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Klassiek - Verschenen op 24 augustus 2018 | Alpha

Hi-Res Booklet Onderscheidingen Diapason d'or / Arte - Le Choix de France Musique - 5 étoiles de Classica
With this new series entitled ‘Salon de musique’, Alpha presents recordings made by artists who have enlivened the Festival of Salon de Provence for some years now: the pianist Eric le Sage, who has made many recordings for Alpha, the clarinettist Paul Meyer etc… with cellist Claudio Bohórquez, they have now put two Beethoven trios on disc. By 1798, the year Ludwig van Beethoven composed his Trio for piano, clarinet and cello op.11, he was already well-known in Vienna as a remarkable improviser and an ambitious young composer. the piece was clearly aimed at the enlightened aristocracy, as well as competent musical amateurs. This did not prevent the critics, though universally positive, from judging the score to be over-complex in places. Dedicated to the Empress Marie-Theresa of Austria, the Septet was published in 1802 by Hofmeister, and on being well-received it was then rearranged for various combinations. Beethoven himself made a version for clarinet, cello and piano, op.38 in E Flat major – the one recorded here. © Alpha Classics
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Concertmuziek - Verschenen op 15 maart 2019 | Alpha

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With their poetry, their passionate and intimate lyricism, their refined style that gradually reveals hidden depths, the thirteen Nocturnes of Gabriel Fauré are the most significant group of works in his oeuvre for solo piano. Composed over a period of forty-six years (between 1875 and 1821), they bear witness to the composer’s remarkable stylistic evolution. From a form of expression rooted in romanticism, to an aesthetic fully aligned with 20th-century modernity, Fauré can be said to have shaped his musical personality like a sculptor. His Nocturnes are not all of equal importance, but as a whole their diversity and development offer a perfect panorama of his art. Éric Le Sage, one of the French piano school’s main representatives, whose many recordings for Alpha include the complete chamber music of Fauré, here interprets the repertoire closest to his heart. © Alpha Classics
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Kamermuziek - Verschenen op 29 september 2011 | Alpha

Hi-Res Booklet Onderscheidingen Choc de Classica - Uitzonderlijke Geluidsopnamen - Hi-Res Audio
The works for cello and piano of Gabriel Fauré stemmed primarily from the antipodes of his career. Early on, he primarily composed miniatures, though the well-known Op. 24 Elegie was intended to be a movement of a sonata that never came to pass. The works from near the end of his life -- especially the two complete sonatas -- both feature surprisingly spirited, bright, eager moments despite the composer's failing health and hearing. Pianist Eric le Sage is joined by cellist François Salque on this impressive Alpha album. The sound quality achieved by le Sage, Salque, and the recording engineers at Alpha is what truly sets this album apart from others like it. The overall recorded sound quality is dry, crisp, close, and possessing a minimum of reverb. Even a bit more of any of these qualities and the disc would be sterile and uninteresting. But in their present combination, the outcome is one of exceptional clarity and focus, one in which listeners are transported to the very heart of the music. Salque and le Sage play with equal measures of austerity and simplicity, letting Fauré's sometimes overlooked sonatas speak to the openness and freedom achieved by the composer late in his career. The disc ends with a likewise enjoyable and gripping performance of the Op. 120 Trio with the addition of clarinetist Paul Meyer. As Vol. 1 of what is hopefully a survey of Fauré's complete chamber music, this installment is definitely worth checking out. © TiVo
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Klassiek - Verschenen op 9 oktober 2012 | Alpha

Hi-Res Booklet Onderscheidingen 5 de Diapason - Gramophone Editor's Choice - Choc de Classica - Hi-Res Audio
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Kwartetten - Verschenen op 2 mei 2012 | Alpha

Hi-Res Booklet Onderscheidingen Hi-Res Audio
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Klassiek - Verschenen op 9 september 2014 | Alpha

Hi-Res Booklet Onderscheidingen 4F de Télérama - 4 étoiles Classica
Better known for his recordings of the music of Robert Schumann and Gabriel Fauré, pianist Eric le Sage ventures into less accustomed repertoire with this Alpha disc of the last three piano sonatas of Ludwig van Beethoven. These pieces, like others among Beethoven's late masterworks, have an ineffable aura of sanctity about them, and performers approach them with a sense of awe, as well as a solid backlist of recordings that lead up to them. Le Sage doesn't have a discography of Beethoven sonatas, or even much Beethoven in his catalog at all, so his offering of the Sonata No. 30 in E major, Op. 109, the Sonata No. 31 in A flat major, Op. 110, and the Sonata No. 32 in C minor, Op. 111, may come as a surprise, or even an affront to some sensibilities. Yet he plays with the transparent touch and calm demeanor of many a master, and even though he isn't likely to be credited with a major achievement until he records the rest of the sonatas, these performances are equal in technique, physical prowess, and emotional power to many other fine renditions. The sense of transcendence that unifies these three sonatas is evident in le Sage's controlled interpretations, and he lends the music a clarity that feels a little rarefied and otherworldly, especially in the closing variations of Op. 111. On the strength of these exceptional performances, one hopes le Sage has a complete Beethoven cycle in store and that Alpha will release it soon. © TiVo
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Duo´s - Verschenen op 28 januari 2014 | Alpha

Hi-Res Booklet Onderscheidingen 4 étoiles Classica - Hi-Res Audio