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Piano solo - Verschenen op 5 oktober 2018 | Sony Classical

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4F de Télérama - Gramophone Editor's Choice - 5 Sterne Fono Forum Klassik
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Kamermuziek - Verschenen op 15 maart 2019 | La Dolce Volta

Hi-Res Booklet Onderscheidingen 5 de Diapason - Choc de Classica - 5 Sterne Fono Forum Klassik

Symfonische muziek - Verschenen op 5 oktober 2018 | ICA Classics

Booklet Onderscheidingen Diapason d'or - Choc de Classica
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Klassiek - Verschenen op 5 augustus 2011 | Warner Classics

Booklet Onderscheidingen Diapason d'or - 4F de Télérama
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Klassiek - Verschenen op 8 maart 2019 | Deutsche Grammophon (DG)

Hi-Res Onderscheidingen 5 Sterne Fono Forum Klassik
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Piano solo - Verschenen op 8 februari 2019 | Nonesuch

Hi-Res Booklet Onderscheidingen 5 de Diapason
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Kamermuziek - Verschenen op 25 januari 2019 | B Records

Hi-Res Booklet Onderscheidingen 4F de Télérama
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Klassiek - Verschenen op 29 maart 2019 | Sony Music Labels Inc.

Onderscheidingen 5 Sterne Fono Forum Klassik
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Klassiek - Verschenen op 8 maart 2019 | B Records

Hi-Res Booklet Onderscheidingen Gramophone Editor's Choice
Short just as love, life, poetry, and a winter concert given at the Théâtre de l’Athénée, this new B Records album proposes a program of musical miniatures, from Fauré to Schumann and Brahms. An opportunity to hear the baritone Stéphane Degout, one of the best french melodists, and his partner Simon Lepper behind his piano, in a sometimes soft, sometimes stormy, always romantic album.
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Liederen (Duitsland) - Verschenen op 5 oktober 2018 | Challenge Classics

Hi-Res Booklet Onderscheidingen 5 de Diapason
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Kamermuziek - Verschenen op 23 november 2018 | Indésens

Hi-Res Booklet Onderscheidingen Choc de Classica
CD€ 19,99

Liederen (Duitsland) - Verschenen op 14 september 2018 | SWR Classic

Booklet Onderscheidingen Diapason d'or
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Duo´s - Verschenen op 14 september 2018 | Glossa

Hi-Res Booklet Onderscheidingen 5 de Diapason
The violin sonatas of Johannes Brahms were the product of much self-critical reflection, and the three surviving works are from a composer mature in years. Composed around the same time as the Violin Concerto (No. 1), the Piano Trio in C Minor and the Cello Sonata No. 2 (Nos. 2 and 3), they also echo some of his songs, such as those written to poems by Klaus Groth. Into this Romantic atmosphere come new performances of the three works on Glossa, played by violinist Leila Schayegh (particularly awarded for her recordings of Bach, Caldara and Benda), teaming up here with pianist Jan Schultsz. Schayegh plays a copy of a period violin, whilst Schultsz uses an original 1879 Streicher instrument. The two players aim to recapture the performing tradition as the composer would have known it, and within which he would have intended his pieces to have been played. Schayegh and Schultsz worked with Clive Brown and Neal Peres Da Costa in their efforts to aim for “the spirit rather than the dead letter of the score” and they pay admirable notice of important interpretative questions for music of this time – and they provide an intuitive musical and emotional response to the lyricism of the first two sonatas and the darker-hued tones of the third, investing these late-nineteenth-century works. © Glossa
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Liederen (Duitsland) - Verschenen op 2 november 2018 | Solo Musica

Hi-Res Booklet Onderscheidingen Diapason d'or
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Klassiek - Verschenen op 14 juni 2019 | Decca Music Group Ltd.

Hi-Res Booklet
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Klassiek - Verschenen op 14 september 2018 | Warner Classics

Booklet
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Klassiek - Verschenen op 28 september 2018 | Warner Classics

Booklet
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Klassiek - Verschenen op 24 mei 2019 | Claves Records

Hi-Res Booklet
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Klassiek - Verschenen op 7 december 2018 | Tudor

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Klassiek - Verschenen op 3 mei 2019 | Sony Classical

Hi-Res Booklet
Here’s a remarkable recording showcasing a little known aspect of Brahms’ genius: his sacred choral music. As a choirmaster in Detmold, Hamburg and Vienna, he left behind an enormous amount of choral works, both sacred and secular. Composed based on extracts from Hölderlin’s famous epistolary novel Hyperion, the Song of Destiny (Schicksalslied) opens this splendid album with an atmosphere reminiscent of A German Requiem. The first two verses picked by Brahms invoke the carefree and peaceful world of Ancient Gods, while the third ends with a dramatic illustration of human destiny. This contrast is a recurring theme throughout Brahms’ literary choices, and makes up the backbone of this recording.Conducted with great suppleness and inwardness by Gijs Leenaars, the works featured in this great album evoke Ancient Greece, a leitmotiv of German romanticism, as well as a form of angst towards life, with unanswered existential questions regarding suffering and pain inflicted by an all-powerful God. This programme alternates between works for a cappella choirs (the excellent Berlin Radio Choir showing an exceptional range of nuances) and others intended for orchestras (Deutsches Symphonie-Orchester Berlin). © François Hudry/Qobuz