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Ambient - Verschenen op 25 december 2020 | Text Records

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Ambient - Verschenen op 13 maart 2020 | Text Records

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This is the tenth studio album by the stalwart of the British electronic scene; Sixteen Oceans offers an hour-long journey through Four Tet’s inspired mind. The album which could too hastily be labelled ‘ambient’ starts off upbeat with School and Baby, a perfect warm-up with a 2-step beat and a “Take Me On” chopped vocal (a catchy Ellie Goulding sample). Granted, Harpsichord (featuring notes played on the instrument of the same name), Green and 4T Recordings (which resound like the soundtrack to a forest on Pandora) are pretty ambient, but they also prove that Four Tet is no one trick pony. The producer dives into downtempo/electronica with tracks such as the single Teenage Birdsong and its jumble of blades and keyboards, spoils us with the Burial-esque underground beat of Love Salad and gets trippy with aquatic samples (Bubbles At Overlook 25th March 2019). Some standouts from this album full of surprises include Something in the Sadness, a nod to Mathew Jonson, and Insect Near Piha Beach, started off by a heavy techno kick and gradually soothed by a swarm of strings and heavenly voices that result in an astonishingly masterful sonic chiaroscuro. ©️ Smaël Bouaici/Qobuz
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Ambient - Verschenen op 29 september 2017 | Text Records

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A crazy tinkerer from the techno sphere, Kieran Hebden aka Four Tet pens a ninth UFO, of which he has a knack for creating. The bulimic British—who, when he doesn’t work on his own music, mixes for The XX, A$AP Rocky, Oneohtrix Point Never, Aphex Twin, Explosions In The Sky, Super Furry Animals, Radiohead, Ellie Goulding, Lana Del Rey, Manic Street Preachers, Sia and even Black Sabbath—pursues here his 360° electro-new age trip armed with the Ableton Live software. His world is atmospheric at times, overtly techno at other times, sometimes even world, and, in any case, completely impossible to pin down. Four Tet being absolutely eclectic (he had penned a splendid FabricLive volume in perfect line with his kaleidoscopically personality, an intense trip in 2-step and garage land where we notably crossed paths with Dan Snaith, his friend from Caribou, but also with Burial, Crazy Bald Heads and even the master Ricardo Villalobos), his disc looks like him more than ever. It’s some great piece of art with no blinkers on, conceived with Kaitlyn Aurelia Smith on synths (on LA Trance) and Tom Bake at the hang (on Lush). © MD/Qobuz
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Ambient - Verschenen op 18 juli 2019 | Text Records

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Ambient - Verschenen op 24 januari 2020 | Text Records

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Electronic - Verschenen op 4 oktober 2013 | Text Records

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Ambient - Verschenen op 30 augustus 2019 | Text Records

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Since his most recent album New Energy (2017), Four Tet (Kieran Hebden) has stayed relatively busy, releasing a live album in 2018 and the two standalone singles –"Teenage Birdsong" and "Dreamer"–in 2019. His new EP Anna Painting is a return to form, mixing energetic four-on-the-floor rhythms with beautiful, sweeping ambient synths and his uniquely organic sampling style. The opening title track begins with sixteen bars of a strange, looping voice sample, which then explodes into a techno beat layered with ambient texture. "Lahaina Noon" takes cues from Aphex Twin's 1995 classic ...I Care Because You Do

Ambient - Verschenen op 25 januari 2010 | Text Records

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Electronic - Verschenen op 20 augustus 2012 | Text Records

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Ambient - Verschenen op 15 februari 1999 | Text Records

In 1998, at barely 20 years old, Kieran Hebden was already an extremely active musician. He had just signed to Output Records, Trevor Jackson’s label, with Fridge, the post-rock trio obsessed with sampling led by himself, Adem Ilhan and Sam Jeffers. He then went solo with the release of Thirtysixtwentyfive on Output, his first “album” composed of two 18 minute tracks. An iconoclasm which allowed him to record his first “true” album one year later in February 1999 with Dialogue, this time with separate, distinctive tracks.The arrival of this record on streaming platforms twenty years later opens a door to an “adolescent Four Tet” who had not yet become an electronic music star and the most sought-after remixer in England. It’s clear that this early Four Tet was already highly influenced by hip-hop and jazz as these elements are mixed into the record for what would be the first time. The beginning of The Space of Two reminds one of the abstract hip-hop heard of Prefuse 73. The record then unfolds into a very jazzy sound and drums which urge you to dance (Misnomer and the cosmic jazz The Butterfly Effect). Calamine is certainly the track which most foreshadows Four Tet’s future, with its use of strings and a more psychedelic sound with trance-like flutes from Emma Lindley and percussion mixed into the background. This record was not far away from his masterpiece Rounds, which was released four years later in 2003. © Smaêl Bouaici/Qobuz
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Ambient - Verschenen op 18 april 2019 | Text Records

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House - Verschenen op 23 januari 2017 | Text Records

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House - Verschenen op 5 juli 2017 | Text Records

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Electronic - Verschenen op 10 juli 2015 | Text Records

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Dance - Verschenen op 4 februari 2016 | Text Records

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Ambient - Verschenen op 4 maart 2020 | Text Records

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Ambient - Verschenen op 13 september 2017 | Text Records

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Techno - Verschenen op 28 oktober 2016 | Text Records

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House - Verschenen op 25 april 2008 | Text Records

Trying to predict a future direction for Four Tet after Kieran Hebden's time recording with everyone from Steve Reid to his old trio Fridge shouldn't even have been attempted, but the Ringer EP is still a big surprise. Sounding like it was recorded ten or sometimes 20 years earlier than it actually was, the four-tracker reconciles Hebden's mesmerizing early Four Tet material with the sound of IDM circa the early '90s and, also, the movie soundtrack style of the '80s popularized by Tangerine Dream for Risky Business and John Carpenter for Halloween and Escape from New York. The title track is the best, where Hebden spends ten minutes interweaving a dizzying array of changing parts over a plodding four-four beat. © John Bush /TiVo
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Ambient - Verschenen op 11 januari 1999 | Text Records