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Jean-Baptiste Fonlupt|Stravinsky, Ravel, Prokofiev: Ballets

Stravinsky, Ravel, Prokofiev: Ballets

Jean-Baptiste Fonlupt

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Against the backdrop of its decors, ballet offers itself up as a spectacle, arousing admiration and enchantment. In the early twentieth century, from the Palais Garnier to the Bolshoi, from the Châtelet to the Mariinsky, the shimmering colours of the orchestra were often combined with the innovative choreography of the Ballets Russes. The music to which these ballets were danced, assigned to illustrious composers, could hardly be for piano, which was tolerated only to accompany the dancers in their rehearsal studios. But is that really the case? If so, then why are there so many piano versions made by the composers themselves, alongside the orchestral ones? Jean-Baptiste Fonlupt answers that question here with dazzling imagination and virtuosity. © La Dolce Volta

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Stravinsky, Ravel, Prokofiev: Ballets

Jean-Baptiste Fonlupt

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Three movements from Petrushka (Igor Stravinsky)

1
I. Russian Dance
00:02:34

Igor Stravinsky, Composer - Jean-Baptiste Fonlupt, Piano, MainArtist

2022 La Dolce Volta 2022 La Prima Volta

2
II. In Petrushka's Room
00:04:39

Igor Stravinsky, Composer - Jean-Baptiste Fonlupt, Piano, MainArtist

2022 La Dolce Volta 2022 La Prima Volta

3
III. The Shrovetide Fair
00:08:49

Igor Stravinsky, Composer - Jean-Baptiste Fonlupt, Piano, MainArtist

2022 La Dolce Volta 2022 La Prima Volta

4
La Valse, M. 72
00:13:07

Maurice Ravel, Composer - Jean-Baptiste Fonlupt, Piano, MainArtist

2022 La Dolce Volta 2022 La Prima Volta

Romeo and Juliet, Ten Pieces for Piano, Op. 75 (excerpts) (Sergei Prokofiev)

5
I. Juliet as a Young Girl
00:03:52

Sergey Prokofiev, Composer - Jean-Baptiste Fonlupt, Piano, MainArtist

2022 La Dolce Volta 2022 La Prima Volta

6
II. Mercutio
00:02:23

Sergey Prokofiev, Composer - Jean-Baptiste Fonlupt, Piano, MainArtist

2022 La Dolce Volta 2022 La Prima Volta

7
III. Montagues and Capulets
00:04:21

Sergey Prokofiev, Composer - Jean-Baptiste Fonlupt, Piano, MainArtist

2022 La Dolce Volta 2022 La Prima Volta

8
IV. Romeo and Juliet before Parting
00:10:05

Sergey Prokofiev, Composer - Jean-Baptiste Fonlupt, Piano, MainArtist

2022 La Dolce Volta 2022 La Prima Volta

9
Valses nobles et sentimentales, M. 61: I. Modéré. Très franc
00:01:22

Maurice Ravel, Composer - Jean-Baptiste Fonlupt, Piano, MainArtist

2022 La Dolce Volta 2022 La Prima Volta

10
Valses nobles et sentimentales, M. 61: II. Assez lent, avec une expression intense
00:02:41

Maurice Ravel, Composer - Jean-Baptiste Fonlupt, Piano, MainArtist

2022 La Dolce Volta 2022 La Prima Volta

11
Valses nobles et sentimentales, M. 61: III. Modéré
00:01:27

Maurice Ravel, Composer - Jean-Baptiste Fonlupt, Piano, MainArtist

2022 La Dolce Volta 2022 La Prima Volta

12
Valses nobles et sentimentales, M. 61: IV. Assez animé
00:01:10

Maurice Ravel, Composer - Jean-Baptiste Fonlupt, Piano, MainArtist

2022 La Dolce Volta 2022 La Prima Volta

13
Valses nobles et sentimentales, M. 61: V. Presque lent, dans un sentiment intime
00:01:39

Maurice Ravel, Composer - Jean-Baptiste Fonlupt, Piano, MainArtist

2022 La Dolce Volta 2022 La Prima Volta

14
Valses nobles et sentimentales, M. 61: VI. Vif
00:00:46

Maurice Ravel, Composer - Jean-Baptiste Fonlupt, Piano, MainArtist

2022 La Dolce Volta 2022 La Prima Volta

15
Valses nobles et sentimentales, M. 61: VII. Moins vif
00:03:08

Maurice Ravel, Composer - Jean-Baptiste Fonlupt, Piano, MainArtist

2022 La Dolce Volta 2022 La Prima Volta

16
Valses nobles et sentimentales, M. 61: VIII. Épilogue, lent
00:04:37

Maurice Ravel, Composer - Jean-Baptiste Fonlupt, Piano, MainArtist

2022 La Dolce Volta 2022 La Prima Volta

Albumbeschreibung

Against the backdrop of its decors, ballet offers itself up as a spectacle, arousing admiration and enchantment. In the early twentieth century, from the Palais Garnier to the Bolshoi, from the Châtelet to the Mariinsky, the shimmering colours of the orchestra were often combined with the innovative choreography of the Ballets Russes. The music to which these ballets were danced, assigned to illustrious composers, could hardly be for piano, which was tolerated only to accompany the dancers in their rehearsal studios. But is that really the case? If so, then why are there so many piano versions made by the composers themselves, alongside the orchestral ones? Jean-Baptiste Fonlupt answers that question here with dazzling imagination and virtuosity. © La Dolce Volta

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