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Language available : english
After steadily simmering for a couple years, riding the success of viral hit single "i hate u, i love u," California indie pop musician Gnash released his official debut We at the start of 2019. Adding another pronoun title to the catalog, We employs pleasant and warm production that frequently relies on acoustic guitar strumming, a pastoral shift that is markedly less electronic than prior releases. The spirit of major influence the Postal Service is still present, as well as some sad-sack, woe-is-me Bright Eyes lamentation designed for 2010s youth. Still nursing old breakup wounds, Gnash spends most of We opining on such matters, occasionally dipping into overly precious territory with wide-eyed ruminations on life ("Imagine what the world would be like if everybody stayed offline" and "Let's watch TV with the sound off/'cause the news is always bad/Let's be immature and ignorant/'cause I don't feel like being sad"). For all the potential eye-rolling, these thoughts lend a confessional and coming-of-age quality to We that should connect with sympathetic listeners. Sonically, We slides up beside contemporary acts such as AJR, Jon Bellion, and Lauv with delicate pop flourish. The anxiety and self-doubt of the Chainsmokers' introspective wonderings is also a touchstone, while Gnash's vocal delivery and cadence sound very similar to Twenty One Pilots, especially on "happy never after" and "feel better." His big 2016 hit "i hate u, i love u" featuring Olivia O'Brien is forced in toward the end of the album and still manages to fit with the tortured and lovelorn themes explored throughout the album. We is harmless and occasionally boring, but its complicated emotions and generational voice should appeal to a segment of the Coachella millennial population.
© Neil Z. Yeung /TiVo
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Arthur Enders, Writer - Mitch McCarthy, Mixer - Ace Enders, Producer, Guitar - Garrett Nash, Writer - gnash, Producer, Vocals, Vocal Recording Engineer, MainArtist - Michelle Mancini, Masterer - Roget Chahayed, Instrumentation - Asa Welch, A&R Coordination
© 2019 :): ℗ 2019 :):
Jason Reeves, Additional Vocals, Writer - Richard Boardman, Writer - Digital Farm Animals, Producer, Programming - Mitch McCarthy, Mixer - Nick Gale, Piano - Nicholas Gale, Writer - Pablo Bowman, Writer - Garrett Nash, Writer - gnash, Vocals, Vocal Recording Engineer, MainArtist - Michelle Mancini, Masterer - 5rdx, Producer - Asa Welch, A&R Coordination
© 2019 :): ℗ 2017 :):
Scott Harris, Writer - Jimmy Robbins, Guitar, Writer, Recorded by, Vocal Production - Mitch McCarthy, Mixer - Garrett Nash, Writer - gnash, Producer, Vocals, Recorded by, MainArtist - Michelle Mancini, Masterer - Imad Royal, Producer - Roget Chahayed, Additional Instrumentation - Asa Welch, A&R Coordination
© 2019 :): ℗ 2019 :):
Alex Gaskarth, Additional Vocals - Jimmy Robbins, Guitar, Additional Production, Vocal Production - Charlie Snyder, Drums, Additional Production, Writer - Mitch McCarthy, Mixer - Garrett Nash, Writer - gnash, Producer, Vocals, MainArtist - Michelle Mancini, Masterer - Imad Royal, Producer, Drums - Chaz Sexton, Engineer - Imad Roy El-Amine, Writer - Lisa Gaskarth, Additional Vocals - Asa Welch, A&R Coordination
© 2019 :): ℗ 2019 :):
Jimmy Robbins, Writer, VocalProducer - Mitch McCarthy, Mixer - Garrett Nash, Writer - gnash, Producer, Vocals, MainArtist - Michelle Mancini, Masterer - Imad Royal, Producer, Additional Vocals - Roget Chahayed, Writer, Additional Instrumentation, CoProducer - Asa Welch, A&R Coordination
© 2019 :): ℗ 2019 :):
Scott Harris, Writer - Jimmy Robbins, Guitar, Additional Production, Writer - Mitch McCarthy, Mixer - James Riley Knapp, Writer - Ben Abraham, Writer, FeaturedArtist - Garrett Nash, Writer - gnash, Producer, Vocals, MainArtist, VocalProducer - Michelle Mancini, Masterer - rosabelle eales, Writer - Jonathan Holmes, Writer - Sean Eads, Writer - Asa Welch, A&R Coordination - Max Angles, Writer
