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Christopher Young|The Man Who Knew Too Little (Original Motion Picture Soundtrack)

The Man Who Knew Too Little (Original Motion Picture Soundtrack)

Christopher Young

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Whatever the myriad failings of the 1997 Bill Murray vehicle The Man Who Knew Too Little, Christopher Young's clever, lively music isn't among them. It's the rare comedic score that's not only amusing on its own terms, but also avoids falling prey to the exaggerated slapstick approach so common to the genre. Young's nimble touch instead evokes past masters like Henry Mancini, employing smoky saxophones, walking basslines, and tart Hammond B-3 fills to sharply satirize the classic cool jazz sound. As always, he values subtlety over all else, favoring deadpan wit and wry twists instead of wacky arrangements and clownish melodies. Even the titles -- "Turkish Rumba Splat Silly Fat Lamb" and "Goose Neck Chili" among them -- are more amusing than any of the script's so-called punch lines.

© Jason Ankeny /TiVo

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The Man Who Knew Too Little (Original Motion Picture Soundtrack)

Christopher Young

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1
The Man Who Knew Too Little
00:02:39

Richard Cottle, Organ, AssociatedPerformer - Nigel Hitchcock, Saxophone, AssociatedPerformer - John Barclay, Trumpet, AssociatedPerformer - Christopher Young, MainArtist, ComposerLyricist

℗ 1997 Monarchy Entertainment Buena Vista / Regency Entertainment U.S.A., under exclusive license to Varese Sarabande Records

2
Wandering Heart
00:03:12

Richard Cottle, Organ, AssociatedPerformer - Nigel Hitchcock, Saxophone, AssociatedPerformer - John Barclay, Trumpet, AssociatedPerformer - Christopher Young, MainArtist, ComposerLyricist

℗ 1997 Monarchy Entertainment Buena Vista / Regency Entertainment U.S.A., under exclusive license to Varese Sarabande Records

3
Turkish Rumba Splat Silly Fat Lamb
00:03:13

Richard Cottle, Organ, AssociatedPerformer - Nigel Hitchcock, Saxophone, AssociatedPerformer - John Barclay, Trumpet, AssociatedPerformer - Christopher Young, MainArtist, ComposerLyricist

℗ 1997 Monarchy Entertainment Buena Vista / Regency Entertainment U.S.A., under exclusive license to Varese Sarabande Records

4
Anahita
00:03:59

Richard Cottle, Organ, AssociatedPerformer - Nigel Hitchcock, Saxophone, AssociatedPerformer - John Barclay, Trumpet, AssociatedPerformer - Christopher Young, MainArtist, ComposerLyricist

℗ 1997 Monarchy Entertainment Buena Vista / Regency Entertainment U.S.A., under exclusive license to Varese Sarabande Records

5
Goose Neck Chili
00:05:14

Richard Cottle, Organ, AssociatedPerformer - Nigel Hitchcock, Saxophone, AssociatedPerformer - John Barclay, Trumpet, AssociatedPerformer - Christopher Young, MainArtist, ComposerLyricist

℗ 1997 Monarchy Entertainment Buena Vista / Regency Entertainment U.S.A., under exclusive license to Varese Sarabande Records

6
Demented Mentor
00:00:55

Richard Cottle, Organ, AssociatedPerformer - Nigel Hitchcock, Saxophone, AssociatedPerformer - John Barclay, Trumpet, AssociatedPerformer - Christopher Young, MainArtist, ComposerLyricist

℗ 1997 Monarchy Entertainment Buena Vista / Regency Entertainment U.S.A., under exclusive license to Varese Sarabande Records

7
Love Needs A Pretty Face
00:04:31

Richard Cottle, Organ, AssociatedPerformer - Nigel Hitchcock, Saxophone, AssociatedPerformer - John Barclay, Trumpet, AssociatedPerformer - Christopher Young, MainArtist, ComposerLyricist

