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In another experiment, producer Creed Taylor teams O'Day with the alternately Latin and bop-grounded quartet of vibraphonist Cal Tjader -- and he gets some amazing performances from this team. O'Day sounds as if she is delighted with Tjader's polished Afro-Cuban grooves, gliding easily over the rhythms, toying with the tunes, transforming even a tune so locked into its trite time as "Mr. Sandman" into a stimulating excursion. Indeed, O'Day's freewheeling phrasing becomes downright sexy on "That's Your Red Wagon" and Dave Frishberg's delicious parody of a spoiled honeybunch, "Peel Me a Grape." Also, thanks to Taylor's obsession with good engineering and tasteful applications of reverb, O'Day's voice sounds much fuller and more attractive in his productions than on her Norman Granz-produced albums.
© Richard S. Ginell /TiVo
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Anita O' Day, MainArtist
2000 Perennial 2000 Perennial
Anita O' Day, MainArtist
2000 Perennial 2000 Perennial
Anita O' Day, MainArtist
2000 Perennial 2000 Perennial
Anita O' Day, MainArtist
2000 Perennial 2000 Perennial
Anita O' Day, MainArtist
2000 Perennial 2000 Perennial
Anita O' Day, MainArtist
2000 Perennial 2000 Perennial
Anita O' Day, MainArtist
2000 Perennial 2000 Perennial
Anita O' Day, MainArtist
2000 Perennial 2000 Perennial
Anita O' Day, MainArtist
2000 Perennial 2000 Perennial
Anita O' Day, MainArtist
2000 Perennial 2000 Perennial
Anita O' Day, MainArtist
2000 Perennial 2000 Perennial
Anita O' Day, MainArtist
2000 Perennial 2000 Perennial
Albumbeschreibung
In another experiment, producer Creed Taylor teams O'Day with the alternately Latin and bop-grounded quartet of vibraphonist Cal Tjader -- and he gets some amazing performances from this team. O'Day sounds as if she is delighted with Tjader's polished Afro-Cuban grooves, gliding easily over the rhythms, toying with the tunes, transforming even a tune so locked into its trite time as "Mr. Sandman" into a stimulating excursion. Indeed, O'Day's freewheeling phrasing becomes downright sexy on "That's Your Red Wagon" and Dave Frishberg's delicious parody of a spoiled honeybunch, "Peel Me a Grape." Also, thanks to Taylor's obsession with good engineering and tasteful applications of reverb, O'Day's voice sounds much fuller and more attractive in his productions than on her Norman Granz-produced albums.
© Richard S. Ginell /TiVo
About the album
- 1 disc(s) - 12 track(s)
- Total length: 00:32:15
- Main artists: Anita O'Day
- Label: Perennial
- Genre: Jazz
2000 Perennial 2000 Perennial
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