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2127 albums gesorteerd op Best verkocht en gefilterd op Klassiek en Franz Schubert
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Klassiek - Verschenen op 12 april 2019 | ECM New Series

Hi-Res Booklet Onderscheidingen Gramophone Editor's Choice - 5 Sterne Fono Forum Klassik
For a truly great interpretation it’s not enough just to play a historical instrument, the playing also has to be up to scratch. This recording released by the world-renowned label ECM showcases a pianist of the highest calibre playing the wonderful Viennese Brodmann piano. András Schiff captures the convergence of thought and sound remarkably well and seldom before have we been given so much insight into Schubert’s innermost thoughts. The softness and the unmistakable legato that the pianist produces on this Viennese instrument give the Sonatas D. 958 and D. 959 an indescribable feeling of nostalgia. But Schubert’s inward revolt was growing and András Schiff leads us steadily to the edge of the abyss. The crystalline sounds of the Scherzo in the Sonata D. 959 are as enchanting as the sound of ancient harpists who were so often depicted by German Romantics. This exploration into sound is also marvellous in the Impromptus D. 899 and the 3 Klavierstücke D. 946 or “Three Piano Pieces”, which have a very expressive counterpoint that differ from the unfathomable depth of the sonatas. This album is a revelation into a whole new world of sound that is unveiled as András Schiff’s fingers touch the keys. Inspiring. © François Hudry/Qobuz
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Klassiek - Verschenen op 7 juni 2019 | audite Musikproduktion

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Andrea Lucchesini’s career continues discreetly in the shadow of more mediatized Italian pianists. The star pupil, like Nelson Goerner, of the great Maria Tipo, Lucchesini has invested a lot of his time into concerts and recording. After becoming known for his interpretations of Luciano Berio’s music, in particular his concerto Echoing Curves directed by the composer himself, he has recorded the integrity of Beethoven’s sonatas for the label Stradivarius.Over the last few years, Lucchesini has concentrated on Schubert, “my great love”, he calls him. These two very different composers on the cusp of romanticism fascinate Andrea Lucchesini who presents here his first volume dedicated to the late works of Schubert. These works were written at a time when the composer of Lieder returned to composing sonatas amidst greats like Beethoven who also coincidentally lived in the same town.For Lucchesini, Schubert remains an enigma. The man left behind almost no written documents, he never stayed put in one precise residence and no one could understand his shyness, agitation, nor his latent homosexuality. “Rediscovering his final works”, says Andrea Lucchenini, “showed me the difference between the artist who entertained his friends and the composer who worked in solitude without any prospect of being published nor played.” Such solitude that longs to break free can be heard clearly in this album, particularly in the interpretation of Andantino of Sonata D. 959 through which troubling phantoms move. © François Hudry/Qobuz
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Klassiek - Verschenen op 9 augustus 2019 | Warner Classics

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Klassiek - Verschenen op 7 juni 2019 | Nimbus Alliance

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Klassiek - Verschenen op 2 augustus 2019 | BIS

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Kamermuziek - Verschenen op 5 april 2019 | audite Musikproduktion

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Klassiek - Verschenen op 31 mei 2019 | Chandos

Hi-Res Booklet
Barry Douglas’s critically acclaimed series of Schubert’s piano works reaches its fourth instalment. For this recording, Douglas has chosen to present three piano sonatas from the middle of Schubert’s short life: No. 5 (D. 537) and No. 11 (D. 575), both composed in 1817, complemented with the Sonata No. 15 (D. 664), composed just two years later. The three sonatas all spring from a period when Schubert was experimenting with tonality, both in the sense of less usual keys (D. 575 is in B major) and in terms of the relative keys of the movements, and of sections within movements. Irrespective of this experimentation, Schubert’s incredible talent for melody and lyricism shines through each of the works, and is masterfully heightened in Douglas’s interpretations. Like the previous three volumes in the series, the recording was made on a Steinway Model D in the Curtis Auditorium at the CIT Cork School of Music. © Chandos
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Klassiek - Verschenen op 10 mei 2019 | Klarthe

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To the two collections of lieder found after the death of Schubert, the editor Haslinger added a fourteenth lied and gave the overall title of 'Swan Song'. Not a veritable cycle, but very much immersed in the intimacy of the composer's last moments of life, nostalgic, heart-rending, desperate and eventually soothing, it is this journey that the performers undertake here, with an Erard piano from 1859, miraculously preserved, bringing a unique colour to this masterpiece. © Klarthe
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Klassiek - Verschenen op 15 maart 2019 | PentaTone

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Klassiek - Verschenen op 3 mei 2019 | Sony Classical

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Koormuziek - Verschenen op 3 mei 2019 | Genuin

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"Freude, schöner Götterfunken!" ("Joy, fair sparks of the gods") seems to be the cry of the fifth and penultimate Platte by the Camerata Limburg of the complete recording of Schubert's works for male choir. The title of the program is "Elysium", which says it all. This recording is a pleasurable stroll through heavenly realms: known and unknown, from poems by Schiller, Klopstock and many, many other wonderful poets. The interpretation is on par with the entire collection: an immaculate ensemble sound and an interpretation wonderfully worked out by conductor Jan Schumacher and his masters. © Genuin
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Klassiek - Verschenen op 9 januari 2006 | Warner Classics

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Klassiek - Verschenen op 17 mei 2019 | Sony Classical

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Klassiek - Verschenen op 15 maart 2019 | ECM New Series

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Klassiek - Verschenen op 29 maart 2019 | Warner Classics

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Klassiek - Verschenen op 19 april 2019 | Sony Classical

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Klassiek - Verschenen op 26 april 2019 | Sony Classical

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Klassiek - Verschenen op 19 april 2019 | Sony Classical

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Kamermuziek - Verschenen op 3 mei 2019 | Audite

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