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2 albums gesorteerd op Price: from most expensive to least expensive en gefilterd op Klassiek, Choc de Classica, Wolfgang Amadeus Mozart, Wolfgang Amadeus Mozart, Sinds 1 jaar en 24 bits / 96 kHz - Stereo
HI-RES€ 25,19
CD€ 17,99

Opera - Verschenen op 30 augustus 2019 | harmonia mundi

Hi-Res Booklets Onderscheidingen Choc de Classica
A challenge. This is a disorienting, provocative, and terribly refreshing album. Before launching headlong into the "Da Ponte-Mozart Trilogy", Raphaël Pichon undertakes a spirited exploration of the themes, throwing all these pieces together into a three-part "pasticcio", with the help of Mozart's earlier works and those of his contemporaries. To do this, Pichon and his arrangers use concert arias, nocturnes, canons, unfinished operas with characters and situations that evoke those of the trilogy. They have thrown together a delicious miniature trilogy "like a sort of musical apéritif." The result is all the more pleasing because it allows us to follow the evolution of Mozart's thought, at the same time as underlining the continuity of his literary choices and situations that he would set to music throughout his short life. Add that to some lively conducting and soloists who have great fun prefiguring the coming masterpieces. The result is a real gourmet feast. © François Hudry/Qobuz
HI-RES€ 14,99
CD€ 9,99

Concerten voor klavier - Verschenen op 31 mei 2019 | Chandos

Hi-Res Booklet Onderscheidingen Gramophone Editor's Choice - Choc de Classica
Jean-Efflam Bavouzet’s first three volumes of Mozart concertos with the Manchester Camerata and Gábor Takács-Nagy have been received with widespread acclaim, and so it is with some excitement that we release the keenly anticipated fourth instalment in the series. Composed within just one month in early 1785, these two concertos by Mozart are among the most popular of all his piano concertos. No. 20, KV 466 was his first concerto in a minor key, and its dark and stormy nature contrasts with the light and sunny atmosphere of Concerto No. 21, KV 467. Like so many of his piano concertos, both works were composed for the Vienna concert season and were given their premiere performances with Mozart at the keyboard. The two concertos are interspersed on this recording with a vivid performance of the Overture to Don Giovanni, which shares traits with both concertos and further demonstrates the exemplary playing of Manchester Camerata. © Chandos