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Klassiek - Verschenen op 7 oktober 2016 | Deutsche Grammophon (DG)

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4F de Télérama - Gramophone Award - Gramophone Record of the Month - Choc de Classica - Choc Classica de l'année
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Concerten voor klavier - Verschenen op 12 oktober 2018 | Deutsche Grammophon (DG)

Hi-Res Booklet Onderscheidingen Diapason d'or de l'année - Diapason d'or - Le Choix de France Musique - Choc de Classica
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Klassiek - Verschenen op 1 januari 2013 | Deutsche Grammophon (DG)

Hi-Res Booklet Onderscheidingen 4F de Télérama - 4 étoiles Classica - Hi-Res Audio
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Klassiek - Verschenen op 7 oktober 2016 | Deutsche Grammophon (DG)

Booklet Onderscheidingen 5 de Diapason - 4F de Télérama - 5 Sterne Fono Forum Klassik
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Klassiek - Verschenen op 6 oktober 2017 | Deutsche Grammophon (DG)

Hi-Res Booklet Onderscheidingen 4 étoiles Classica - 5 Sterne Fono Forum Klassik
First you think : “here we go... yet agaaaaain another recording of Chopin’s two concertos”, then you read ‘world premiere’ in the description. Surprising, isn’t it? And yet, this is the truth, the whole truth, and nothing but the truth! This world premiere is describing the brand new orchestrations realised by Mikhail Pletnev. These re-orchestrations give prominence to the much more chamber-like aspect of the accompaniment, which admittedly is a little pale and formulaic in the version that we’ve known for almost two centuries. Pletnev has moderated the music score, thinning out some parts while not changing a single note: the piano part remains the same, and in the orchestra nothing changes apart from the instrumental assignation. In addition to those two concertos that are much more colorful, the pianist Daniil Trifonov offers us a handful of tributes to Chopin by his peers and successors: Schumann, whose admiration for the Polish composer wasn’t reciprocated, Grieg, Barber and Tchaikovsky, and most of all Mompou’s splendid series of Variations on a Theme of Chopin. New from old, but always for the best we won’t hasten to add. © SM/Qobuz
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Klassiek - Verschenen op 11 oktober 2019 | Deutsche Grammophon (DG)

Hi-Res Booklet Onderscheidingen 5 de Diapason
Daniil Trifonov's journey around the world of Rachmaninov is at an end. The pianist has arrived safely into the harbour with Yannick Nézet-Seguin's Philadelphia Orchestra. This finale was inspired by the bells which are ubiquitous in the Great Russian soundscape. Alain Corbin explained their importance to the rhythmic and symbolic scansion of everyday life in 19th Century France in his book Village Bells. To the historian's analysis, we can now add the testimony of the pianist – who, like Rachmaninov, grew up in Novgorod. Russian bells leant Russian music its nobility and colouring of folk nostalgia. Daniil Trifonov hasn't forgotten this, as is clear from his piano transcription of the first episode of Les Cloches. He was wise enough to respect the operatic power of the score and the splendour of its orchestration: harp, celesta and flutes are all truly transformed into bells in the hands of a musician who stays true to the aura of disquieting oddness (with its shades of Edgar Allen Poe) which surrounds the first movement. His technique matches his capricious and bubbling imagination. While we might find ourselves yawning a little at the Vocalise, the first and third Concertos move us from thrilling ecstasies to tears of pleasure. A very fine record, in which the orchestra, perhaps a little distant, fulfils its role as a soundbox for the soloist. © Elsa Siffert/Qobuz
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Klassiek - Verschenen op 28 augustus 2015 | Deutsche Grammophon (DG)

Hi-Res Booklet Onderscheidingen 5 Sterne Fono Forum Klassik
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Klassiek - Verschenen op 6 november 2020 | Deutsche Grammophon (DG)

Hi-Res Booklet
Here, Daniil Trifonov brings us an exciting itinerary that mixes solo piano and concert performances with a challenging programme. Now fully mature, Trifinov intends to demonstrate how the Russian composers at the turn of the 19th and 20th centuries were truly modern. The period is known in Russia as the “Silver Age” and corresponds with modernism’s “fin de siècle”. The Silver Age covers the whole range of fine arts, as well as haute couture, design and - of course - music and ballet.However, most of the programme comes from two composers who developed their modern sound outside of Russia. Stravinsky, who had long been considered a dissident, is now being reclaimed by Russian performers. None of his works (except those written when he was extremely young) were performed at the time in his home country. Having lost the score of his Concerto No. 2 in the turmoil of the 1917 Revolution, Prokofiev later rewrote it in Paris in a completely new style.Scriabin’s signature mystical vision that Daniil Trifonov talks about in the cover notes was not yet present in his Piano Concerto. This composition is a very romantic and rather academic early work written in the wake of Chopin, who was the young Scriabin’s idol.In addition to its great historical interest, this program is noteworthy thanks to Trifonov’s expressive playing in the solo pieces recorded at Princeton University in New Jersey, as well as in the two concertos conducted here by the ardent Valery Gergiev at the head of his St. Petersburg Mariinsky Orchestra. © François Hudry/Qobuz
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Klassiek - Verschenen op 1 januari 2011 | Universal Music Italia srL.

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Klassiek - Verschenen op 11 oktober 2019 | Deutsche Grammophon (DG)

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Klassiek - Verschenen op 12 oktober 2018 | Deutsche Grammophon (DG)

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Klassiek - Verschenen op 6 december 2019 | Deutsche Grammophon (DG)

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Klassiek - Verschenen op 1 januari 2013 | Deutsche Grammophon (DG)

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Klassiek - Verschenen op 6 oktober 2017 | Deutsche Grammophon (DG)

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Klassiek - Verschenen op 1 maart 2013 | DUX

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Klassiek - Verschenen op 6 november 2020 | Deutsche Grammophon (DG)

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Klassiek - Verschenen op 25 augustus 2017 | Deutsche Grammophon Classics

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Klassiek - Verschenen op 12 juli 2019 | Deutsche Grammophon (DG)

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Klassiek - Verschenen op 31 augustus 2018 | Deutsche Grammophon (DG)

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Klassiek - Verschenen op 15 juni 2018 | Deutsche Grammophon (DG)

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Daniil Trifonov in het magazine