Albums

4942 albums gesorteerd op Date: from newest to oldest en gefilterd op Klassiek en Johann Sebastian Bach
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Klassiek - Verschijnt op 12 juli 2019 | Ramée

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Klassiek - Verschijnt op 21 juni 2019 | Ars Produktion

Booklet
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Klassiek - Verschijnt op 21 juni 2019 | Divine Art

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Piano solo - Verschenen op 14 juni 2019 | ECM New Series

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Klassiek - Verschenen op 14 juni 2019 | ECM New Series

Booklet
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€ 5,99

Klassiek - Verschenen op 14 juni 2019 | Naxos

Hi-Res Booklet
"Magna Sequentia I" is a unique sequencing of dance movements drawn from Bach’s keyboard works featuring pieces from the French Suites and Partitas. Whereas Bach’s suites typically comprise six to eight movements, Sonia Rubinsky has selected 19, compiled with a tonal logic that still keeps the structure of a suite. She has chosen several examples of each of the dance forms used by Bach so one can appreciate the dazzling variety of both style and mood. Enhanced by her historically informed performance, "Magna Sequentia I" offers fresh insights into Bach performance on a modern grand piano. © Naxos
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Klassiek - Verschenen op 12 juni 2019 | MUSICANOVA

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Klassiek - Verschenen op 12 juni 2019 | MUSICANOVA

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Klassiek - Verschenen op 12 juni 2019 | MUSICANOVA

Klassiek - Verschenen op 10 juni 2019 | Nota Bene Classical

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€ 33,99

Klassiek - Verschenen op 7 juni 2019 | Warner Classics

Booklet
Thirty years after his premature death, the American harpsichordist and organist Scott Ross is still present in the hearts of music lovers. His name remains attached to the marathon of 555 sonatas of Domenico Scarlatti he recorded on harpsichord for Disques Erato. It is out of this achievement that Scott Ross took on the task of recording the integrity of Johann Sebastian Bach’s works on keys (harpsichord and organ), but the great grim-reaper thought otherwise. This new homage-publication takes existing recordings and completes them with hitherto unseen material from French, Swiss and Canadian radios, including concerts and recordings on both harpsichord and organ. This disparate ensemble finds its coherence through the remastering of a wide range of sources by Christophe Hénault from Studio Art & Son. The happiness of experiencing the intense, fantastic and colourful joy of Scott Ross again will satisfy numerous admirers who will find him in solo, but also in duet with his old teacher Huguette Grémy-Chauliac and the Mosaïques ensemble under the direction of Christophe Coin. © François Hudry/Qobuz
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Kamermuziek - Verschenen op 7 juni 2019 | BIS

Hi-Res Booklet
In 1985 the Russian violinist Vladimir Spivakov published his own arrangement of the Goldberg Variations for a string trio at the time of the tricentennial anniversary of the birth of Johann Sebastian Bach. Dedicated to the memory of the Canadian pianist Glenn Gould who recently died, this deft transcription has since made a tour of the world and many recordings have flourished. When it came to recording their Goldberg, the Zimmermann trio (Frank Peter Zimmermann on violin, Antoin Tamestit on viola and Christian Poltéra on cello) decided to propose their own version of the string trio which was, according to the musicians, “neither an arrangement nor a transcription, but essentially a unveiling of Bach’s score”. The result is splendid as much is the exceptional capture of the three Stradivarius instruments used in this recording by the engineers of BIS. There is a pleasant “grainy” sound in the air between the notes and the perfectly balanced reverberations. A total success thanks to the addition of high-quality instruments, instrumentalists and technique. © François Hudry/Qobuz
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Klassiek - Verschenen op 7 juni 2019 | Metronome

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Klassiek - Verschenen op 7 juni 2019 | CAvi-music

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Klassiek - Verschenen op 7 juni 2019 | BIS

Hi-Res Booklet
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Klassiek - Verschenen op 7 juni 2019 | Intense Media GmbH

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Kamermuziek - Verschenen op 7 juni 2019 | DUX

Booklet
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Klassiek - Verschenen op 5 juni 2019 | SCHALLROLA

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Klassiek - Verschenen op 31 mei 2019 | Piano Classics

Booklet
A Chinese-American Bach specialist continues a critically acclaimed cycle of the keyboard works. ‘This is superior Chopin playing by any standards’, remarked Fanfare of Yuan Sheng’s Chopin collection for Piano Classics in 2013. That was recorded on an 1845 Pleyel, whereas for his Bach series he has returned to the reliable pleasures of a modern Steinway. However, the qualities identified by Fanfare’s reviewer in his Chopin – ‘his sensitivity, his agility, his rhythmic strength’ are no less evident, as one might expect from a pupil of the sovereign Bach exponent on the modern piano, Rosalyn Tureck. The French Suites are often considered poorer or at least slighter cousins to the English Suites and Partitas. And it’s true that they were probably intended first and foremost for teaching purposes rather than public performance. Compiled during Bach’s time as Capellmeister to the court at Cothen in the early 1720s, they satisfied a need for good, exemplary pieces to stretch his pupils as his reputation as a teacher spread farther into Germany and beyond. The title is misleading: the English Suites are more ‘French’ in character than the French Suites, which are more characteristic of the Italian style. ‘By design the composer is here less learned than in his other suites,’ remarked one early biographer, ‘and has mostly used a pleasing, more predominant melody.’ Just so, and the same is true of the pair of suites BWV 818 and 819 which fall outside the collection but belong with it in terms of style. To all of them Yuan Sheng brings considered tempi and precise articulation in the mould of Tureck. To Bach at his most uncomplicated, Sheng brings the virtues of simplicity and clarity. This is the 4th instalment of Yuan Sheng’s complete Bach cycle played on the piano, previous issues include the Goldberg Variations and the Italian Concerto/French Overture and the 6 Partitas. © Piano Classics

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