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Toneelmuziek - Verschenen op 10 augustus 2018 | PentaTone

Hi-Res Booklet Onderscheidingen 5 de Diapason - 3F de Télérama - Gramophone Editor's Choice
Composed by Stravinsky in 1933 in the wake of the French oratorio fashion whose figureheads are Milhaud (Les Choéphores) and Honegger (Le Roi David, Jeanne d’Arc au bûcher), and his own Oedipus Rex, Perséphone sanctifies the French period of the Russian composer, after he left Switzerland and before he settled definitely in the United States. Ordered by Ida Rubinstein, to whom music history already owed Debussy’s Martyre de Saint-Sébastien and Ravel’s Boléro, this melodrama, profane in its story and hybrid regarding its musical form, glorifies spring -without it being a new “Consecration” in its language) on a text by André Gide, thus prolonging the emotion created by the novel Si le grain ne meurt. The three acts of the work (Perséphone enlevée, Perséphone aux enfers, Perséphone renaissante) are close to human nature and psyche with an empathy reinforced by Stravinsky’s music. Conceived for a tenor (Eumolpe), a narrator, a mixed chorus, a chidren’s chorus and an orchestra, this work, so original in the production of its author, has however never found its audience. People long blamed Stravinsky for wringing the neck of the prosody of Gide’s text without understanding that it was however one of its more sensitive works, possessed with a melodic verve, a clear lyricism and a warmth for which he wasn’t known for. Under Esa-Pekka Salonen’s inspired and aerial baton, Perséphone finds here a second youth which might finally allow it to impose itself to a new generation of music lovers. This “strange profane mass” (as described by Marcel Marnat) is probably one of the most touching works of a composer that is always looking for new springs. © François Hudry/Qobuz
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Klassiek - Verschenen op 2 augustus 2011 | BIS

Hi-Res Booklet Onderscheidingen Diapason d'or
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Klassiek - Verschenen op 1 februari 2013 | Sony Classical

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Klassiek - Verschenen op 5 maart 2021 | Nonesuch

Hi-Res Booklet
This world premiere performance by the Los Angeles Philharmonic was commissioned by the LA Phil with generous support from the MaddocksBrown Fund for New Music as part of its centennial celebrations. Recorded live in May 2019 at Walt Disney Concert Hall and conducted by LA Phil Conductor Laureate Esa-Pekka Salonen with solo vocalist Nora Fischer. Two artistic discoveries influenced Andriessen as he wrote The only one. The first was a collection of poems by the Flemish poet Delphine Lecompte from The animals in me. “These witty, intelligent, experimental, and sometimes scabrous poems immediately fascinated me. My focus turned to faraway America, with its great tradition of songwriting”, he says. His second discovery was the work of Nora Fischer, an Amsterdam–based singer known for developing dynamic creative projects that fuse classical and pop music. Andriessen says, “The depth of her versatility has strongly influenced the musical language of the piece”. He further explains that “the piece flirts a bit with certain kinds of pop songs and light music, and starts out with a beautiful song”. “Andriessen used bits of old music, an allusion to the "Dies Irae" motif and some Minimalism, a jazz riff here and a Mexican brass allusion there, as he often has", says the Los Angeles Times. "But he always remakes it into a complex and powerfully blatant new thing, and here edge-of-your-seat operatically so". © Nonesuch Records
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Klassiek - Verschenen op 30 november 2012 | Sony Classical

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Klassiek - Verschenen op 22 februari 1991 | Sony Classical

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Klassiek - Verschenen op 8 juni 2009 | Sony Classical

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Klassiek - Verschenen op 4 mei 2018 | Sony Classical

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Klassiek - Verschenen op 14 december 2018 | Sony Classical

Klassiek - Verschenen op 10 oktober 2020 | UMG Recordings, Inc.

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Klassiek - Verschenen op 4 mei 2018 | Sony Classical

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Klassiek - Verschenen op 10 augustus 2000 | Sony Classical

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Klassiek - Verschenen op 4 mei 2018 | Sony Classical

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Klassiek - Verschenen op 19 november 1996 | Sony Classical

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Klassiek - Verschenen op 4 mei 2018 | Sony Classical

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Klassiek - Verschenen op 30 mei 2014 | Sony Classical

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Klassiek - Verschenen op 14 december 2018 | Sony Classical

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Klassiek - Verschenen op 27 augustus 2001 | Sony Classical

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Klassiek - Verschenen op 13 april 1992 | Sony Classical

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Klassiek - Verschenen op 18 januari 2013 | Sony Classical