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Russian National Orchestra|Tchaikovsky: Symphony No. 1 & Slavonic March

Tchaikovsky: Symphony No. 1 & Slavonic March

Russian National Orchestra, Mikhail Pletnev

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Mikhail Pletnev's 2012 release of Pyotr Il'yich Tchaikovsky's Symphony No. 1 in G minor, "Winter Dreams," is a sonic showcase, presented in the multichannel super audio format and given the best reproduction PentaTone can provide. This Romantic symphony offers much in the way of atmospheric orchestration and dreamy moods, and some of the most memorable passages are soft and evocative of misty Russian landscapes, so it really helps to have these delicate effects reproduced through sensitive direct stream digital recording. But when the Russian National Orchestra rises to its climaxes, which are many in Tchaikovsky's passionate and exciting music, the surround sound recording captures it all with full spatial dimensions, so the orchestra's sections have distinctive but balanced placement. Pletnev's interpretation is a little unusual, insofar as his tempos in the first three movements are considerably slower than one usually hears, and his emphasis on sharp accentuation seems almost mannered. But these are minor considerations in a performance that in other regards is brilliantly executed and quite effective in depicting the melancholy images the composer intended. This hybrid SACD also contains a rousing rendition of Tchaikovsky's popular Marche Slave, which is as bold and bombastic as the First Symphony is subtle. Highly recommended, especially for audiophiles.

© TiVo

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Tchaikovsky: Symphony No. 1 & Slavonic March

Russian National Orchestra

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1
Symphony No. 1 in G Minor, Op. 13, TH 24 "Winter Daydreams": I. Allegro tranquillo "Daydreams on a Winter Journey"
00:13:25

Mikhail Pletnev, Conductor, MainArtist - Russian National Orchestra, Orchestra, MainArtist - Pyotr Ilyich Tchaikovsky, Composer - Job Maarse, Producer

2012 Pentatone Music B.V. 2012 Pentatone Music B.V.

2
Symphony No. 1 in G Minor, Op. 13, TH 24 "Winter Daydreams": II. Adagio cantabile ma non tanto "Land of Gloom, Land of Mist"
00:11:47

Mikhail Pletnev, Conductor, MainArtist - Russian National Orchestra, Orchestra, MainArtist - Pyotr Ilyich Tchaikovsky, Composer - Job Maarse, Producer

2012 Pentatone Music B.V. 2012 Pentatone Music B.V.

3
Symphony No. 1 in G Minor, Op. 13, TH 24 "Winter Daydreams": III. Scherzo. Allegro scherzando giocoso
00:07:26

Mikhail Pletnev, Conductor, MainArtist - Russian National Orchestra, Orchestra, MainArtist - Pyotr Ilyich Tchaikovsky, Composer - Job Maarse, Producer

2012 Pentatone Music B.V. 2012 Pentatone Music B.V.

4
Symphony No. 1 in G Minor, Op. 13, TH 24 "Winter Daydreams": IV. Finale. Andante lugubre - Allegro moderato - Allegro maestoso
00:13:21

Mikhail Pletnev, Conductor, MainArtist - Russian National Orchestra, Orchestra, MainArtist - Pyotr Ilyich Tchaikovsky, Composer - Job Maarse, Producer

2012 Pentatone Music B.V. 2012 Pentatone Music B.V.

5
Slavonic March, Op. 31, TH 45
00:09:15

Mikhail Pletnev, Conductor, MainArtist - Russian National Orchestra, Orchestra, MainArtist - Pyotr Ilyich Tchaikovsky, Composer - Job Maarse, Producer

2012 Pentatone Music B.V. 2012 Pentatone Music B.V.

Albumbeschreibung

Mikhail Pletnev's 2012 release of Pyotr Il'yich Tchaikovsky's Symphony No. 1 in G minor, "Winter Dreams," is a sonic showcase, presented in the multichannel super audio format and given the best reproduction PentaTone can provide. This Romantic symphony offers much in the way of atmospheric orchestration and dreamy moods, and some of the most memorable passages are soft and evocative of misty Russian landscapes, so it really helps to have these delicate effects reproduced through sensitive direct stream digital recording. But when the Russian National Orchestra rises to its climaxes, which are many in Tchaikovsky's passionate and exciting music, the surround sound recording captures it all with full spatial dimensions, so the orchestra's sections have distinctive but balanced placement. Pletnev's interpretation is a little unusual, insofar as his tempos in the first three movements are considerably slower than one usually hears, and his emphasis on sharp accentuation seems almost mannered. But these are minor considerations in a performance that in other regards is brilliantly executed and quite effective in depicting the melancholy images the composer intended. This hybrid SACD also contains a rousing rendition of Tchaikovsky's popular Marche Slave, which is as bold and bombastic as the First Symphony is subtle. Highly recommended, especially for audiophiles.

© TiVo

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