Categories :

Albums

1183 albums gesorteerd op Meest aanbevolen en gefilterd op Vocale muziek (wereldlijk en religieus) en € 10,00 tot € 20,00
HI-RES€ 17,49
CD€ 12,49

Vocale muziek (wereldlijk en religieus) - Verschenen op 18 maart 2016 | harmonia mundi

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4 étoiles de Classica - Exceptional sound - 5 Sterne Fono Forum Klassik
HI-RES€ 15,99
CD€ 13,49

Vocale muziek (wereldlijk en religieus) - Verschenen op 26 oktober 2018 | Warner Classics

Hi-Res Booklet Onderscheidingen 5 de Diapason - Exceptional sound - 5 Sterne Fono Forum Klassik
Two composers who in one way or another sang about the horrors of war, and two who lost their lives in it: Ian Bostridge's takes a successful gamble here, with masterful accompaniment on the piano by Antonio Pappano. The first two are from Kurt Weill with Four Walt Whitman Songs in which the poet laments over the soldiers who died in the War of Succession, and Gustav Mahler, three of whose Lieder(s) taken from Knaben Wunderhorn cruelly and repugnantly evoke the lives of poor young people, peasants and people who are barely through with their school years, sent to be torn apart on every possible and imaginable front. More directly concerned, if one may say so, are George Butterworth - who fell at the Somme in 1916, aged thirty-one, and whose A Shropshire Lad is without a doubt the greatest masterpiece here. Rudi Stephan fell at the Galician front in 1915 aged twenty-eight. His cycle Ich will dir singen ein Hohelied is a climax of unsettling eroticism... Would the fate of German music have been different if this genius had been able to act as a counterbalance, for example, to the emerging dodecaphonic music? Bostridge gives it his all here in this sad centenary of the end of the “war to end all wars”, which we know was tragically not the case. © SM/Qobuz
HI-RES€ 17,49
CD€ 12,49

Vocale recitals - Verschenen op 14 september 2018 | harmonia mundi

Hi-Res Booklet Onderscheidingen 5 de Diapason - Gramophone Editor's Choice - Choc de Classica
A most unusual cabinet of curiosities 'Finding pleasure even in meditating on what causes one's pain': that neatly defines the theme of this album of music from the cusp of the sixteenth and seventeenth centuries. Here Italian and English madrigals rub shoulders with motets and Tenebrae responsories. A melancholic poetry that provided endless nourishment for musical creativity in the late Renaissance, and which Geoffroy Jourdain presents in his first recording for harmonia mundi. © harmonia mundi
HI-RES€ 26,99
CD€ 19,49

Vocale muziek (wereldlijk en religieus) - Verschenen op 31 augustus 2018 | Decca Music Group Ltd.

Hi-Res Booklet Onderscheidingen 5 de Diapason - Choc de Classica - 5 Sterne Fono Forum Klassik
HI-RES€ 29,99
CD€ 19,99

Koormuziek - Verschenen op 7 oktober 2016 | Chandos

Hi-Res Booklet Onderscheidingen Gramophone Editor's Choice - 4 étoiles de Classica - 5 Sterne Fono Forum Klassik
HI-RES€ 15,99
CD€ 11,49

Vocale muziek (wereldlijk en religieus) - Verschenen op 24 januari 2012 | harmonia mundi

Hi-Res Booklet Onderscheidingen Diapason d'or - Choc de Classica - Hi-Res Audio
HI-RES€ 15,99
CD€ 13,49

Vocale muziek (wereldlijk en religieus) - Verschenen op 2 september 2016 | Warner Classics

Hi-Res Booklet Onderscheidingen 5 de Diapason - Gramophone Editor's Choice - 5 Sterne Fono Forum Klassik
CD€ 14,49

Vocale muziek (wereldlijk en religieus) - Verschenen op 19 juni 2009 | deutsche harmonia mundi

Onderscheidingen 5 de Diapason - 4F de Télérama - Choc de Classica
Did Michelangelo Rossi (1601-1656) know Gesualdo's madrigals? One might well ask how much the composer-murderer influenced Rossi, who also pushed chromatism, dissonance, and wild modulations to the limit: a kind of musical mannerism which could be mistaken for the work of a 21st-century composer who had turned their hand to old-style madrigals using avant-garde composing techniques. Once again, it's the Huelgas Ensemble who bring us this beautiful handful of exceptional madrigals, recorded in public concert – it's a testament to the quality of the ensemble that we don't hear a single bum note, a real tour de force. The selection takes in some of the most excessive pieces in terms of deviant harmonies, outlaw dissonances, and all manner of delicious and stupefying incongruities. Frankly, it would be no exaggeration to say that Rossi is the worthy heir and equal of Gesualdo. But note: don't confuse this Rossi with Salomone Rossi or Luigi Rossi, both from the same baroque era, and absolutely not with one Tino… © SM/Qobuz
CD€ 14,49

