Categories :


CD€ 18,99

Duo´s - Verschenen op 11 maart 2002 | Sony Classical

CD€ 11,49

Duo´s - Verschenen op 15 maart 2007 | Paraty Productions

Onderscheidingen Choc du Monde de la Musique
HI-RES€ 15,99
CD€ 11,49

Duo´s - Verschenen op 24 februari 2014 | Paraty Productions

Hi-Res Booklet Onderscheidingen Hi-Res Audio
CD€ 16,99

Duo´s - Verschenen op 2 juni 2014 | Aeolus

Booklet Onderscheidingen 5 de Diapason - 4 étoiles Classica
HI-RES€ 15,99
CD€ 11,49

Duo´s - Verschenen op 30 maart 2015 | Audax

Hi-Res Booklet
HI-RES€ 29,99
CD€ 19,99

Duo´s - Verschenen op 29 januari 2016 | Glossa

Hi-Res Booklet Onderscheidingen Diapason d'or de l'année - Diapason d'or - Gramophone Editor's Choice
HI-RES€ 23,49
CD€ 16,49

Duo´s - Verschenen op 27 oktober 2017 | ECM New Series

Hi-Res Booklet
HI-RES€ 25,19
CD€ 17,99

Duo´s - Verschenen op 12 januari 2018 | harmonia mundi

Hi-Res Booklet Onderscheidingen 5 Sterne Fono Forum Klassik - 5 étoiles de Classica
The six Sonatas for Violin and Obbligato Harpsichord BWV 1014-1019 (“obbligato” – compulsory – means the keyboard is fully scored, as opposed to basso continuo for which only the bass is scored, the rest being left to the discretion of the performer, who improvises) are some of these works that Bach kept revisiting and reworking. The oldest remaining source – from around 1725, through one of his nephews – already highlights the will to make these compositions evolve by refining them with successive adjustments. The work underwent another overhaul in Agricola’s manuscript, around 1741, while a copy made around 1750 by Altnickol reveals a third cycle status. An observation made by the musician’s second youngest son, Johann Christoph Friedrich Bach – “He wrote these trios just before his end” – seems to have been interpreted as proof that Bach was still working on these sonatas in the last years of his life. This new recording by Isabelle Faust, a great specialist of baroque interpretation, and Christian Bezuidenhout on the harpsichord, discretely reveals the extraordinary richness of these works’ three-voice writing, that resembles the format of a trio sonata. © SM/Qobuz
CD€ 17,99

Duo´s - Verschenen op 1 januari 1951 | Universal Music Australia Pty. Ltd.

Onderscheidingen 5 étoiles de Classica
CD€ 19,49

Duo´s - Verschenen op 1 januari 1972 | Universal Music Australia Pty. Ltd.

Onderscheidingen 5 étoiles de Classica
HI-RES€ 15,99
CD€ 11,49

Duo´s - Verschenen op 26 januari 2018 | Mirare

Hi-Res Booklet Onderscheidingen Diapason d'or - 4F de Télérama
The Hantaï brothers – Marc on traverso and Pierre on the harpsichord – give us here everything Bach “really” composed for flute and harpsichord, as some possible falsely attributed works are not featured here. Compared to the violin – which counts six sonatas and partitas for solo violin and six sonatas for violin and obbligato harpsichord – the transverse flute may look like the forgotten sibling in the Kantor’s works. But at the time the transverse flute was still a very recent instrument, that had just come (back) from France (where it was called the “German flute”) and Bach only started using it in his cantatas around 1721-1722, and therefore only had a very limited dedicated repertoire. These four sonatas are anything but a collection. Two are missing to reach the sacred number of six. Furthermore, they were composed over a period of twenty years. And while one may be tempted to confer them the balance and symmetry desired by the arranger – two sonatas with obbligato harpsichord (BWV1034 and 1035), two with basso continuo (1030 and 1032), two in minor, two in major, two in three movements, two in four, two in E, and two fifths ascending or descending from this central E, etc. –, all of it might be merely fortuitous; they are rather a “blended” family. However these works for flute have in common the fact of being clouded by great uncertainty – whether it is about their chronology, the date of composition, the intended recipient, their form, their main instrumentation, their creation… So all is left for the listener is to experience them, performed here on a flute made by Joannes Hyacinth Rottenburgh (first half of the 18th century) from Brussels, and a harpsichord after Mietke (Berlin) made in 1702. © SM/Qobuz
HI-RES€ 15,99
CD€ 13,49

Duo´s - Verschenen op 29 maart 2019 | Erato

Hi-Res Booklet
On this record, Renaud Capuçon and David Fray decided to turn their back on the musicology-inspired understanding of baroque music. Enough of “the dictatorship of the historically informed.” They chose instead to play this music from the heart, just as the masters did in the previous century. Their choice is sincere in a field of numerous conflicts between schools of thoughts. Six sonatas for Violin and Harpsichord was composed by Bach when he was at the court of Coethen. It was especially admired by Carl Philipp Emanuel, the Cantor’s second son. As often happens, however, the autographed manuscript has disappeared and it is through series of copies that we know it today.  It was published for the first time in 1804, fifty years after Bach’s death. The six sonatas are written according to Corelli’s rules. They imagine a new type of dialogue in the chamber orchestra where keys are not in the background. The writing is precise, expressive, and rhythmical. © François Hudry/Qobuz
HI-RES€ 17,49
CD€ 12,49

Duo´s - Verschenen op 23 augustus 2019 | harmonia mundi

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4F de Télérama