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Pete Escovedo|Solo Two/Happy Together

Solo Two/Happy Together

Pete Escovedo, Sheila Escovedo

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Language available : english

After the breakup of his large Latin band Azteca, percussionist Pete Escovedo, with the assistance of Billy Cobham, recorded two albums for Fantasy that costarred his teenage daughter Sheila E. on conga and timbales. All of the music from the 1976 and 1978 sessions is on this single CD, except for one song left out due to lack of space. Augmenting their rhythm section (which includes keyboardist Mark Soskin and, on the second date, drummer Cobham) with guests from the Bay Area (most notably trumpeter Tom Harrell and the woodwinds of Mel Martin), the Escovedos perform music that crosses many boundaries. Ranging from fusion to Latin jazz with pop sensibilities, most of the slightly commercial instrumental music is reasonably creative and always infectious. This CD will appeal to pop, salsa and open-minded jazz listeners alike.

© Scott Yanow /TiVo

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Solo Two/Happy Together

Pete Escovedo

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1
Bittersweet (Instrumental)
00:05:53

Pete Escovedo, MainArtist - Sheila Escovedo, MainArtist - Mark Soskin, ComposerLyricist

℗ 1977 Fantasy Records

2
Vera Cruz (Instrumental)
00:04:00

Milton Nascimento, ComposerLyricist - Pete Escovedo, MainArtist - Sheila Escovedo, MainArtist

℗ 1977 Fantasy Records

3
Solo Tu (Instrumental)
00:06:59

Pete Escovedo, MainArtist - Sheila Escovedo, MainArtist - Al Bent, ComposerLyricist

℗ 1977 Fantasy Records

4
Azteca Mozambique (Instrumental)
00:09:22

Pete Escovedo, MainArtist, ComposerLyricist - Sheila Escovedo, MainArtist - Al Bent, ComposerLyricist

℗ 1977 Fantasy Records

5
Fantasy Junction (Instrumental)
00:09:52

Pete Escovedo, MainArtist - Billy Cobham, ComposerLyricist - Sheila Escovedo, MainArtist

℗ 1977 Fantasy Records

6
Linda Chicana (Instrumental)
00:03:14

Mark Levine, ComposerLyricist - Pete Escovedo, MainArtist - Sheila Escovedo, MainArtist

℗ 1977 Fantasy Records

7
Ain't That The Truth (Instrumental)
00:04:41

Pete Escovedo, MainArtist - Sheila Escovedo, MainArtist - Mark Soskin, ComposerLyricist

℗ 1978 Fantasy Records

8
Harockamolé (Instrumental)
00:06:12

Pete Escovedo, MainArtist - Billy Cobham, ComposerLyricist - Sheila Escovedo, MainArtist

℗ 1978 Fantasy Records

9
Bolinas (Instrumental)
00:04:12

Pete Escovedo, MainArtist - Billy Cobham, ComposerLyricist - Sheila Escovedo, MainArtist - Mark Soskin, ComposerLyricist

℗ 1978 Fantasy Records

10
Bridges (Travessia) (Instrumental)
00:04:06

Gene Lees, ComposerLyricist - Milton Nascimento, ComposerLyricist - Fernando Brant, ComposerLyricist - Pete Escovedo, MainArtist - Sheila Escovedo, MainArtist

℗ 1978 Fantasy Records

11
Burrito Bandito (Instrumental)
00:05:02

Pete Escovedo, MainArtist - Billy Cobham, ComposerLyricist - Sheila Escovedo, MainArtist

℗ 1978 Fantasy Records

12
Hello Like Before (Instrumental)
00:04:30

Bill Withers, ComposerLyricist - Pete Escovedo, MainArtist - John Collins, ComposerLyricist - Sheila Escovedo, MainArtist

℗ 1978 Fantasy Records

13
Happy Together (Instrumental)
00:04:36

Pete Escovedo, MainArtist - Don Grusin, ComposerLyricist - Sheila Escovedo, MainArtist - Errol Knowles, ComposerLyricist - William Courtial, ComposerLyricist

℗ 1978 Fantasy Records

14
Cueros (Instrumental)
00:03:00

Pete Escovedo, MainArtist, ComposerLyricist - Sheila Escovedo, MainArtist

℗ 1978 Fantasy Records

Albumbeschreibung

After the breakup of his large Latin band Azteca, percussionist Pete Escovedo, with the assistance of Billy Cobham, recorded two albums for Fantasy that costarred his teenage daughter Sheila E. on conga and timbales. All of the music from the 1976 and 1978 sessions is on this single CD, except for one song left out due to lack of space. Augmenting their rhythm section (which includes keyboardist Mark Soskin and, on the second date, drummer Cobham) with guests from the Bay Area (most notably trumpeter Tom Harrell and the woodwinds of Mel Martin), the Escovedos perform music that crosses many boundaries. Ranging from fusion to Latin jazz with pop sensibilities, most of the slightly commercial instrumental music is reasonably creative and always infectious. This CD will appeal to pop, salsa and open-minded jazz listeners alike.

© Scott Yanow /TiVo

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