Vocale muziek (wereldlijk en religieus) - Verschenen op 16 november 2012 | Sony Classical

Booklet Onderscheidingen Diapason d'or - 4 étoiles de Classica - Exceptional sound
HI-RES€ 20,99
CD€ 13,99

Vocale muziek (wereldlijk en religieus) - Verschenen op 17 augustus 2018 | Ricercar

Hi-Res Booklet Onderscheidingen Diapason d'or - 5 étoiles de Classica
Brought up in the French-Flamish tradition but fed with the milk of Renaissance Italian madrigalism since he was about eighteen years old, Jacques Arcadelt (1507-1568) left behind him many gems whose importance has been realized only recently. Let’s acclaim this magnificent album gathering the Chœur de Chambre de Namur, the ensemble Doulce Mémoire and the Cappella Mediterranea, to give us not the complete marigals, songs and motets by Arcadelt, of course, but a large selection of his most stupefying pieces. These are thus madrigals from his First and Fourth Books released during his Italian years around 1540, songs from the various Livres de Chansons (Books of Songs) released between 1550 and 1565 when he was living in Paris, and motets from various eras in his career—mostly Italian, a bit French too since he moved from court to court depending on the jobs, the political assassinations, the change in alliances and, generally, the implausible chaos between the various power players at the time. As a nod, we also hear an Ave Maria “according to Arcadelt”, in truth an imitation by Louis Dietsch, a composer from the 19th Century, and the comical Ave Maria d’Arcadelt … by Liszt, inspired by the Dietsch imitation, for solo organ, an exercise in returning to your ancient roots like people loved to imagine them during the Romantic era. We could even wonder if Saint-Saëns didn’t use the head of the main theme to recycle it into his ”Organ” Symphony, incidentally. © SM/Qobuz
HI-RES€ 17,49
CD€ 12,49

Koormuziek - Verschenen op 6 oktober 2014 | harmonia mundi

Hi-Res Booklet Onderscheidingen 4F de Télérama - Choc de Classica
CD€ 19,49

Koormuziek - Verschenen op 29 augustus 2006 | Warner Classics International

Onderscheidingen Diapason d'or - The Qobuz Ideal Discography
CD€ 24,99

Vocale muziek (wereldlijk en religieus) - Verschenen op 1 januari 2009 | Decca Music Group Ltd.

Booklet Onderscheidingen Diapason découverte - Choc de Classica
HI-RES€ 15,99
CD€ 11,49

Vocale muziek (wereldlijk en religieus) - Verschenen op 15 mei 2012 | harmonia mundi

Hi-Res Booklet Onderscheidingen Diapason d'or - Hi-Res Audio
CD€ 11,49

Muziek voor vocale ensembles - Verschenen op 15 augustus 2007 | harmonia mundi

Onderscheidingen 5 de Diapason - 4 étoiles du Monde de la Musique
CD€ 14,49

Vocale muziek (wereldlijk en religieus) - Verschenen op 9 november 2012 | deutsche harmonia mundi

Booklet Onderscheidingen Gramophone Editor's Choice - 4 étoiles de Classica
CD€ 11,49

Vocale muziek (wereldlijk en religieus) - Verschenen op 24 januari 2012 | harmonia mundi

Booklet Onderscheidingen 5 de Diapason - 4 étoiles de Classica
CD€ 13,49

Koormuziek - Verschenen op 24 maart 2017 | WM Poland - WMI

Onderscheidingen 5 de Diapason - Choc de Classica
HI-RES€ 16,99
CD€ 14,49

Vocale muziek (wereldlijk en religieus) - Verschenen op 3 mei 2019 | Sony Classical

Hi-Res Booklet Onderscheidingen 5 de Diapason
Here’s a remarkable recording showcasing a little known aspect of Brahms’ genius: his sacred choral music. As a choirmaster in Detmold, Hamburg and Vienna, he left behind an enormous amount of choral works, both sacred and secular. Composed based on extracts from Hölderlin’s famous epistolary novel Hyperion, the Song of Destiny (Schicksalslied) opens this splendid album with an atmosphere reminiscent of A German Requiem. The first two verses picked by Brahms invoke the carefree and peaceful world of Ancient Gods, while the third ends with a dramatic illustration of human destiny. This contrast is a recurring theme throughout Brahms’ literary choices, and makes up the backbone of this recording.Conducted with great suppleness and inwardness by Gijs Leenaars, the works featured in this great album evoke Ancient Greece, a leitmotiv of German romanticism, as well as a form of angst towards life, with unanswered existential questions regarding suffering and pain inflicted by an all-powerful God. This programme alternates between works for a cappella choirs (the excellent Berlin Radio Choir showing an exceptional range of nuances) and others intended for orchestras (Deutsches Symphonie-Orchester Berlin). © François Hudry/Qobuz
CD€ 19,99

Koormuziek - Verschenen op 1 maart 2011 | SDG

Booklet Onderscheidingen Gramophone Editor's Choice