Franz Liszt
Liszt was the only contemporary whose music Richard Wagner gratefully acknowledged as an influence upon his own. His lasting fame was an alchemy of extraordinary digital ability -- the greatest in the history of keyboard playing -- an unmatched instinct for showmanship, and one of the most progressive musical imaginations of his time. Hailed by some as a visionary, reviled by others as a symbol of empty Romantic excess, Franz Liszt wrote his name across music history in a truly inimitable manner.
From his youth, Liszt demonstrated a natural facility at the keyboard that placed him among the top performing prodigies of his day. Though contemporary accounts describe his improvisational skill as dazzling, his talent as a composer emerged only in his adulthood. Still, he was at the age of eleven the youngest contributor to publisher Anton Diabelli's famous variation commissioning project, best remembered as the inspiration for Beethoven's final piano masterpiece. An oft-repeated anecdote -- first recounted by Liszt himself decades later, and possibly fanciful -- has Beethoven attending a recital given by the youngster and bestowing a kiss of benediction upon him.
Though already a veteran of the stage by his teens, Liszt recognized the necessity of further musical tuition. He studied for a time with Czerny and Salieri in Vienna, and later sought acceptance to the Paris Conservatory. When he was turned down there -- foreigners were not then admitted -- he instead studied privately with Anton Reicha. Ultimately, his Hungarian origins proved a great asset to his career, enhancing his aura of mystery and exoticism and inspiring an extensive body of works, none more famous than the Hungarian Rhapsodies (1846-1885).
Liszt soon became a prominent figure in Parisian society, his romantic entanglements providing much material for gossip. Still, not even the juiciest accounts of his amorous exploits could compete with the stories about his wizardry at the keyboard. Inspired by the superhuman technique -- and, indeed, diabolical stage presence -- of the violinist Paganini, Liszt set out to translate these qualities to the piano. As his career as a touring performer, conductor, and teacher burgeoned, he began to devote an increasing amount of time to composition. He wrote most of his hundreds of original piano works for his own use; accordingly, they are frequently characterized by technical demands that push performers -- and in Liszt's own day, the instrument itself -- to their limits. The "transcendence" of his Transcendental Etudes (1851), for example, is not a reference to the writings of Emerson and Thoreau, but an indication of the works' level of difficulty. Liszt was well into his thirties before he mastered the rudiments of orchestration -- works like the Piano Concerto No. 1 (1849) were orchestrated by talented students -- but made up for lost time in the production of two "literary" symphonies (Faust, 1854-1857, and Dante, 1855-1856) and a series of orchestral essays (including Les préludes, 1848-1854) that marks the genesis of the tone poem as a distinct genre.
After a lifetime of near-constant sensation, Liszt settled down somewhat in his later years. In his final decade he joined the Catholic Church and devoted much of his creative effort to the production of sacred works. The complexion of his music darkened; the flash that had characterized his previous efforts gave way to a peculiar introspection, manifested in strikingly original, forward-looking efforts like Nuages gris (1881). Liszt died in Bayreuth, Germany, on July 31, 1886, having outlived Wagner, his son-in-law and greatest creative beneficiary.
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Infinite Liszt
Klassiek - Released by UME - Global Clearing House on 11 jul. 2020
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Classical Sonosphere Vol. 1
Johannes Brahms, Franz Liszt, Camille Saint-Saëns
Klassiek - Released by UME - Global Clearing House on 22 jun. 2023
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A Classical Compendium: Liszt
Klassiek - Released by UME - Global Clearing House on 16 sep. 2022
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Liszt: Années de pèlerinage: Premiere année, Suisse, S. 160
Klassiek - Released by Turtle Records on 1 jan. 2004
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Franz Liszt: Années de Pélerinage 2e Année "L'Italie"
Klassiek - Released by Denon on 1 jan. 1993
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Liszt: Après une lecture de Dante, S. 161/5 – Sonetto No. 104 del Petrarca, S. 161/5 – Funérailles, S. 173/7 – La Leggierezza, S. 144/2 – Ballade No. 2 in D Minor, S. 171/2
Klassiek - Released by VDE-GALLO on 24 okt. 2013
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Franz Liszt - Rapsodia Húngara
Klassiek - Released by ClassicalPirosDigital on 30 jun. 2015
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Peter Katin A Liszt Recital
Klassiek - Released by Mezhdunarodnaya Kniga Musica on 10 jan. 2014
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Chopin, Liszt: Piano Sonatas & Concertos
Klassiek - Released by UME - Global Clearing House on 22 mei 2021
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Liszt (Red Classics)
Klassiek - Released by Cobra Entertainment LLC on 16 jun. 2015
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Mikhail Petukhov. Virtuoso Romantic: Liszt, Saint-Saens, Mendelssohn, Gounod, Rossini
Kamermuziek - Released by Royal Music Society on 8 aug. 2011
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Liszt: Hungarian Rhapsody No. 2, S. 244 - Gaudeamus Igitur, S. 240 - Fest-Polonaise, S. 230a (S. 528) & Weihnachtsbaum, S. 186
Pinuccia Giarmanà, Alessandro Luccetti
Klassiek - Released by VDE-GALLO on 9 dec. 2013
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Berman Plays Liszt Etudes and More
Klassiek - Released by Pipeline Music on 30 nov. 2006
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Peaceful Chopin & Liszt
Klassiek - Released by UME - Global Clearing House on 22 nov. 2020
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The Legendary Pianist Simon Barere: The Last Recording Sessions (Recorded in 1951)
Klassiek - Released by Cembal d'amour CD 114 on 1 jan. 2001
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Franz Liszt: Organ Works and Transcriptions
Klassiek - Released by CDklassisk on 15 okt. 2008
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Masterpieces of Liszt
Klassiek - Released by Avanticlassic on 5 mei 2020
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Liszt: 2 Etudes de concert, S. 145 - 6 Consolations, S. 172 - Ballade No. 2, S. 171 - 3 Etudes de concert, S. 144 - Transcendental Etudes, S. 139 - Grandes études, S. 141 & Gagnebin: Concerto pour piano et orchestre, Op. 119
Klassiek - Released by VDE-GALLO on 26 okt. 2013
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Ballade n°2 en si mineur, Rêve d'amour, Campanella, Sonate en si mineur - Franz Liszt
Klassiek - Released by Saphir Productions on 1 nov. 2010
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The Art of Samuel Feinberg, Vol. 5
Klassiek - Released by Classical Records on 10 feb. 2016
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