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Sarah Vaughan|The New Scene

The New Scene

Sarah Vaughan

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Language available : english

The New Scene pairs Sarah Vaughan with arranger Luchi de Jesus for a luminously crafted collection of songs squarely in the style and sensibility of the mainstream pop of the mid-'60s -- and while jazz purists will have already recoiled in horror and moved on to another review, less myopic listeners will discover an effervescent, lively LP that refuses to sacrifice the sensitivity of Vaughan's remarkable voice in favor of crossover success. Decades removed from the album's original release, songs like "Michelle" and "Call Me" are now indistinguishable from the traditional standards they usurped, and to her credit Vaughan seems to grasp completely the excellence of the material at her disposal, savoring the lyrics and navigating the melodies with her trademark artistry. De Jesus' buoyant arrangements are similarly perceptive, playing to Vaughan's myriad strengths while channeling the lessons of Abbey Road and Hitsville USA to subtly update her approach for a brave new world.

© Jason Ankeny /TiVo

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The New Scene

Sarah Vaughan

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1
One, Two, Three
00:02:42

Quincy Jones, Producer - Sarah Vaughan, MainArtist - Dave White Tricker, ComposerLyricist - Johnny Medora, ComposerLyricist - Leonard W. Borisoff, ComposerLyricist

℗ 1966 The Verve Music Group, a Division of UMG Recordings, Inc.

2
What Now My Love
00:02:31

Quincy Jones, Producer - Gilbert Becaud, ComposerLyricist - PIERRE DELANOE, ComposerLyricist - Sarah Vaughan, MainArtist

℗ 1966 The Verve Music Group, a Division of UMG Recordings, Inc.

3
Love
00:02:29

Quincy Jones, Producer - Bert Kaempfert, Composer - Sarah Vaughan, MainArtist - Milt Gabler, Author

℗ 1966 The Verve Music Group, a Division of UMG Recordings, Inc.

4
Who Can I Turn To?
00:03:37

Anthony Newley, ComposerLyricist - Leslie Bricusse, ComposerLyricist - Quincy Jones, Producer - Sarah Vaughan, MainArtist

℗ 1966 The Verve Music Group, a Division of UMG Recordings, Inc.

5
Call Me
00:02:50

Quincy Jones, Producer - TONY HATCH, ComposerLyricist - Sarah Vaughan, MainArtist

℗ 1966 The Verve Music Group, a Division of UMG Recordings, Inc.

6
With These Hands
00:03:57

Quincy Jones, Producer - Sarah Vaughan, MainArtist - BENNY DAVIS, ComposerLyricist - ABNER SILVER, ComposerLyricist

℗ 1966 The Verve Music Group, a Division of UMG Recordings, Inc.

7
Michelle
00:03:21

John Lennon, ComposerLyricist - Paul Mccartney, ComposerLyricist - Quincy Jones, Producer - Sarah Vaughan, MainArtist

℗ 1966 The Verve Music Group, a Division of UMG Recordings, Inc.

8
Sneakin' Up On You
00:02:20

Quincy Jones, Producer - C. Taylor, ComposerLyricist - Sarah Vaughan, MainArtist - T. Daryll, ComposerLyricist

℗ 1966 The Verve Music Group, a Division of UMG Recordings, Inc.

9
Everybody Loves Somebody
00:02:49

Quincy Jones, Producer - Sarah Vaughan, MainArtist - Irving Taylor, Author - Ken Lane, Composer

℗ 1966 The Verve Music Group, a Division of UMG Recordings, Inc.

10
The Shadow Of Your Smile
00:03:54

JOHNNY MANDEL, ComposerLyricist - Quincy Jones, Producer - Paul Francis Webster, ComposerLyricist - Sarah Vaughan, MainArtist

℗ 1966 The Verve Music Group, a Division of UMG Recordings, Inc.

11
Dominique's Discotheque
00:03:09

Quincy Jones, Producer - Ross, ComposerLyricist - Sarah Vaughan, MainArtist - H. Linsley, ComposerLyricist - R. Staroigis, ComposerLyricist

℗ 1966 The Verve Music Group, a Division of UMG Recordings, Inc.

12
I Should Have Kissed Him More
00:02:22

Quincy Jones, Producer - Sarah Vaughan, MainArtist - George E Russell, ComposerLyricist - Sivert Bertil Johnson Jr., ComposerLyricist

℗ 1966 The Verve Music Group, a Division of UMG Recordings, Inc.

Albumbeschreibung

The New Scene pairs Sarah Vaughan with arranger Luchi de Jesus for a luminously crafted collection of songs squarely in the style and sensibility of the mainstream pop of the mid-'60s -- and while jazz purists will have already recoiled in horror and moved on to another review, less myopic listeners will discover an effervescent, lively LP that refuses to sacrifice the sensitivity of Vaughan's remarkable voice in favor of crossover success. Decades removed from the album's original release, songs like "Michelle" and "Call Me" are now indistinguishable from the traditional standards they usurped, and to her credit Vaughan seems to grasp completely the excellence of the material at her disposal, savoring the lyrics and navigating the melodies with her trademark artistry. De Jesus' buoyant arrangements are similarly perceptive, playing to Vaughan's myriad strengths while channeling the lessons of Abbey Road and Hitsville USA to subtly update her approach for a brave new world.

© Jason Ankeny /TiVo

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