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Pop - Verschenen op 4 oktober 2013 | SevenOne Music

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Rock - Verschenen op 1 december 2003 | Parlophone UK

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Rock - Verschenen op 1 april 1969 | A&M

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Joe Cocker's debut album holds up extraordinarily well across four decades, the singer's performance bolstered by some very sharp playing, not only by his established sideman/collaborator Chris Stainton, but also some top-notch session musicians, among them drummer Clem Cattini, Steve Winwood on organ, and guitarists Jimmy Page and Albert Lee, all sitting in. It's Cocker's voice, a soulful rasp of an instrument backed up by Madeline Bell, Sunny Weetman and Rossetta Hightower that carries this album and makes "Change in Louise," "Feeling Alright," "Just Like a Woman," "I Shall Be Released," and even "Bye Bye Blackbird" into profound listening experiences. But the surprises in the arrangements, tempo, and approaches taken help make this an exceptional album. Tracks like "Just Like a Woman," with its soaring gospel organ above a lean textured acoustic and light electric accompaniment, and the guitar-dominated rendition of "Don't Let Me Be Misunderstood" -- the formal debut of the Grease Band on record -- all help make this an exceptional listening experience. The 1999 A&M reissue not only includes new notes and audiophile-quality sound, but also a pair of bonus tracks, the previously unanthologized B-sides "The New Age of Lily" and "Something Coming On," deserved better than the obscurity in which they previously dwelt. © Bruce Eder /TiVo
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Pop - Verschenen op 2 november 1992 | Parlophone UK

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Rock - Verschenen op 1 april 1969 | A&M

Joe Cocker's debut album holds up extraordinarily well across four decades, the singer's performance bolstered by some very sharp playing, not only by his established sideman/collaborator Chris Stainton, but also some top-notch session musicians, among them drummer Clem Cattini, Steve Winwood on organ, and guitarists Jimmy Page and Albert Lee, all sitting in. It's Cocker's voice, a soulful rasp of an instrument backed up by Madeline Bell, Sunny Weetman and Rossetta Hightower that carries this album and makes "Change in Louise," "Feeling Alright," "Just Like a Woman," "I Shall Be Released," and even "Bye Bye Blackbird" into profound listening experiences. But the surprises in the arrangements, tempo, and approaches taken help make this an exceptional album. Tracks like "Just Like a Woman," with its soaring gospel organ above a lean textured acoustic and light electric accompaniment, and the guitar-dominated rendition of "Don't Let Me Be Misunderstood" -- the formal debut of the Grease Band on record -- all help make this an exceptional listening experience. The 1999 A&M reissue not only includes new notes and audiophile-quality sound, but also a pair of bonus tracks, the previously unanthologized B-sides "The New Age of Lily" and "Something Coming On," deserved better than the obscurity in which they previously dwelt. © Bruce Eder /TiVo
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Rock - Verschenen op 8 februari 1999 | Parlophone UK

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Pop - Verschenen op 21 mei 1990 | Parlophone UK

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Pop - Verschenen op 28 oktober 1987 | Parlophone UK

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Rock - Verschenen op 1 augustus 1970 | A&M

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Pop - Verschenen op 2 november 1994 | Parlophone UK

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Rock - Verschenen op 1 januari 2002 | Island Records (The Island Def Jam Music Group / Universal Music)

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Rock - Verschenen op 7 oktober 1996 | Parlophone UK

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Pop - Verschenen op 1 november 1969 | A&M

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Joe Cocker's first three A&M albums form the bedrock of a career that spans over three decades. While Cocker certainly wasn't always in top form during this stretch -- thanks to alcohol problems and questionable comeback moves in the '80s and '90s -- his early records did inform the classic pub rock sound later credited to proto-punk figures like Graham Parker and Brinsley Schwarz. On those early records, Cocker mixed elements of late-'60s English blues revival recordings (John Mayall, et al.) with the more contemporary sounds of soul and pop; a sound fused in no small part by producer and arranger Leon Russell, whose gumbo mix figures prominently on this eponymous release and the infamous Mad Dogs & Englishmen live set. Russell's sophisticated swamp blues aesthetic is felt directly with versions of his gospel ballad "Hello, Little Friend" and Beatles-inspired bit of New Orleans pop -- and one of Cocker's biggest hits -- "Delta Lady." Following up on the huge success of an earlier cover of "With a Little Help From My Friends," Cocker mines more Beatles gold with very respectable renditions of "She Came in Through the Bathroom Window" and "Something." And rounding out this impressive set are equally astute takes on Dylan's "Dear Landlord," Leonard Cohen's "Bird on the Wire," and John Sebastian's "Darling Be Home Soon." Throughout, Cocker gets superb support from his regular backing group of the time, the Grease Band. A fine introduction to the singer's classic, late-'60s and early-'70s period. © Stephen Cook /TiVo
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Originele soundtracks - Verschenen op 11 december 2015 | Rhino

Rock - Verschenen op 18 augustus 1970 | A&M

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Rock - Verschenen op 5 januari 2019 | Renaissance Records USA

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Rock - Verschenen op 1 januari 1999 | A&M

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Pop/Rock - Verschenen op 16 november 2012 | Columbia SevenOne

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Rock - Verschenen op 27 september 2004 | Parlophone UK

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Rock - Verschenen op 1 november 1969 | A&M