℗ 1997 Monarchy Entertainment Buena Vista / Regency Entertainment U.S.A., under exclusive license to Varese Sarabande Records

8
Licking Salt Off Water Weasels
00:02:07

Richard Cottle, Organ, AssociatedPerformer - Nigel Hitchcock, Saxophone, AssociatedPerformer - John Barclay, Trumpet, AssociatedPerformer - Christopher Young, MainArtist, ComposerLyricist

℗ 1997 Monarchy Entertainment Buena Vista / Regency Entertainment U.S.A., under exclusive license to Varese Sarabande Records

9
Cyrano And Fabio
00:01:01

Richard Cottle, Organ, AssociatedPerformer - Nigel Hitchcock, Saxophone, AssociatedPerformer - John Barclay, Trumpet, AssociatedPerformer - Christopher Young, MainArtist, ComposerLyricist

℗ 1997 Monarchy Entertainment Buena Vista / Regency Entertainment U.S.A., under exclusive license to Varese Sarabande Records

10
Constant Misery
00:02:30

Richard Cottle, Organ, AssociatedPerformer - Nigel Hitchcock, Saxophone, AssociatedPerformer - John Barclay, Trumpet, AssociatedPerformer - Christopher Young, MainArtist, ComposerLyricist

℗ 1997 Monarchy Entertainment Buena Vista / Regency Entertainment U.S.A., under exclusive license to Varese Sarabande Records

11
Barrytone Sex
00:02:41

Richard Cottle, Organ, AssociatedPerformer - Nigel Hitchcock, Saxophone, AssociatedPerformer - John Barclay, Trumpet, AssociatedPerformer - Christopher Young, MainArtist, ComposerLyricist

℗ 1997 Monarchy Entertainment Buena Vista / Regency Entertainment U.S.A., under exclusive license to Varese Sarabande Records

12
Preparing For A Funeral
00:02:44

Richard Cottle, Organ, AssociatedPerformer - Nigel Hitchcock, Saxophone, AssociatedPerformer - John Barclay, Trumpet, AssociatedPerformer - Christopher Young, MainArtist, ComposerLyricist

℗ 1997 Monarchy Entertainment Buena Vista / Regency Entertainment U.S.A., under exclusive license to Varese Sarabande Records

13
Bon Voyage
00:02:39

Richard Cottle, Organ, AssociatedPerformer - Nigel Hitchcock, Saxophone, AssociatedPerformer - John Barclay, Trumpet, AssociatedPerformer - Christopher Young, MainArtist, ComposerLyricist

℗ 1997 Monarchy Entertainment Buena Vista / Regency Entertainment U.S.A., under exclusive license to Varese Sarabande Records

14
Watch That Man
00:03:20

Richard Cottle, Organ, AssociatedPerformer - Nigel Hitchcock, Saxophone, AssociatedPerformer - John Barclay, Trumpet, AssociatedPerformer - Christopher Young, MainArtist, ComposerLyricist

℗ 1997 Monarchy Entertainment Buena Vista / Regency Entertainment U.S.A., under exclusive license to Varese Sarabande Records

Albumbeschreibung

Whatever the myriad failings of the 1997 Bill Murray vehicle The Man Who Knew Too Little, Christopher Young's clever, lively music isn't among them. It's the rare comedic score that's not only amusing on its own terms, but also avoids falling prey to the exaggerated slapstick approach so common to the genre. Young's nimble touch instead evokes past masters like Henry Mancini, employing smoky saxophones, walking basslines, and tart Hammond B-3 fills to sharply satirize the classic cool jazz sound. As always, he values subtlety over all else, favoring deadpan wit and wry twists instead of wacky arrangements and clownish melodies. Even the titles -- "Turkish Rumba Splat Silly Fat Lamb" and "Goose Neck Chili" among them -- are more amusing than any of the script's so-called punch lines.

© Jason Ankeny /TiVo

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