© 2019 :): ℗ 2018 :):
Jimmy Robbins, Producer, Additional Vocals, Writer, VocalProducer - Mitch McCarthy, Mixer - Garrett Nash, Writer - gnash, Additional Production, Vocals, MainArtist - Michelle Mancini, Masterer - Imad Royal, Producer - Roget Chahayed, Additional Instrumentation - Devin Guisande, Writer - Kyle Guisande, Writer - kyd the band, Additional Production - sarah robbins, Additional Vocals - Asa Welch, A&R Coordination
© 2019 :): ℗ 2019 :):
Ola Svensson, Writer - Henry Durham, Writer - Mitch McCarthy, Mixer - Garrett Nash, Writer - gnash, Producer, Vocals, Recorded by, MainArtist - Michelle Mancini, Masterer - Moon Willis, Producer - Asa Welch, A&R Coordination
© 2019 :): ℗ 2019 :):
Jimmy Robbins, Producer, Additional Vocals, Writer, Recorded by - Mitch McCarthy, Mixer - Garrett Nash, Writer - gnash, Producer, Vocals, MainArtist - Michelle Mancini, Masterer - Roget Chahayed, Additional Instrumentation - Asa Welch, A&R Coordination
© 2019 :): ℗ 2018 :):
Jimmy Robbins, Producer, Guitar, Additional Vocals, Writer, Recorded by - Mitch McCarthy, Mixer - Garrett Nash, Writer - gnash, Producer, Vocals, MainArtist - Michelle Mancini, Masterer - Imad Royal, Producer - Roget Chahayed, Additional Instrumentation - Asa Welch, A&R Coordination
© 2019 :): ℗ 2019 :):
Justin Parker, Guitar, Writer - Mitch McCarthy, Mixer - Garrett Nash, Writer - gnash, Producer, Vocals, Recorded by, MainArtist - Michelle Mancini, Masterer - Asa Welch, A&R Coordination
© 2019 :): ℗ 2019 :):
Chris Gehringer, MasteringEngineer - Garrett Nash, Writer - gnash, Producer, Programmer, Vocals, MainArtist - Olivia O'Brien, Writer, FeaturedArtist - Asa Welch, A&R Coordination
© 2019 :): ℗ 2016 :):
Mitch McCarthy, Mixer - Garrett Nash, Writer - gnash, Producer, Vocals, Recorded by, MainArtist - Michelle Mancini, Masterer - Asa Welch, A&R Coordination
© 2019 :): ℗ 2019 :):
Albumbeschreibung
After steadily simmering for a couple years, riding the success of viral hit single "i hate u, i love u," California indie pop musician Gnash released his official debut We at the start of 2019. Adding another pronoun title to the catalog, We employs pleasant and warm production that frequently relies on acoustic guitar strumming, a pastoral shift that is markedly less electronic than prior releases. The spirit of major influence the Postal Service is still present, as well as some sad-sack, woe-is-me Bright Eyes lamentation designed for 2010s youth. Still nursing old breakup wounds, Gnash spends most of We opining on such matters, occasionally dipping into overly precious territory with wide-eyed ruminations on life ("Imagine what the world would be like if everybody stayed offline" and "Let's watch TV with the sound off/'cause the news is always bad/Let's be immature and ignorant/'cause I don't feel like being sad"). For all the potential eye-rolling, these thoughts lend a confessional and coming-of-age quality to We that should connect with sympathetic listeners. Sonically, We slides up beside contemporary acts such as AJR, Jon Bellion, and Lauv with delicate pop flourish. The anxiety and self-doubt of the Chainsmokers' introspective wonderings is also a touchstone, while Gnash's vocal delivery and cadence sound very similar to Twenty One Pilots, especially on "happy never after" and "feel better." His big 2016 hit "i hate u, i love u" featuring Olivia O'Brien is forced in toward the end of the album and still manages to fit with the tortured and lovelorn themes explored throughout the album. We is harmless and occasionally boring, but its complicated emotions and generational voice should appeal to a segment of the Coachella millennial population.
© Neil Z. Yeung /TiVo
About the album
- 1 disc(s) - 13 track(s)
- Total length: 00:40:26
- Main artists: gnash
- Label: ) - Atlantic
- Genre: Pop/Rock Rock Alternative en Indie
© 2019 :): ℗ 2019 :):
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