Albums

439 albums gesorteerd op Best verkocht en gefilterd op Liederen
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Liederen (Duitsland) - Verschenen op 31 mei 2019 | Decca Music Group Ltd.

Hi-Res Booklet Onderscheidingen Diapason d'or - Gramophone Editor's Choice - Qobuzism
Born in a small Norwegian village in 1987 (and is thus inevitably compared to her long-time compatriot Kirsten Flagstad), soprano Lise Davidsen was almost built to embody Wagnerian and Straussian heroines. For her first record under the label Decca, with whom she has signed an exclusive contract, she has chosen to present several facets of femininity in the vocal stylings of Elisabeth (Tannhäuser), Ariane (Ariane à Naxos) and… Pauline. Pauline being Richard Strauss’ beloved wife to whom he dedicated many Lieder from his opus 27 - the 1894 cycle offered to his wife as a wedding gift - until the last Vier letzte Lieder in 1948.Under the supple baton of Esa-Pekka Salonen, the Philharmonic Orchestra embraces the brassy voice of the Norwegian soprano with finesse and elegance. As you will see, this record, with its carefully devised programme, oscillates between youth and old age, in the presence of ghosts and death. You may wonder how one can express mortality at just 30 years old with such a powerful timbre, radiant health and a whole life ahead of you. The answer lies in Lise Davidsen’s voice, which upsurges as if it were a promise of immortality, the music of the last Strauss piece returning one last time to its past, to a Europe in ruins.Discovered in 1984, after the death of the singer and dedicatee Maria Jeritza, Malven (“The Mallows") is Richard Strauss’ true “last song”. Lighter in tone than the Vier letzte Lieder to which it might have belonged, it is presented here in an orchestration by Wolfgang Rihm. © François Hudry/Qobuz
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Liederen (Duitsland) - Verschenen op 11 januari 2019 | Warner Classics

Hi-Res Booklet
By turns ecstatic and deeply depressed, as is the way with bipolar disorders, Hugo Wolf gave the world great and precious masterpieces in the genre of the lied with his great cycles, in particular Italienisches Liederbuch, for two voices, which represents the soul of the art. 46 lieder speak of love, focusing on the tangled feelings of man and woman across lovers' dialogues in ironic, gallant and impassioned tones. Written around words by Paul Heyse based on anonymous Tuscan poems, this collection is full of ballads, and in particular rispetti (compliments), folksy poems made up of two quatrains. The German translation seriously disfigures the light touch of the Italian original, especially as Hugo Wolf makes no attempt to "do Italian" in his compositions. “I assure you: a warm heart beats in the little chests of my youngest southern children, who, despite everything, cannot hide their German origins. Yes, their hearts beat in German, even though the sun shines in Italian", he told a friend. This Italian collection is made up of, as Stéphanie Goldet writes, "little love stories, moments of impatience or frustration, wishes and warnings, complaints and recriminations, demands and unconditional surrenders". Recorded in concert at the Hesse Philharmonic on 18 February 2018, this new recording ranks alongside other legendary records such as those by Schwarzkopf and Fischer-Dieskau; it will surely become a new reference point version. While it was reasonable to worry about Jonas Kaufmann's voice, we can hear that it has recovered all its strength and its thousand and one miraculous nuances. His partner, Diana Damrau, is radiant, with a song that brings together the many different emotions of a worried and sometimes mischievous young girl. But this dialogue would be nothing without the subtle and refined piano-playing of Helmut Deutsch, who has given these miniatures such an irresistible accompaniment. © François Hudry/Qobuz
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Liederen (Frankrijk) - Verschenen op 24 mei 2019 | Alpha

Hi-Res Booklet Onderscheidingen Diapason d'or
Sandrine Piau invites us for a stroll through the heart of romantic French melody with the musicians of the Concert de la Loge playing on period instruments. Known at the beginning of her career as a prominent performer of Baroque song, Sandrine Piau admits that she was nourished by 19th and 20th-century French music from an early age, at a time when she dreamed of becoming a harpist. Palazzetto Bru Zane are therefore going back to their roots, co-producing this album with the Alpha Classics label. Most of the tracks on this album are real discoveries, like these exquisite mini-works by Massenet, Pierné, Dubois, Godard or Guilmant. And what a wonderful idea to have also slipped the real gem that is Aux étoiles between these melodies, the short night-time instrumental that Henri Duparc wrote in 1910. Almost blind, the composer had dictated the orchestration to the very young Ernest Ansermet, who created it shortly afterwards, conducting the Montreux Kursaal Orchestra. A departure from the usual piano accompaniment, these melodies take on an additional grace and elegance in their orchestral setting, under the subtle and diaphanous direction of Julien Chauvin. © François Hudry/Qobuz
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Liederen - Verschenen op 5 juli 2019 | PentaTone

