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Hip-Hop/Rap - Verschenen op 13 november 2020 | Gamebread, LLC - Def Jam Recordings

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So Help Me God! sure did tease us. Glancing at the featuring artists, we’re guessing that it was these heavyweights’ busy schedules that caused the release to be delayed. One thing is for sure: 2 Chainz’ sixth album was worth the wait. Despite the slightly confusing opening few tracks, its versatile and audacious side enrich the current American rap scene – one which all too often relies on autopilot. Here, it’s all about taking risks. That does mean that there are a few flops, like Lambo Wrist and Quarantine Thick (despite being one of the album’s singles). Though the risk-taking also gives us soaring, graceful, brilliant moments. Like Can’t Go For That which, as the title suggests, samples from Hall and Oates’ 1981 hit, embellishing it with TR-808 rhythms. It’s a track where the melody is brought to the fore, something which happens again on Southside Hov and Vampire. Though 2 Chainz would be nothing without his dark side. Even though the melodies are largely optimistic, some tracks like Ziploc featuring Kevin Gates will appeal to those who like deep, mellow moods. 2 Chainz sure knows how to throw a party: Kanye West and the RnB sensation Brent Faiyaz get involved on Feel A Way, a track that’s overflowing with creativity and was co-produced by the great Mike Dean. The latter was also behind YRB, a flavourful synth-packed guitar-soaked track featuring Rick Ross and Skooly. Coming after his No Face No Case project released earlier in 2020, 2 Chainz proves that even though his releases sound like a succession of tracks with no overall message or atmosphere, he’s still a banger rap boss. © Brice Miclet/Qobuz
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Hip-Hop/Rap - Verschenen op 1 maart 2019 | Gamebread, LLC - Def Jam Recordings

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Op zijn vijfde studioalbum Rap or Go to the League krijgt de Amerikaanse rapper 2 Chainz bezoek van bekende collega's als Ariana Grande, Kendrick Lamar en Chance the Rapper. De veertien nieuwe songs zijn geproduceerd door onder anderen of 30 Roc, Dem Jointz, and WondaGurl. Het album Rap or Go to the League komt in 2019 uit en is de opvolger van Pretty Girls Like Trap Music uit 2017. © TiVo
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Hip-Hop/Rap - Verschenen op 16 juni 2017 | 2Chainz PS - Def Jam

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Tauheed Epps' secondary releases throughout 2016 indicated that the rapper was heading toward something special for proper solo album three. Released four months after he became the Grammy-winning 2 Chainz -- Chance the Rapper's "No Problem," featuring him and Lil Wayne, took the award for Best Rap Performance -- this full-length is presented in an offhanded manner that contradicts its magnitude. Pretty Girls Like Trap Music sounds like the title of a tape rather than that of a career high from a rapper who, despite his categorical affiliation and outsize personality, is no mere entertainer. Likewise, the packaging of the compact disc edition is bare, supplying no information beyond the track list and credits for artwork, A&R, and executive production. Inconspicuousness notwithstanding, Pretty Girls Like Trap Music is among Epps' most significant and enjoyable work. His raised-voice/grimaced-face mode is more commanding than ever, and whether drawn from the past or present, the word play -- from "Used to treat my mattress like the ATM" to "I bought a Tesla today/There's nothin' left in your tank" -- is consistently vivid. In "Realize," featuring Nicki Minaj, he breaks from glowering to nearly losing his composure as he snaps at the government and his younger mumbling contemporaries. That delivery is just as effective (and comic). As Epps and his collaborators demonstrate the life left in trap music, a form that sounds either bankrupt or uprooted in the hands of many, the album also flashes back. "Trap Check," a highlight, is a laser-focused, easy-rolling track that binds Jeezy's "Get Ya Mind Right" to T.I.'s "ASAP" -- classics that predate even "Duffle Bag Boy," Epps' biggest Playaz Circle hit, and still sound fresh. The album ends with one of rap's most moving poverty-to-prosperity numbers, an elegant Mike Dean production with a reverential introduction from Minister Louis Farrakhan and an ascending hook from Monica. There's more weight to "See my mom was a addict, and my dad was the dealer, and they son is that n*gga" than the average commercial rapper's most profound thought. For Epps, it's just another line, a simple truth. © Andy Kellman /TiVo
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Hip-Hop/Rap - Verschenen op 16 juni 2017 | 2Chainz PS - Def Jam

