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Faith No More|We Care a Lot (Deluxe Band Edition Remastered)

We Care a Lot (Deluxe Band Edition Remastered)

Faith No More

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After listening to Faith No More's debut, We Care a Lot, it's hard to believe that this is the same band that we know today. They sound more like early Public Image Limited than the FNM that would eventually assault your senses with Angel Dust and Album of the Year. Obviously, one of the major reasons is because current singer Mike Patton is not on the album. Original frontman Chuck Mosley handles the vocal duties, and his singing style is the complete opposite of Patton's. While Patton is extremely talented and versatile (he can sing just about every style of music imaginable), Mosley's voice is often off-key, fairly monotonous, and colorless (but with lots of attitude). Musically, the group shows glimpses of the killer genre-bending band they would become in the near future. The original version of the title track is an anthem in typical, twisted FNM style: it contains irresistible melodies and riffs, but challenges you lyrically (the words deal with the hypocritical situation surrounding the millionaire musicians who participated in 1985's Live Aid concert). The song is still featured at their concerts, as is the keyboard-laced "As the Worm Turns." Other highlights include the furious instrumental "Pills for Breakfast" and the near-dance track "Arabian Disco." Although most of FNM's important components are present -- airy keyboards, tribal drumming, heavy metal guitar, and sturdy bass -- the big picture is not as focused as it would eventually be. And it becomes more and more evident that the missing piece of the puzzle is Mike Patton.

© Greg Prato /TiVo

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We Care a Lot (Deluxe Band Edition Remastered)

Faith No More

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1
We Care a Lot
00:04:10

Faith No More, Composer, MainArtist

1985 Koolarrow Records under exclusive license to [PIAS] 2016 Koolarrow Records under exclusive license to [PIAS]

2
The Jungle
00:03:08

Faith No More, Composer, MainArtist

1985 Koolarrow Records under exclusive license to [PIAS] 2016 Koolarrow Records under exclusive license to [PIAS]

3
Mark Bowen
00:03:31

Faith No More, Composer, MainArtist

1985 Koolarrow Records under exclusive license to [PIAS] 2016 Koolarrow Records under exclusive license to [PIAS]

4
Jim
00:01:11

Faith No More, Composer, MainArtist

1985 Koolarrow Records under exclusive license to [PIAS] 2016 Koolarrow Records under exclusive license to [PIAS]

5
Why Do You Bother
00:05:41

Faith No More, Composer, MainArtist

1985 Koolarrow Records under exclusive license to [PIAS] 2016 Koolarrow Records under exclusive license to [PIAS]

6
Greed
00:03:52

Faith No More, Composer, MainArtist

1985 Koolarrow Records under exclusive license to [PIAS] 2016 Koolarrow Records under exclusive license to [PIAS]

7
Pills for Breakfast
00:02:56

Faith No More, Composer, MainArtist

1985 Koolarrow Records under exclusive license to [PIAS] 2016 Koolarrow Records under exclusive license to [PIAS]

8
As the Worm Turns
00:03:10

Faith No More, Composer, MainArtist

1985 Koolarrow Records under exclusive license to [PIAS] 2016 Koolarrow Records under exclusive license to [PIAS]

9
Arabian Disco
00:03:17

Faith No More, Composer, MainArtist

1985 Koolarrow Records under exclusive license to [PIAS] 2016 Koolarrow Records under exclusive license to [PIAS]

10
New Beginnings
00:03:44

Faith No More, Composer, MainArtist

1985 Koolarrow Records under exclusive license to [PIAS] 2016 Koolarrow Records under exclusive license to [PIAS]

11
We Care a Lot (2016 Mix)
00:04:10

Faith No More, Composer, MainArtist

1985 Koolarrow Records under exclusive license to [PIAS] 2016 Koolarrow Records under exclusive license to [PIAS]

12
Pills for Breakfast Remix (2016 Mix)
00:02:44

Faith No More, Composer, MainArtist

1985 Koolarrow Records under exclusive license to [PIAS] 2016 Koolarrow Records under exclusive license to [PIAS]

13
As the Worm Turns (2016 Mix)
00:03:11

Faith No More, Composer, MainArtist

1985 Koolarrow Records under exclusive license to [PIAS] 2016 Koolarrow Records under exclusive license to [PIAS]

14
Greed (Original Demo)
00:03:35

Faith No More, Composer, MainArtist

1985 Koolarrow Records under exclusive license to [PIAS] 2016 Koolarrow Records under exclusive license to [PIAS]

15
Mark Bowen (Original Demo)
00:03:12

Faith No More, Composer, MainArtist

1985 Koolarrow Records under exclusive license to [PIAS] 2016 Koolarrow Records under exclusive license to [PIAS]

16
Arabian Disco (Original Demo)
00:03:07

Faith No More, Composer, MainArtist

1985 Koolarrow Records under exclusive license to [PIAS] 2016 Koolarrow Records under exclusive license to [PIAS]

17
Intro (Original Demo)
00:02:18

Faith No More, Composer, MainArtist

1985 Koolarrow Records under exclusive license to [PIAS] 2016 Koolarrow Records under exclusive license to [PIAS]

18
The Jungle (Live at I-Beam SF, 1986)
00:02:35

Faith No More, Composer, MainArtist

1985 Koolarrow Records under exclusive license to [PIAS] 2016 Koolarrow Records under exclusive license to [PIAS]

19
New Beginnings (Live at I-Beam SF, 1986)
00:03:44

Faith No More, Composer, MainArtist

1985 Koolarrow Records under exclusive license to [PIAS] 2016 Koolarrow Records under exclusive license to [PIAS]

Albumbeschreibung

After listening to Faith No More's debut, We Care a Lot, it's hard to believe that this is the same band that we know today. They sound more like early Public Image Limited than the FNM that would eventually assault your senses with Angel Dust and Album of the Year. Obviously, one of the major reasons is because current singer Mike Patton is not on the album. Original frontman Chuck Mosley handles the vocal duties, and his singing style is the complete opposite of Patton's. While Patton is extremely talented and versatile (he can sing just about every style of music imaginable), Mosley's voice is often off-key, fairly monotonous, and colorless (but with lots of attitude). Musically, the group shows glimpses of the killer genre-bending band they would become in the near future. The original version of the title track is an anthem in typical, twisted FNM style: it contains irresistible melodies and riffs, but challenges you lyrically (the words deal with the hypocritical situation surrounding the millionaire musicians who participated in 1985's Live Aid concert). The song is still featured at their concerts, as is the keyboard-laced "As the Worm Turns." Other highlights include the furious instrumental "Pills for Breakfast" and the near-dance track "Arabian Disco." Although most of FNM's important components are present -- airy keyboards, tribal drumming, heavy metal guitar, and sturdy bass -- the big picture is not as focused as it would eventually be. And it becomes more and more evident that the missing piece of the puzzle is Mike Patton.

© Greg Prato /TiVo

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