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Piano solo - Verschenen op 1 februari 2019 | SOMM Recordings

Hi-Res Onderscheidingen Gramophone Editor's Choice - Choc de Classica
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Kamermuziek - Verschenen op 4 januari 2019 | Toccata Classics

Hi-Res Booklet Onderscheidingen 5 de Diapason - 5 Sterne Fono Forum Klassik
This recording of music by Ernst Krenek (1900–91) covers almost half a century of his compositions, and shows the sheer range of his creativity: from early piano fugues written for his teacher, Franz Schreker, via elegant fin de siècle Viennese lyricism to a relaxed application of Schoenberg’s dodecaphonic technique – often enlivened with a surprising degree of charm and a knowing sense of humour. © Toccata Classics
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Klassiek - Verschenen op 17 mei 2019 | Mirare

Hi-Res Booklet Onderscheidingen Gramophone Editor's Choice
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Klassiek - Verschenen op 22 maart 2019 | Arcana

Hi-Res Booklet Onderscheidingen 5 Sterne Fono Forum Klassik
Johann Sebastian Bach has always been considered one of the greatest music transcribers of all times. Many of his transcriptions (mostly the ones from Italian composers Vivaldi and Marcello) have become instant classics, and they are still viewed as masterpieces of the baroque repertoire. Bach has always been very active as a transcriber of his own music too. His masterful transcription of his Sonata for viola da gamba & keyboard No. 1, which he transformed into a trio for two flutes and continuo, has given the inspiration for this musical project. Tripla Concordia and Walter van Hauwe decided to transcribe even the other two Sonatas for Viola da Gamba as Trio Sonatas, walking in Bach footsteps. In doing so, the members of the ensemble actually fulfilled their desire of offering a new listening experience of this set of sonatas, with fresh colours and textures. Tripla Concordia sincerely hopes that those new versions will cast a new light on these works, thus giving the listener the opportunity of discovering new details and fresh instrumental combinations. Transcriptions of other two Bach masterpieces, the Organ Sonata No. 3 (transcription by Sour Cream) and the Partita for Lute BWV 997, complete the recording. © Arcana
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Kamermuziek - Verschenen op 5 april 2019 | Passacaille

Hi-Res Booklet Onderscheidingen 5 de Diapason
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Missen, passies, requiems - Verschenen op 25 januari 2019 | Paraty

Hi-Res Booklet Onderscheidingen Diapason d'or
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Symfonische muziek - Verschenen op 2 november 2018 | Halle Concerts Society

Hi-Res Booklet Onderscheidingen 5 de Diapason
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Klassiek - Verschenen op 18 januari 2019 | harmonia mundi

Hi-Res Booklet Onderscheidingen 5 Sterne Fono Forum Klassik
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Piano solo - Verschenen op 12 oktober 2018 | Andante Spianato

Hi-Res Booklet Onderscheidingen 5 de Diapason
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Liederen (Duitsland) - Verschenen op 5 oktober 2018 | Challenge Classics

Hi-Res Booklet Onderscheidingen 5 de Diapason
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Operette - Verschenen op 8 maart 2019 | Naxos

Hi-Res Booklet Onderscheidingen 5 de Diapason
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Liederen (Duitsland) - Verschenen op 11 januari 2019 | Naxos

Hi-Res Booklet Onderscheidingen 5 de Diapason
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Koormuziek - Verschenen op 14 juni 2019 | haenssler CLASSIC

Hi-Res Booklet Onderscheidingen 5 Sterne Fono Forum Klassik
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Klassiek - Verschenen op 19 oktober 2018 | Kairos

Hi-Res Booklet Onderscheidingen 5 de Diapason
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Klassiek - Verschenen op 29 maart 2019 | Stereo Disque

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Klassiek - Verschenen op 5 oktober 2018 | Deutsche Grammophon (DG)

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Klassiek - Verschenen op 21 december 2018 | Evidence

Hi-Res Booklet
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Klassiek - Verschenen op 30 november 2018 | Brilliant Classics

Hi-Res
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Klassiek - Verschenen op 9 november 2018 | Naxos

Hi-Res Booklet
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Vocale muziek (wereldlijk en religieus) - Verschenen op 1 maart 2019 | Alpha

Hi-Res Booklet
Franz Liszt was 67 when he composed his Via Crucis, yet it did not receive its first performance until 1929, 43 years after the composer’s death. This work of his mature years is in 15 sections, retracing the Stations of the Cross that mark the stages of Christ’s Passion, from being condemned to death to being laid in the tomb. Combining Gregorian chant, the Lutheran liturgy and the Latin, German and Aramaic languages, the Via Crucis shows real formal originality. A devout believer, Liszt gives us here his most important sacred work. He composed several versions: for mixed choir, soloists and organ (with the organ part optionally transcribed for piano), for piano solo, organ solo, and two pianos. After a first programme devoted to Janáček, the Collegium Vocale founded by Philippe Herreweghe is once again conducted by Reinbert de Leeuw in this Alpha recording. © Outhere