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Orchestre Symphonique Bienne|Williams, J.: 3 Pieces From Schindler's List / Bloch, E.: Suite Hébraïque, Concerto Grosso No. 1

Williams, J.: 3 Pieces From Schindler's List / Bloch, E.: Suite Hébraïque, Concerto Grosso No. 1

Orchestre Symphonique Bienne, Thomas Rosner, Alexandre da Costa, Marc Pantillon

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Young Canadian-born violinist Alexandre da Costa (only 30 at the time of this recording) appears on this ATMA album entitled Schindler's List. John Williams' Suite from this widely viewed Spielberg movie is the first piece on the program. With so many people already familiar with the brilliant, impassioned performance given in the original soundtrack by Itzhak Perlman, subsequent recordings certainly have an uphill battle. That's not to say it shouldn't be attempted or that producing a tantamount or superior performance is impossible; it's just difficult. Da Costa puts forth a valiant effort, but still falls short of Perlman's mark. For one, da Costa's sound is simply not that powerful. Even against the lightly scored orchestral accompaniment, his sound is lost. Intonation is generally good, but there are enough rough spots to make discerning listeners take notice. Second on the program is Ernest Bloch's Suite Hébraïque for violin and orchestra. The issues that existed in the previous work remain here; da Costa's sound is simply absent too frequently given the relatively light orchestra scoring and the cautious dynamics provided by the Orchestre Symphonique Bienne under Thomas Rösner. The album closes with Bloch's Concerto Grosso No. 1, one of his more popular compositions that is not from his so-called "Jewish Cycle." Here, the orchestra is finally able to play with full volume without having to cover a soloist.

© TiVo

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Williams, J.: 3 Pieces From Schindler's List / Bloch, E.: Suite Hébraïque, Concerto Grosso No. 1

Orchestre Symphonique Bienne

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1
Suite Schindler’s List for Violin and Orchestra: I. Thème
Alexandre da Costa
00:04:21

John Williams, Composer - Alexandre da Costa, Violin, MainArtist, AssociatedPerformer - Thomas Rosner, Conductor, MainArtist - Orchestre Symphonique Bienne, Orchestra, MainArtist - Johanne Goyette, Producer, Recording Engineer, StudioPersonnel

℗ 2009 ATMA Classique

2
Suite Schindler’s List for Violin and Orchestra: II. Krakow - Jewish Town
Thomas Rösner
00:04:56

John Williams, Composer - Alexandre da Costa, Violin, MainArtist, AssociatedPerformer - Thomas Rosner, Conductor, MainArtist - Orchestre Symphonique Bienne, Orchestra, MainArtist - Johanne Goyette, Producer, Recording Engineer, StudioPersonnel

℗ 2009 ATMA Classique

3
Suite Schindler’s List for Violin and Orchestra: III. Remembrances
Orchestre Symphonique Bienne
00:06:08

John Williams, Composer - Alexandre da Costa, Violin, MainArtist, AssociatedPerformer - Thomas Rosner, Conductor, MainArtist - Orchestre Symphonique Bienne, Orchestra, MainArtist - Johanne Goyette, Producer, Recording Engineer, StudioPersonnel

℗ 2009 ATMA Classique

4
Suite hébraïque for Violin and Orchestra: I. Rhapsody
Thomas Rösner
00:06:18

Ernest Bloch, Composer - Alexandre da Costa, Violin, MainArtist, AssociatedPerformer - Thomas Rosner, Conductor, MainArtist - Orchestre Symphonique Bienne, Orchestra, MainArtist - Johanne Goyette, Producer, Recording Engineer, StudioPersonnel

℗ 2009 ATMA Classique

5
Suite hébraïque for Violin and Orchestra: II. Processional
Thomas Rösner
00:02:34

Ernest Bloch, Composer - Alexandre da Costa, Violin, MainArtist, AssociatedPerformer - Thomas Rosner, Conductor, MainArtist - Orchestre Symphonique Bienne, Orchestra, MainArtist - Johanne Goyette, Producer, Recording Engineer, StudioPersonnel

