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Jean-Marc Luisada|Sonates (Chopin, Liszt, Scriabin)

Sonates (Chopin, Liszt, Scriabin)

Jean-Marc Luisada

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Language available : english

"I have waited a long time before recording Liszt's Sonata, which I believe to be more elaborate than Chopin's Sonata in B minor, which is for me one of the great romantic improvisations. With the Sonata of Scriabin, the three works are for me bound by the shadow of Richard Wagner. Tristan's leitmotives are found in the Largo of Chopin's Sonata in B minor and Wagner was inspired by that of Liszt, who is really the great sonata of the nineteenth century. It is the beginning of all the chromaticism that has burst the tone. As for the sonata of Scriabine, it is the implosion of the romantic sonata. In nine minutes is created an erotic climate, of terror, very exciting. The Wagnerian chromaticism is also sounded in it and in a few measures a leitmotiv of Tristan and Isolde. It is in a very fast passage, and I purposely slowed down these two measures so that we can hear it a little! Chopin's Tristesse then comes very well after Scriabin's Black Mass to fall back into a more directly romantic nostalgia. A record must be an auditory show, a journey. » (Jean-Marc Luisada, interview with Gérard Mannoni / altamusica.com) - October 2004)

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Sonates (Chopin, Liszt, Scriabin)

Jean-Marc Luisada

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Piano Sonata No. 3 in B Minor, Op. 58 (Frédéric Chopin)

1
I. Allegro maestoso
00:10:35

Jean-Marc Luisada, Piano - Frédéric Chopin, Composer - (Olivier Cochet, Art Director - Philip Traugott, Art Director - Jean Marc Laisné, Engineer)

(P) 2004 BMG France

2
II. Scherzo - Molto vivace
00:02:53

Jean-Marc Luisada, Piano - Frédéric Chopin, Composer - (Olivier Cochet, Art Director - Philip Traugott, Art Director - Jean Marc Laisné, Engineer)

(P) 2004 BMG France

3
III. Largo
00:09:07

Jean-Marc Luisada, Piano - Frédéric Chopin, Composer - (Olivier Cochet, Art Director - Philip Traugott, Art Director - Jean Marc Laisné, Engineer)

(P) 2004 BMG France

4
IV. Finale - Presto non tanto
00:05:37

Jean-Marc Luisada, Piano - Frédéric Chopin, Composer - (Olivier Cochet, Art Director - Philip Traugott, Art Director - Jean Marc Laisné, Engineer)

(P) 2004 BMG France

Piano Sonata in B Minor (Franz Liszt)

5
I. Lento assai (Attacca)
00:13:47

Jean-Marc Luisada, Piano - Franz Liszt, Composer - (Olivier Cochet, Art Director - Philip Traugott, Art Director - Jean Marc Laisné, Engineer)

(P) 2004 BMG France

6
II. Andante sostenuto (Attacca)
00:08:54

Jean-Marc Luisada, Piano - Franz Liszt, Composer - (Olivier Cochet, Art Director - Philip Traugott, Art Director - Jean Marc Laisné, Engineer)

(P) 2004 BMG France

7
III. Allegro energico (Attacca)
00:06:16

Jean-Marc Luisada, Piano - Franz Liszt, Composer - (Olivier Cochet, Art Director - Philip Traugott, Art Director - Jean Marc Laisné, Engineer)

(P) 2004 BMG France

Sonata in B minor (Franz Liszt)

8
IV. Stretta quasi presto
00:05:30

Jean-Marc Luisada, Piano - Franz Liszt, Composer - (Olivier Cochet, Art Director - Philip Traugott, Art Director - Jean Marc Laisné, Engineer)

(P) 2004 BMG France

Piano Sonata No. 9, Op. 68 "Black Mass" (Alexander Scriabin)

9
Piano Sonata No. 9, Op. 68 "Black Mass" (Messe Noire)
00:09:31

Jean-Marc Luisada, Piano - Alexander Scriabin, Composer - (Olivier Cochet, Art Director - Philip Traugott, Art Director - Jean Marc Laisné, Engineer)

(P) 2004 BMG France

Etude No. 3 in E Major, Op. 10 "Tristesse" (Frédéric Chopin)

10
Etude No. 3 in E Major, Op. 10 "Tristesse"
00:04:48

Jean-Marc Luisada, Piano - Frédéric Chopin, Composer - (Olivier Cochet, Art Director - Philip Traugott, Art Director - Jean Marc Laisné, Engineer)

(P) 2004 BMG France

Albumbeschreibung

"I have waited a long time before recording Liszt's Sonata, which I believe to be more elaborate than Chopin's Sonata in B minor, which is for me one of the great romantic improvisations. With the Sonata of Scriabin, the three works are for me bound by the shadow of Richard Wagner. Tristan's leitmotives are found in the Largo of Chopin's Sonata in B minor and Wagner was inspired by that of Liszt, who is really the great sonata of the nineteenth century. It is the beginning of all the chromaticism that has burst the tone. As for the sonata of Scriabine, it is the implosion of the romantic sonata. In nine minutes is created an erotic climate, of terror, very exciting. The Wagnerian chromaticism is also sounded in it and in a few measures a leitmotiv of Tristan and Isolde. It is in a very fast passage, and I purposely slowed down these two measures so that we can hear it a little! Chopin's Tristesse then comes very well after Scriabin's Black Mass to fall back into a more directly romantic nostalgia. A record must be an auditory show, a journey. » (Jean-Marc Luisada, interview with Gérard Mannoni / altamusica.com) - October 2004)

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