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Mario Lanza - Serenade
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Copyright Control, MusicPublisher - Mario Lanza, MainArtist - (Brodszky/Cahn) c Warner Chappell North America, Composer
2018 Music Manager 2018 Copyright Control
About the album
- 1 disc(s) - 1 track(s)
- Total length: 00:03:39
- Main artist: Mario Lanza
- Composer: (Brodszky/Cahn) c Warner Chappell North America
- Label: Music Manager
- Genre: Klassiek Opera
2018 Music Manager 2018 Copyright ControlImprove this page
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Breathtaking in its range, Maria Callas’s recorded legacy becomes all the more astonishing when we consider that her studio opera recordings were all made within the space of just over a decade: she recorded no fewer than 24 complete works between 1952 and 1960 (and most of them between 1953 and 1957). Soon after moving to Paris, she added Carmen and a second Tosca to the list, in 1964 and 1965 respectively. Her complete studio recordings, including a series of celebrated recital discs, all painstakingly remastered from the original tapes, were released in a luxury box set by Warner Classics in 2014. This is our reproduction, with the kind permission of Warner Music, of Michel Roubinet’s introductory text in the album booklet ‘Maria Callas Live’.
Orfeo Orchestra (conducted by György Vashegyi), a prolific performer of French baroque music since its birth, has been honoured in recent years by both Palazetto Bru Zane and the Centre de Musique Baroque de Versailles (CMBV) with invitations to record a series of explorations of French lyrical music – both baroque and classical.
From Sappho of Mytilene to Kaija Saariaho, music history has been marked by female figures who “dared” to write music. Is creation a male privilege? Our sound museum does hold more well-known and recognised male than female composers. Yet their works are no less exciting and there is absolutely no reason for them to play second fiddle, or be ignored altogether. Below, you’ll find a defence and illustration of female composition works through eleven musical portraits.