Hi-Res Booklet
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Liederen (Duitsland) - Verschenen op 3 november 2014 | harmonia mundi

Hi-Res Booklet Onderscheidingen Diapason d'or - 4F de Télérama - Le Choix de France Musique - 4 étoiles de Classica
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Liederen (Duitsland) - Verschenen op 16 november 2018 | Sony Classical

Hi-Res Booklet Onderscheidingen 5 de Diapason - Gramophone Record of the Month
Very different from Schubert’s Lieder, which are chants according to German “popular” tradition (usually strophic) with a musical accompaniment subservient to the singing (taking nothing away from their incredible genius!), Schumann’s are, to use Christian Gerhaher’s words, “lyrical dramaturgy”; miniature operas in which the piano and vocals are equal in content. This doesn’t explain why Schumann’s Lieder are so rarely performed in concert, with the exception of some well-worn cycles (normally Myrten, Dichterliebe and Frauenliebe und –leben). Gerhaher and his pianist Gerold Huber pick works from the genre’s ample repertoire that have almost never been performed in concert. Only three cycles date back to the “Liederyear” of 1840 (incidentally the year of his marriage to Clara Wieck), while the others are from the composer’s last years, beyond 1850, and are full of nostalgia… This is far from the dishevelled romanticism of his early years, the mood is dark and the discourse broken up into small brushstrokes. The contrast from one era to the other is striking. Gerhaher and Huber perform these surprising marvels brilliantly. © SM/Qobuz
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Liederen (Duitsland) - Verschenen op 10 februari 2014 | harmonia mundi

Hi-Res Booklet Onderscheidingen Diapason d'or / Arte - Choc de Classica - Exceptional sound - Hi-Res Audio
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Liederen (Duitsland) - Verschenen op 24 augustus 2018 | Alpha

Hi-Res Booklet Onderscheidingen 4F de Télérama - 5 Sterne Fono Forum Klassik - 5 étoiles de Classica
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Liederen (Duitsland) - Verschenen op 31 maart 2017 | harmonia mundi

Hi-Res Booklet Onderscheidingen Choc de Classica - 5 Sterne Fono Forum Klassik
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€ 10,99

Liederen (Frankrijk) - Verschenen op 20 oktober 2015 | Alpha

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4F de Télérama - Gramophone Editor's Choice
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Liederen (Duitsland) - Verschenen op 15 juni 2015 | INA Mémoire vive

Onderscheidingen Diapason d'or - 4 étoiles du Monde de la Musique - Timbre de platine - 10 de Classica-Répertoire - The Qobuz Ideal Discography
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Liederen (Engeland) - Verschenen op 22 februari 2019 | Warner Classics

Onderscheidingen 5 de Diapason
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Liederen - Verschenen op 1 januari 1962 | Deutsche Grammophon (DG)

Hi-Res Booklet Onderscheidingen The Qobuz Ideal Discography
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Liederen (Duitsland) - Verschenen op 3 november 2017 | Erato

Hi-Res Booklet Onderscheidingen 4F de Télérama - Gramophone Editor's Choice - 5 étoiles de Classica
“Nacht und Träume” takes its name from one of Schubert’s best-loved lieder, which is joined on the album by a further 10 of the composer’s songs. All performed in orchestral versions by such masters as Berlioz, Liszt, Brahms, Strauss, Webern, Britten and Schubert himself, they are complemented by three choral numbers and an orchestral interlude. The singers are rising stars – German mezzo-soprano Wiebke Lehmkuhl and French tenor Stanislas de Barbeyrac – and Laurence Equilbey conducts two ensembles she founded: the Insula orchestra and the choir Accentus. © Warner Classics
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Liederen (Frankrijk) - Verschenen op 8 april 2016 | Winter & Winter

Hi-Res Booklet Onderscheidingen Gramophone Editor's Choice
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Liederen (Duitsland) - Verschenen op 13 mei 2016 | harmonia mundi

Hi-Res Booklet Onderscheidingen 5 de Diapason - Gramophone Award - Gramophone Editor's Choice - Choc de Classica
€ 11,99
€ 8,49

Liederen - Verschenen op 25 februari 2013 | harmonia mundi

Hi-Res Booklet Onderscheidingen 5 de Diapason - Gramophone Editor's Choice - Le Choix de France Musique - 4 étoiles de Classica - Hi-Res Audio
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€ 9,99

Liederen (Frankrijk) - Verschenen op 7 oktober 2016 | BIS

Hi-Res Booklet Onderscheidingen 4 étoiles de Classica - 5 Sterne Fono Forum Klassik
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Liederen (Duitsland) - Verschenen op 11 juli 2014 | Sony Classical

Hi-Res Booklet Onderscheidingen Gramophone Award
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Liederen - Verschenen op 14 oktober 2008 | harmonia mundi

Onderscheidingen 10 de Classica-Répertoire