€ 9,99

Liederen - Verschenen op 1 maart 1992 | Chandos

€ 9,99

Liederen - Verschenen op 1 februari 1993 | Chandos

€ 7,99

Liederen (Duitsland) - Verschenen op 2 januari 2003 | Naxos

€ 12,99

Liederen - Verschenen op 28 november 2005 | EMI Classics

€ 7,99

Liederen - Verschenen op 1 januari 2007 | Naxos

€ 11,49

Liederen - Verschenen op 15 augustus 2007 | harmonia mundi

€ 5,99

Liederen - Verschenen op 30 oktober 2007 | Naxos

Booklet Onderscheidingen 5 de Diapason
€ 7,99

Liederen - Verschenen op 27 november 2007 | Naxos

€ 13,49

Liederen (Duitsland) - Verschenen op 14 maart 2014 | Berlin Classics

Onderscheidingen 5 de Diapason - 4 étoiles de Classica
€ 11,49

Liederen (Duitsland) - Verschenen op 28 juli 2014 | CAvi-music

Onderscheidingen 5 de Diapason
€ 21,49
€ 14,99

Liederen (Duitsland) - Verschenen op 31 mei 2019 | Decca Music Group Ltd.

Hi-Res Booklet Onderscheidingen Diapason d'or - Gramophone Editor's Choice - Qobuzism
Born in a small Norwegian village in 1987 (and is thus inevitably compared to her long-time compatriot Kirsten Flagstad), soprano Lise Davidsen was almost built to embody Wagnerian and Straussian heroines. For her first record under the label Decca, with whom she has signed an exclusive contract, she has chosen to present several facets of femininity in the vocal stylings of Elisabeth (Tannhäuser), Ariane (Ariane à Naxos) and… Pauline. Pauline being Richard Strauss’ beloved wife to whom he dedicated many Lieder from his opus 27 - the 1894 cycle offered to his wife as a wedding gift - until the last Vier letzte Lieder in 1948.Under the supple baton of Esa-Pekka Salonen, the Philharmonic Orchestra embraces the brassy voice of the Norwegian soprano with finesse and elegance. As you will see, this record, with its carefully devised programme, oscillates between youth and old age, in the presence of ghosts and death. You may wonder how one can express mortality at just 30 years old with such a powerful timbre, radiant health and a whole life ahead of you. The answer lies in Lise Davidsen’s voice, which upsurges as if it were a promise of immortality, the music of the last Strauss piece returning one last time to its past, to a Europe in ruins.Discovered in 1984, after the death of the singer and dedicatee Maria Jeritza, Malven (“The Mallows") is Richard Strauss’ true “last song”. Lighter in tone than the Vier letzte Lieder to which it might have belonged, it is presented here in an orchestration by Wolfgang Rihm. © François Hudry/Qobuz