Albums

2779 albums gesorteerd op Date: from newest to oldest en gefilterd op Klassiek en 5 de Diapason
€ 9,99

Duo´s - Verschenen op 5 april 2019 | Pan Classics

Booklet Onderscheidingen 5 de Diapason
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€ 11,49

Kamermuziek - Verschenen op 15 maart 2019 | Aparté

Hi-Res Booklet Onderscheidingen 5 de Diapason
Couperin’s four Concerts royaux were published in 1722 as in a supplement to his third anthology of harpsichord pieces. They sound like a twilight tribute to Sun King’s reign. The score doesn’t mention any instrument but we know the musician envisaged them as ensemble pieces for a mixed consort of instruments. And that was how they were performed at the Sunday concerts at Versailles organized by Mme de Maintenon for Louis XIV between 1714 and 1715. Chamber music concerts were in fashion at the time so the four Suites were to be played by a bass instrument and several dessus, and not only by the solo harpsichord. Christophe Rousset and his soloists recorded with sense and sensibility this concentrate of French elegance and virtuosity! With Violinist Stéphanie-Marie Degand, Flutist Georges Barthel, Oboist Patrick Beaugiraud and Violist Atsushi Sakaï, the 18th-century-music lover and baroque conductor features a majestic version of these well-named royal Concerts! © Aparté Music
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Religieuze cantates - Verschenen op 8 maart 2019 | Alpha

Hi-Res Booklet Onderscheidingen 5 de Diapason
Following his recording of J. S. Bach’s solo cantatas for alto BWV 35 and 170 (issued in 2009), countertenor Damien Guillon has continued his work of research and interpretation, devoting a second album to the Cantata BWV 169 for alto solo and to the famous BWV 82 Ich habe genug ; though better known in its 1727 version for bass, from 1735 onwards it was also performed by an alto voice. To complement this cantata programme, organist Maude Gratton performs Bach’s Prelude and Fugue BWV 543, as well as the chorales Allein Gott in der Höh sei Ehr, BWV 662, BWV 663 & BWV 664. © Alpha Classics
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Concerten voor cello - Verschenen op 22 februari 2019 | Aparté

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4F de Télérama
Cellist Ophélie Gaillard and Pulcinella Orchestra focus on Luigi Boccherini, Italian composer and first virtuoso cellist in history. Born in the Tuscany, Boccherini then went to the Court of Prussa and Spain. His musical education looks like a journey around Europe, as it used to be. Long eclipsed by the violin, star of the string instruments, the cello slowly fit in the eighteenth century repertoire thanks to composers who played the instrument themselves. The now famous Suites of Johan Sebastian Bach are the first master pieces composed for the cello. Then Luigi Boccherini strengthened its place in the musical creation, thus becoming to cello what Vivaldi was to the violin one generation earlier. With rhythms of dance from Andalusia and melodies dug along the streets of Madrid, Boccherini draws with notes his adopted country such as his contemporary Francisco Goya did with colours. This double album explores all the genres (concertos, sonatas, symphonies) and invites the gorgeous Sandrine Piau to perform Boccherini’s poignant Stabat Mater for string quintet and solo soprano. © Aparté/Little Tribeca
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Liederen (Engeland) - Verschenen op 22 februari 2019 | Warner Classics