Tauheed Epps' secondary releases throughout 2016 indicated that the rapper was heading toward something special for proper solo album three. Released four months after he became the Grammy-winning 2 Chainz -- Chance the Rapper's "No Problem," featuring him and Lil Wayne, took the award for Best Rap Performance -- this full-length is presented in an offhanded manner that contradicts its magnitude. Pretty Girls Like Trap Music sounds like the title of a tape rather than that of a career high from a rapper who, despite his categorical affiliation and outsize personality, is no mere entertainer. Likewise, the packaging of the compact disc edition is bare, supplying no information beyond the track list and credits for artwork, A&R, and executive production. Inconspicuousness notwithstanding, Pretty Girls Like Trap Music is among Epps' most significant and enjoyable work. His raised-voice/grimaced-face mode is more commanding than ever, and whether drawn from the past or present, the word play -- from "Used to treat my mattress like the ATM" to "I bought a Tesla today/There's nothin' left in your tank" -- is consistently vivid. In "Realize," featuring Nicki Minaj, he breaks from glowering to nearly losing his composure as he snaps at the government and his younger mumbling contemporaries. That delivery is just as effective (and comic). As Epps and his collaborators demonstrate the life left in trap music, a form that sounds either bankrupt or uprooted in the hands of many, the album also flashes back. "Trap Check," a highlight, is a laser-focused, easy-rolling track that binds Jeezy's "Get Ya Mind Right" to T.I.'s "ASAP" -- classics that predate even "Duffle Bag Boy," Epps' biggest Playaz Circle hit, and still sound fresh. The album ends with one of rap's most moving poverty-to-prosperity numbers, an elegant Mike Dean production with a reverential introduction from Minister Louis Farrakhan and an ascending hook from Monica. There's more weight to "See my mom was a addict, and my dad was the dealer, and they son is that n*gga" than the average commercial rapper's most profound thought. For Epps, it's just another line, a simple truth. © Andy Kellman /TiVo
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Hip-Hop/Rap - Verschenen op 3 maart 2016 | Def Jam Recordings

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"If it wasn't for Wayne, it wouldn't be" says 2 Chainz at the beginning of his ColleGrove album, but this is no ordinary 2 Chainz album. ColleGrove could be considered a group or a duo featuring 2 Chainz and Lil Wayne, although Weezy doesn't get an official credit on this release due to label issues and contractual obligations. Still, he's either on, or the subject of, every cut on this surprise album, which was dropped unannounced by Def Jam and comes off as a highly polished mixtape. There are hints that the long-absent Weezy is turning into a new version of Future as "Smell Like Money" rattles off "Oh my God, it's raining men/Said the weathermen to the anchormen" and then coasts on a beat that Wayne dubs "dope and cologne." Later, "Blue C-Note" drops "Dreadlocked Rasta, hair like pasta/I don't see what's your problem, I need an eye doctor" and Wayne is the Wayne all fans had hoped for, but 2 Chainz can't be ignored, and rightfully rules his half of the release. Still, it's a casual, tossed-off affair, although one filled with mutual admiration, riveting one-upmanship, and a glorious journey across the hip-hop production spectrum, from Mannie Fresh to Metro Boomin. © David Jeffries /TiVo
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Hip-Hop/Rap - Verschenen op 14 augustus 2012 | Def Jam Recordings

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If there's a reason to cheer for 2 Chainz, it's that the limited but now loveable rapper lifted himself out of a dead-end group (the Sporty Thievz-like Playaz Circle), dropped his awful name (who wants to say they're the world's biggest Tity Boy fan?), and reinvented himself as a welcome character somewhere between the syrup-sipping Pluto and the slang-slinging Pootie Tang, all while rocking True Religion everything (and if the clothing company didn't pay for all this album's product placement, they should send Chainz a box of swag immediately). This devil-may-care style that's right in line with the flash-flavoring landscape of 2012, was refined over mixtapes, street releases, and guest spots, all of it smart preparation for this official debut. Based on a T.R.U. Story is a fine payoff, coming off as trendy as those jeans Chainz keeps repping, but still quirky enough to stick to the ribs. Prime example is the opening "Yuck!," a high-powered Streetrunner production with Lil Wayne getting in the distasteful spirit of the album (warning: he's searching through his black book for a girlfriend who's not experiencing "the monthlies") while Chainz places his second favorite product when Similac gets another mention, once again thanks to the rapper's skill at baby making. "Birthday Song" borrows Wayne's love of dumb bluntness for the great "She got a big booty, so I call her 'Big Booty'," while "Extremely Blessed" offers both "Our first date was the Waffle House" and "If you a chicken head, go and lay some eggs" which producer The-Dream coats in polished R&B for a track that's quite velvety and Ludacris. In this environment, a stripper track with Nicki Minaj can't go wrong, and when hooky singles "No Lie" with Drake and "Birthday Song" with Kanye West find their respective superstars coming down to Chainz' big booty level, it's like free drinks and table dances all night long. Still, there are a couple unexpected highlights, like Mike Posner getting convincingly nasty on "In Town," or "Stop Me Now," which plays it soulful, smooth, and nostalgic ("All my Planets were Digable"). The claim "Every line is so dope, you can snort it" is an oversell, but 2 Chainz over-promises and almost delivers on his official debut, putting him right in the punch-line rapper's sweet spot. © David Jeffries /TiVo
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Hip-Hop/Rap - Verschenen op 1 januari 2013 | Def Jam Recordings

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Hip-Hop/Rap - Verschenen op 13 november 2020 | Gamebread, LLC - Def Jam Recordings

