron, vibraphone and even a Wurlitzer.Music lovers from all over the world recognized what a masterpiece American IV – The Man Comes Around had been created, and its reception led it to be a gold record, which was Johnny Cash’s first in thirty years. © Marc Zisman/Qobuz
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Country - Verschenen op 4 juni 1969 | Columbia Nashville Legacy

Hi-Res Onderscheidingen The Qobuz Ideal Discography
In 1969, Neil Armstrong walked on the Moon and Johnny Cash discovered the stage of the San Quentin State Prison. The Man In Black, the man who wore only black for the prisoners, the poor, the needy, the elderly and the sick. He who always rubbed shoulders with people living in misery, he − the rebel of Nashville, the pioneer of outlaws − always brought together very disparate audiences. In 1968, the legend married June Carter of the famous Carter Family. It was a genuine and sincere love that led her to follow her husband on their honeymoon, which consisted of extensive tours and a series of concerts in prisons. This idea came to Cash in California with the song At Folsom Prison, and a year later he played the legendary show at San Quentin. He was just 37 years old at the time, but his face already looked tired by the time of this 31st album, something which was not helped by his various addictions and other vices. Regardless, this is no doubt one of the major works of Country music and comes with a unique archive of images captured by the British channel Granada. Cash was king in the land of the madmen. All listened ceremoniously, respected him, and a striking bond was developed. The Man in Black was in his element. Accompanied by Carl Perkins on the guitar, even June joined him on Darlin’ Companion, slightly intimidated by the situation. Symbolically opening with Wanted Man, the track selection spoke to the inmates. Wild applause, shouts of joy, or conversely complete silence, Johnny Cash’s charm was inscrutable. Provocative and gifted with a great sense of humour, he was at times censored with “beeps” and didn’t shy away from playing a risky new song specially composed for the occasion: San Quentin. “San Quentin, you've been livin' hell to me… San Quentin, I hate every inch of you.” This was followed by a chilling Shel Silverstein composition titled A Boy Named Sue, which Cash sang for the very first time, the lyrics absolutely delighting the crowd. It was a bloody and dark style of Country music reminiscent of Eddie Noack’s Psycho or the Louvin Brothers’ Knoxville Girl. During this concert Cash talked almost as much as he sang, connecting with the inmates, and closing the magical event with the wild vibrations of Folsom Prison Blues. © Clara Bismuth/Qobuz
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Country - Verschenen op 1 januari 2003 | American Recordings

Onderscheidingen The Qobuz Ideal Discography
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Country - Verschenen op 15 februari 1965 | Columbia Nashville Legacy

Hi-Res Onderscheidingen Hi-Res Audio
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Country - Verschenen op 25 maart 2014 | Columbia Nashville Legacy

Hi-Res Onderscheidingen Hi-Res Audio
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Country - Verschenen op 26 mei 1971 | Legacy Recordings

Hi-Res Onderscheidingen Hi-Res Audio
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Country - Verschenen op 1 september 1983 | Columbia Nashville

Hi-Res Onderscheidingen Hi-Res Audio
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Country - Verschenen op 1 januari 1960 | Columbia Nashville Legacy

Hi-Res Onderscheidingen Hi-Res Audio
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Country - Verschenen op 14 november 1963 | Columbia Nashville Legacy

Hi-Res Onderscheidingen Hi-Res Audio
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Country - Verschenen op 1 september 1959 | Columbia Nashville Legacy

Hi-Res Onderscheidingen Hi-Res Audio
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Country - Verschenen op 1 september 1965 | Columbia Nashville Legacy

Onderscheidingen The Qobuz Ideal Discography
HI-RES€ 16,99
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Country - Verschenen op 1 september 1960 | Columbia Nashville Legacy

Hi-Res Onderscheidingen Hi-Res Audio
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Country - Verschenen op 1 januari 2000 | American Recordings

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Country - Verschenen op 1 januari 2010 | American Recordings

Deze tien nummers werden opgenomen tijdens dezelfde sessies als American V: A Hundred Highways. June Carter Cash overleed gedurende deze opnames tijdens een routinematige operatie. Cash, verscheurd van verdriet en in het volle bewustzijn dat hij zou sterven vanwege de complicaties van de ziekte van Parkinson, werkte zoveel aan dit album als zijn gezondheid hem toestond. Hij stierf drie maanden nadat deze nummers waren opgenomen. Ain’t No Grave is zijn zwanenzang. Het is een diep spiritueel album, en een formeel vaarwel van een man zonder spijt van bijna mythische proportie. Het is niet alleen een boeiende bijdrage aan zijn oeuvre, maar een offer dat zijn historische American Recordings-serie met dezelfde kwaliteitsstempel afsluit als waarmee hij hem begon. © TiVo
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Country - Verschenen op 1 januari 2006 | American Recordings

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Country - Verschenen op 26 juni 2020 | Mercury Nashville

Artiest

Johnny Cash in het magazine
  • Cash Behind Bars
    Cash Behind Bars In 1969, Neil Armstrong walked on the Moon and Johnny Cash discovered the stage of the San Quentin State Prison.