Onderscheidingen 5 de Diapason
€ 12,49

Religieuze vocale muziek - Verschenen op 22 februari 2019 | Warner Classics

Onderscheidingen 5 de Diapason
€ 11,49
€ 9,99

Kamermuziek - Verschenen op 22 februari 2019 | Warner Classics

Hi-Res Onderscheidingen 5 de Diapason
€ 14,99
€ 9,99

Concertmuziek - Verschenen op 1 februari 2019 | Ricercar

Hi-Res Booklet Onderscheidingen 5 de Diapason
The life of Nicolas Chédeville (1705-1782) covers exactly the golden age of the hurdy-gurdy and the musette, the French baroque bagpipe. His time witnessed an ‘art of living’ that revelled playfully in the idealization of nature as a mirror of ancient Arcady, and his works contributed to the soundscape of his time, one that portrayed this idyllic milieu in operatic dramas whose heroes were constantly questing for the past … In 1739 he published Les Saisons amusantes, concertos by Antonio Vivaldi arranged for bagpipes and hurdy-gurdies. These transcriptions of concertos from Il Cimento dell armonia e dell’inventione include arrangements for the hurdy-gurdy of three concertos from the Four Seasons ("Spring", "Autumn", and "Winter"). The same year Chédeville made further bucolic arrangements of another three Vivaldi concertos from the same set, calling them Les Plaisirs de l’été, La Moisson, and Les Plaisirs de la Saint-Martin (a version of Vivaldi’s Il Piacere). Tobie Miller, a star virtuoso of the hurdy-gurdy whose first recording for Ricercar ("La belle vielleuse") was heaped with critical praise, tackles this repertoire with infectious spontaneity. © Ricercar
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Symfonische muziek - Verschenen op 1 februari 2019 | Chandos

Hi-Res Booklet Onderscheidingen 5 de Diapason
€ 48,99

Piano solo - Verschenen op 18 januari 2019 | Universal Music Division Decca Records France

Onderscheidingen 5 de Diapason
€ 9,99

Kamermuziek - Verschenen op 18 januari 2019 | Ars Produktion

Booklet Onderscheidingen 5 de Diapason
While only fourteen years separate the Zemlinsky and Korngold piano trios, written in 1896 and 1919 respectively, the contrast couldn't be more striking. Where Zemlinsky's work, which he wrote at the age of 22, still bears the influence of Brahms (putting it lightly), Korngold's work, written while the composer was 13, has its eyes fixed firmly on the future, or at least on the most coruscating parts of the present day: Strauss or Mahler, and even early Schönberg. The filiation between Zemlinsky and his disciple Korngold seems barely perceptible and the fourteen years between them seem like a huge gulf. These two fascinating works are presented by the Stefan Zweig Trio (founded 2012), an ensemble every bit as Viennese as the composers it showcases here. © SM/Qobuz
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Liederen (Frankrijk) - Verschenen op 11 januari 2019 | harmonia mundi

Hi-Res Booklet Onderscheidingen 5 de Diapason
As the first of a series of publications that aim to celebrate forty years of the "Arts Flo" founded by William Christie in 1979, this new album, recorded at the Philharmonie de Paris in 2016, is made up of "serious songs and “drinking songs" from France in the 17th century. Following the filming of Monteverdi's L'incoronazione di Poppea, performed at the Salzburg Festival 2018, and the ambitious complete recording of Carlo Gesualdo’s Madrigaux conducted by Paul Agnew, who is little by little taking over as the ensemble’s conductor, new editions are returning towards harmonia mundi, the "historic" publisher of the Arts Florissants and their founder. This recording is a perfect “Map of Tendre” of the loved-up 17th century, with its lovelorn shepherds, pretty shepherdesses (jolies bergères, in fact!) who aren't always too chaste, and helpful birds. Having only just moved on from Renaissance polyphony, French composers, very much influenced by their Italian colleagues, produced airs de cour (courtly airs) which would become the first constitutive elements of French opera. This album brings together the composers who best represent this musical trend. It gives us Marc-Antoine Charpentier as well as Michel Lambert, who wrote serious melodies, and Sébastien Le Camus, who would quickly become one of the musical favourites of the Parisian salon scene. These men dominated the musical productions which then circulated in either printed or manuscript form, or in periodicals such as Le Mercure galant. What a happy time it was for France, when love, sincere love, always won out over adversity and jealousy. © François Hudry/Qobuz
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€ 11,49

Kwartetten - Verschenen op 11 januari 2019 | Mirare

Hi-Res Booklet Onderscheidingen 5 de Diapason - Choc de Classica
€ 10,99

Kamermuziek - Verschenen op 11 januari 2019 | Signature - Radio France

Onderscheidingen 5 de Diapason
Outstanding musicians in an exceptional programme, stamped with rhythmic energy from start to finish, featuring Florent Schmitt's Opus 68, Albert Roussel's Opus 28 et the Sonata for violin and piano of André Prévost (1934-2001).
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Piano solo - Verschenen op 4 januari 2019 | Chandos