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Using a title scrapped by friend Kanye West, 2 Chainz offers his sixth proper album in a way that comes across as a promise and threat. The content of So Help Me God! likewise is a work of dualism more than his previous releases, brooding and balling in extremes. "Last one with Def Jam but I'm still goin' off," he notes casually in the track "Feel a Way," and he proves his claim through the grim "Vampire," the spirit-of-'96 "Southside Hov," and acts of humorously gratuitous flamboyance such as "Lambo Wrist" and "Quarantine Thick." If this does prove to be 2 Chainz's last Def Jam recording, there's no denying he went out in strong form. Tracks with amusing reinterpretations of classics by Hall & Oates, Guy, and David Banner show that the rapper had a good deal of fun while making it, too. © Andy Kellman /TiVo
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Hip-Hop/Rap - Verschenen op 8 februari 2018 | 2Chainz PS - Def Jam

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Eight months after he released his fourth consecutive Top Five album, 2 Chainz returned with a commercial EP sporting a title worthy of an album. The Play Don't Care Who Makes It contains four tracks, acting as an extension of the previous year's Pretty Girls Like Trap Music and similar to the earlier EPs in its lack of second-rate material. Few match the rapper when it comes to nimbly switching between humble reflections and hubristic nonsense. YG and Offset are the lone guests here. © TiVo
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Hip-Hop/Rap - Verschenen op 15 juni 2018 | Def Jam Recordings

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Hip-Hop/Rap - Verschenen op 1 maart 2019 | Gamebread, LLC - Def Jam Recordings

Op zijn vijfde studioalbum Rap or Go to the League krijgt de Amerikaanse rapper 2 Chainz bezoek van bekende collega's als Ariana Grande, Kendrick Lamar en Chance the Rapper. De veertien nieuwe songs zijn geproduceerd door onder anderen of 30 Roc, Dem Jointz, and WondaGurl. Het album Rap or Go to the League komt in 2019 uit en is de opvolger van Pretty Girls Like Trap Music uit 2017. © TiVo
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Hip-Hop/Rap - Verschenen op 12 maart 2013 | Huslte team

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Hip-Hop/Rap - Verschenen op 13 november 2020 | Gamebread, LLC - Def Jam Recordings

So Help Me God! sure did tease us. Glancing at the featuring artists, we’re guessing that it was these heavyweights’ busy schedules that caused the release to be delayed. One thing is for sure: 2 Chainz’ sixth album was worth the wait. Despite the slightly confusing opening few tracks, its versatile and audacious side enrich the current American rap scene – one which all too often relies on autopilot. Here, it’s all about taking risks. That does mean that there are a few flops, like Lambo Wrist and Quarantine Thick (despite being one of the album’s singles). Though the risk-taking also gives us soaring, graceful, brilliant moments. Like Can’t Go For That which, as the title suggests, samples from Hall and Oates’ 1981 hit, embellishing it with TR-808 rhythms. It’s a track where the melody is brought to the fore, something which happens again on Southside Hov and Vampire. Though 2 Chainz would be nothing without his dark side. Even though the melodies are largely optimistic, some tracks like Ziploc featuring Kevin Gates will appeal to those who like deep, mellow moods. 2 Chainz sure knows how to throw a party: Kanye West and the RnB sensation Brent Faiyaz get involved on Feel A Way, a track that’s overflowing with creativity and was co-produced by the great Mike Dean. The latter was also behind YRB, a flavourful synth-packed guitar-soaked track featuring Rick Ross and Skooly. Coming after his No Face No Case project released earlier in 2020, 2 Chainz proves that even though his releases sound like a succession of tracks with no overall message or atmosphere, he’s still a banger rap boss. © Brice Miclet/Qobuz
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Hip-Hop/Rap - Verschenen op 1 november 2011 | 2 Chainz

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Hip-Hop/Rap - Verschenen op 17 januari 2020 | 2Chainz PS - Def Jam

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Hip-Hop/Rap - Verschenen op 13 november 2020 | Gamebread, LLC - Def Jam Recordings

Using a title scrapped by friend Kanye West, 2 Chainz offers his sixth proper album in a way that comes across as a promise and threat. The content of So Help Me God! likewise is a work of dualism more than his previous releases, brooding and balling in extremes. "Last one with Def Jam but I'm still goin' off," he notes casually in the track "Feel a Way," and he proves his claim through the grim "Vampire," the spirit-of-'96 "Southside Hov," and acts of humorously gratuitous flamboyance such as "Lambo Wrist" and "Quarantine Thick." If this does prove to be 2 Chainz's last Def Jam recording, there's no denying he went out in strong form. Tracks with amusing reinterpretations of classics by Hall & Oates, Guy, and David Banner show that the rapper had a good deal of fun while making it, too. © Andy Kellman /TiVo
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Hip-Hop/Rap - Verschenen op 14 augustus 2017 | TB Media

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Hip-Hop/Rap - Verschenen op 22 juli 2015 | Def Jam Recordings

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Hip-Hop/Rap - Verschenen op 28 oktober 2016 | 2 Chainz

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Hip-Hop/Rap - Verschenen op 23 maart 2011 | 2 Chainz