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Klassiek - Verschenen op 3 mei 2019 | Alpha

Hi-Res Booklet Onderscheidingen Diapason d'or
‘The senses reign, and Reason now is dead’ (Petrarch). Giovanni Antonini, flautist and founder of the legendary Italian ensemble Il Giardino Armonico, enjoys musical voyages, the discursiveness of music. He begins with an anonymous 16th century pavane, La Morte della Ragione ("The Death of Reason"), which he believes refers to In Praise of Folly, in which its author Erasmus distinguishes between two forms of madness: ‘a sweet illusion of the spirit', and a negative form, ‘one that the vengeful Furies conjure up from hell...’. This succession of ‘musical pictures’ leads us to the threshold of the baroque era, starting out with the Puzzle Canon by John Dunstable (1390- ca.1453), whose manuscript is an enigma, via the ‘bizarre’ style of Alexander Agricola (1446- ca.1506) and his obsessive, ostinato rhythm – almost an anticipation of minimalist music… to the improvisatory freedom of the Galliard Battaglia de Scheidt (1587-1654), a battle piece involving a great many diminutions or ‘divisions’, a common technique of improvisation in the Renaissance... This grand instrumental musical fresco of time and space is a kind of self-portrait of Giovanni Antonini and his longstanding musical colleagues. To accompany this recording, a richly-illustrated booklet presents a free-ranging iconographical tour combining pictures and contemporary photos. © Alpha Classics
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Vocale muziek (wereldlijk en religieus) - Verschenen op 2 november 2018 | Ramée

Hi-Res Booklet Onderscheidingen Diapason d'or
Here's something fascinating: music from the 14th and early 15th centuries, lost for hundreds of years, has now been rediscovered thanks to some space-age technology. Because, in fact, the original manuscripts were never lost. In reality, the paper had been scrubbed and recycled or covered over with palimpsests because of the prohibitive price of parchment at the time. And so a whole body of Florentine works from the era of Petrarch, Boccacio, Dante and Machiavelli was erased to make room for 16th century poems. A careful examination of the San Lorenzo Palimpsest revealed that multi-spectral photography (anyone who knows what that is, raise your hand…) of the pages can render the underlying layer perfectly legible, and so now 111 pages of music from the 14th century can see the light of day. After six hundred years of multi-spectral silence, these pieces are interpreted here by the La Morra ensemble, which specialises in late medieval and Renaissance music with voice and instruments like the lute, vielle, clavicymbalum and recorder. There is an intensity of emotion in hearing these pieces which until now we never knew existed, written by composers of whom we know almost nothing such as Giovanni Mazzuoli and his son Piero, Paolo da Firenze or Jacopo da Bologna. Here they take centre stage. © SM/Qobuz
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Religieuze vocale muziek - Verschenen op 15 maart 2019 | Ricercar

Hi-Res Booklet Onderscheidingen Diapason d'or