Hi-Res Booklet Onderscheidingen 5 de Diapason
€ 14,99
€ 9,99

Symfonische muziek - Verschenen op 4 januari 2019 | BIS

Hi-Res Booklet Onderscheidingen 5 de Diapason - 5 étoiles de Classica
€ 14,99
€ 9,99

Kamermuziek - Verschenen op 7 december 2018 | Alia Vox

Hi-Res Booklet Onderscheidingen 5 de Diapason
These were the days when France was considered a European beacon of art and culture. This symbol of refinement and sophistication is brilliantly embodied here by Le Concert des Nations conducted by Jordi Savall in a dream French-German arrangement that combines the music of Jean-Ferry Rebel and Georg Philipp Telemann, who express themselves in a supranational musical style to reach a sort of baroque dance climax. Savall gives leans heavily on the carefree splendour of Louis XV’s reign with these successive rococo ballets for which one can easily imagine the astounding dancing steps depicted by paintings from the likes of Watteau, Lancret and Hallé. Jordi Savall’s interpretation is simultaneously rich, skilful and extremely refined. The whole vocabulary for dance and decorum is used in these scores which rely on the very rhythms of that era: minuet, jig, rigadoon, passepied and gavotte, as well as, at times, a form of nostalgia inherited from the previous century in memory of the end of the Great King’s reign. This is a deep dive into the lavish world of the wealthy living in a perfect bubble that the French Revolution would brutally pop at the end of this Age of Enlightenment; an era of political and social reflection that saw the emergence of the idea of tolerance before ending in a bloodbath, a bloodbath from which the modern world was about to be born. © François Hudry/Qobuz
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€ 9,99

Liederen - Verschenen op 7 december 2018 | BIS

Hi-Res Booklet Onderscheidingen 5 de Diapason
Bernstein, Copland, Ives, Mahler, Strauss, Pärt, Duruflé, Messiaen, Martin, Liszt and Richard Rodgers: those are the composers honoured here by Anne Sofie von Otter, accompanied on the organ (which makes the album truly original, in addition to the eclectic repertoire) by Bengt Forsberg. A few fellow musicians join forces for a few pieces here and there; we find the violin, cello, harp, viola and even an electric guitar for Bernstein's Mass aria. A touching detail is that the organ used is that of St. James Church in Stockholm, the same church where a very young Anne Sofie first started singing, initially as a member of the choir, then quickly as a soloist, notably with St. John Passion. It was also in this church that she first performed as a soloist more than thirty-five years ago with none other than Bengt Forsberg. The programme alternates between English, German and French, with a touch of Latin for incursions into the sacred world. It ends with an almost improvised version of "Climb Ev'ry Mountain" from the musical The Sound of Music; indeed, Von Otter has been enjoying crossing the barriers between periods and genres for several years now. © SM/Qobuz
€ 19,99

Cantates (wereldlijk) - Verschenen op 7 december 2018 | CPO

Booklet Onderscheidingen 5 de Diapason
€ 17,49
€ 12,49

Piano solo - Verschenen op 30 november 2018 | harmonia mundi

Hi-Res Booklet Onderscheidingen 5 de Diapason
On the dawn of his fortieth birthday, the Spanish pianist Javier Perianes should be more than proud of his dazzling career. Among the places that regularly welcome him we find Carnegie Hall, the Berliner Philharmoniker, the Philharmonie de Paris, Gewandhaus in Leipzig and La Roque d'Anthéron. Barenboim and Larrocha were his masters. He is particularly fond of the great French repertoire of Debussy and Ravel, though he never focuses solely on them - his previous recordings have taken him to Beethoven, Mompou, Schubert or Granados. Here, he remains in the French world with Debussy's Book I from Preludes and his three Estampes, the composer’s piano masterpiece, which Perianes distils with immense instrumental colour, breathing, contrasts and a magnificent violence that counterbalances a crystal clearness at every moment, as requested by the score. © SM/Qobuz

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