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Mott The Hoople|The Hoople

The Hoople

Mott The Hoople

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Mott was so good that the sequel, appropriately named The Hoople, has been unfairly dismissed as not living up to the group's promise. No, it doesn't compare to its predecessor, but most records don't. The bigger problem is that Mick Ralphs chose to leave during the supporting tour for Mott, leaving Ian Hunter as the undisputed leader of the group and subtly changing the character of the band's sound. Even with Hunter as the band's main songwriter, Ralphs helped shape their musical direction, so without a collaborator in hand, Hunter was left without a center. It isn't surprising that the record seems a little uneven, both in terms of songwriting and sound, but it's hardly without merit. "Roll Away the Stone," a leftover from Mott, is first-rate; "Crash Street Kidds" rocks viciously; "The Golden Age of Rock & Roll" is a pleasant spin on Bowie-esque nostalgia (think "Drive-In Saturday"); and Overend Pete Watts follows through on that theme with "Born Late '58," a perfectly credible rocker. This all makes The Hoople an entertaining listen, even if it doesn't compare to Mott's earlier masterpieces.

© Stephen Thomas Erlewine /TiVo

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The Hoople

Mott The Hoople

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1
The Golden Age of Rock 'n' Roll
00:03:25

Mott The Hoople, Associated Performer, Main Artist, Associated Performer - Ian Hunter, Guitar, Piano, Producer - I. Hunter, Composer, Lyricist - Overend Watts, Bass Guitar, Guitar, Producer - Dale Griffin, Drums, Producer - Morgan Fisher, Organ, Piano, Synthesizer - Sue & Sunny - Barry St. John - Lynsey de Paul - Ariel Bender, Guitar - Graham Preskett, Violin - Mike Horovitz, Cello - Casey Howie, Saxophone - Andy McKay, Saxophone

(P) 1974 Columbia Records, a division of Sony Music Entertainment

2
Marionette
00:05:03

Mott The Hoople, Associated Performer, Main Artist, Associated Performer - Mike Dunne, Engineer - Ian Hunter, Arranger - I. Hunter, Composer - Paul Hardiman, Engineer - Bill Price, Engineer - Sean Milligan, Engineer - Gary Edwards, Engineer - Peter Swettenham, Engineer

(P) 1974 Sony Music Entertainment Inc.

3
Alice
00:05:19

Mott The Hoople, Associated Performer, Main Artist, Associated Performer - I. Hunter, Composer

(P) 1974 Columbia Records, a division of Sony Music Entertainment

4
Crash Street Kidds
00:04:30

Mott The Hoople, Associated Performer, Main Artist, Associated Performer - I. Hunter, Composer

(P) 1974 Sony Music Entertainment Inc.

5
Born Late "58 (Album Version)
00:03:59

Mott The Hoople, Associated Performer, Main Artist, Associated Performer - Guy Stevens, Producer - O. Watts, Composer, Lyricist - Don Devito, Producer - Vic Anesini

(P) 1974 Sony Music Entertainment Inc.

6
Trudi's Song
00:04:24

Mott The Hoople, Associated Performer, Main Artist, Associated Performer - Mike Dunne, Engineer - Ian Hunter, Arranger - I. Hunter, Composer - Paul Hardiman, Engineer - Bill Price, Engineer - Sean Milligan, Engineer - Gary Edwards, Engineer - Peter Swettenham, Engineer

(P) 1974 Sony Music Entertainment Inc.

7
I. Hunter
00:04:27

Mott The Hoople, Associated Performer, Main Artist, Associated Performer - Mike Dunne, Engineer - Ian Hunter, Arranger - I. Hunter, Composer - Paul Hardiman, Engineer - Bill Price, Engineer - Sean Milligan, Engineer - Gary Edwards, Engineer - Peter Swettenham, Engineer

(P) 1974 Sony Music Entertainment Inc.

8
Through The Looking Glass (Alternate Version)
00:04:36

Mott The Hoople, Associated Performer, Main Artist, Associated Performer - Guy Stevens, Producer - I. Hunter, Composer, Lyricist - Don Devito, Producer - Vic Anesini

(P) 1974 Columbia Records, a division of Sony Music Entertainment.

9
Roll Away the Stone
00:03:09

Mott The Hoople, Associated Performer, Main Artist, Associated Performer - Guy Stevens, Producer - I. Hunter, Composer, Lyricist - Don Devito, Producer - Vic Anesini

(P) 1974 Sony Music Entertainment Inc.

10
Where Do You All Come From (Non LP B-Side)
00:03:25

Mott The Hoople, Associated Performer, Main Artist, Associated Performer - I. Hunter, Composer, Lyricist - Ian Hunter, Guitar, Piano, Producer - Overend Watts, Bass Guitar, Guitar, Producer - O. Watts, Composer, Lyricist - Dale Griffin, Drums, Producer - T. Griffin, Composer, Lyricist - Morgan Fisher, Organ, Piano, Synthesizer - M. Ralphs, Composer, Lyricist - Sue & Sunny - Barry St. John - Lynsey de Paul - Ariel Bender, Guitar - Graham Preskett, Violin - Mike Horovitz, Cello - Casey Howie, Saxophone - Andy McKay, Saxophone

(P) 1974 Columbia Records, a division of Sony Music Entertainment

11
Rest In Peace (Non LP- B Side)
00:03:54

Mott The Hoople, Associated Performer, Main Artist, Associated Performer - I. Hunter, Composer, Lyricist - Ian Hunter, Guitar, Piano, Producer - Overend Watts, Bass Guitar, Guitar, Producer - Dale Griffin, Drums, Producer - Morgan Fisher, Organ, Piano, Synthesizer - Sue & Sunny - Barry St. John - Lynsey de Paul - Ariel Bender, Guitar - Graham Preskett, Violin - Mike Horovitz, Cello - Casey Howie, Saxophone - Andy McKay, Saxophone

(P) 1974 Columbia Records, a division of Sony Music Entertainment

12
Foxy Foxy
00:03:32

Mott The Hoople, Associated Performer, Main Artist, Associated Performer - Interprètes Divers, Producer - I. Hunter, Composer - David Bowie, Producer - Carol Nelson

(P) 1972, 1973, 1974 Sony Music Entertainment Inc.

Albumbeschreibung

Mott was so good that the sequel, appropriately named The Hoople, has been unfairly dismissed as not living up to the group's promise. No, it doesn't compare to its predecessor, but most records don't. The bigger problem is that Mick Ralphs chose to leave during the supporting tour for Mott, leaving Ian Hunter as the undisputed leader of the group and subtly changing the character of the band's sound. Even with Hunter as the band's main songwriter, Ralphs helped shape their musical direction, so without a collaborator in hand, Hunter was left without a center. It isn't surprising that the record seems a little uneven, both in terms of songwriting and sound, but it's hardly without merit. "Roll Away the Stone," a leftover from Mott, is first-rate; "Crash Street Kidds" rocks viciously; "The Golden Age of Rock & Roll" is a pleasant spin on Bowie-esque nostalgia (think "Drive-In Saturday"); and Overend Pete Watts follows through on that theme with "Born Late '58," a perfectly credible rocker. This all makes The Hoople an entertaining listen, even if it doesn't compare to Mott's earlier masterpieces.

© Stephen Thomas Erlewine /TiVo

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