℗ 2009 ATMA Classique

6
Suite hébraïque for Violin and Orchestra: III. Affirmation
Orchestre Symphonique Bienne
00:03:31

Ernest Bloch, Composer - Alexandre da Costa, Violin, MainArtist, AssociatedPerformer - Thomas Rosner, Conductor, MainArtist - Orchestre Symphonique Bienne, Orchestra, MainArtist - Johanne Goyette, Producer, Recording Engineer, StudioPersonnel

℗ 2009 ATMA Classique

7
Concerto grosso No. 1 for String Orchestra with Piano Obbligato: I. Prelude : Allegro energico e pesante
Orchestre Symphonique Bienne
00:02:54

Ernest Bloch, Composer - Marc Pantillon, Piano, MainArtist, AssociatedPerformer - Thomas Rosner, Conductor, MainArtist - Orchestre Symphonique Bienne, Orchestra, MainArtist - Johanne Goyette, Producer, Recording Engineer, StudioPersonnel

℗ 2009 ATMA Classique

8
Concerto grosso No. 1 for String Orchestra with Piano Obbligato: II. Dirge : Andante moderato
Thomas Rösner
00:07:26

Ernest Bloch, Composer - Marc Pantillon, Piano, MainArtist, AssociatedPerformer - Thomas Rosner, Conductor, MainArtist - Orchestre Symphonique Bienne, Orchestra, MainArtist - Johanne Goyette, Producer, Recording Engineer, StudioPersonnel

℗ 2009 ATMA Classique

9
Concerto grosso No. 1 for String Orchestra with Piano Obbligato: III. Pastorale and Rustic Dances : Assai lento
Orchestre Symphonique Bienne
00:07:14

Ernest Bloch, Composer - Marc Pantillon, Piano, MainArtist, AssociatedPerformer - Thomas Rosner, Conductor, MainArtist - Orchestre Symphonique Bienne, Orchestra, MainArtist - Johanne Goyette, Producer, Recording Engineer, StudioPersonnel

℗ 2009 ATMA Classique

10
Concerto grosso No. 1 for String Orchestra with Piano Obbligato: IV. Fugue : Allegro
Orchestre Symphonique Bienne
00:06:04

Ernest Bloch, Composer - Marc Pantillon, Piano, MainArtist, AssociatedPerformer - Thomas Rosner, Conductor, MainArtist - Orchestre Symphonique Bienne, Orchestra, MainArtist - Johanne Goyette, Producer, Recording Engineer, StudioPersonnel

℗ 2009 ATMA Classique

Albumbeschreibung

Young Canadian-born violinist Alexandre da Costa (only 30 at the time of this recording) appears on this ATMA album entitled Schindler's List. John Williams' Suite from this widely viewed Spielberg movie is the first piece on the program. With so many people already familiar with the brilliant, impassioned performance given in the original soundtrack by Itzhak Perlman, subsequent recordings certainly have an uphill battle. That's not to say it shouldn't be attempted or that producing a tantamount or superior performance is impossible; it's just difficult. Da Costa puts forth a valiant effort, but still falls short of Perlman's mark. For one, da Costa's sound is simply not that powerful. Even against the lightly scored orchestral accompaniment, his sound is lost. Intonation is generally good, but there are enough rough spots to make discerning listeners take notice. Second on the program is Ernest Bloch's Suite Hébraïque for violin and orchestra. The issues that existed in the previous work remain here; da Costa's sound is simply absent too frequently given the relatively light orchestra scoring and the cautious dynamics provided by the Orchestre Symphonique Bienne under Thomas Rösner. The album closes with Bloch's Concerto Grosso No. 1, one of his more popular compositions that is not from his so-called "Jewish Cycle." Here, the orchestra is finally able to play with full volume without having to cover a soloist.

© TiVo

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