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Dresdner Kammerchor|Schütz: Italienische Madrigale, Op. 1 (Complete Recording Vol. 2)

Schütz: Italienische Madrigale, Op. 1 (Complete Recording Vol. 2)

Dresdner Kammerchor, Hans-Christoph Rademann

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Heinrich Schütz's Italian madrigals might be thought of as his dissertation work, composed in 1611 and presented to his patron, the Landgrave of Hesse, who had sent him to Italy on a scholarship for study with Giovanni Gabrieli. They had an effect far beyond their immediate purpose, serving to introduce a newly expressive Italian spirit into German music and thus kicking off a trend that would endure for two centuries. (He also snared an extra year's scholarship money for his trouble.) Schütz's madrigals did not follow either the radical harmonic experiments of Gesualdo or the new declamatory experiments of Monteverdi; instead, they would have fit right into the mainstream of madrigal composition around 1600, with high-quality Italian texts dealing mainly with the pleasures and pains of love. There are flashes of dissonance and an assured handling of harmony in general, with complex but coherent harmonic layouts. Perhaps the madrigals' most distinctive characteristic is their vivid word-painting. This reading by the Dresden Chamber Choir under Hans-Christoph Rademann might be classified as skilled but old-school. The choir has 18 predominantly young voices, with ten female and eight male adult singers; their control of pitch in a completely a cappella setting is impressive, and these are sensitive, expressive performances, especially for people whose native language is not Italian. It's also true that the trend in the performance of vocal music of this type has been toward smaller ensembles, especially in the case of madrigals, which were likely meant for part-singing from the start. For those interested in the Dresden Chamber Choir, which has gained quite a reputation for its performances of music of the early Baroque, this may not be the best place to start, but for those who enjoy choral performances of madrigals (for example, the numerous British university choir madrigal performances) this will be an enjoyable outing.

© TiVo

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Schütz: Italienische Madrigale, Op. 1 (Complete Recording Vol. 2)

Dresdner Kammerchor

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Italian Madrigals, Op. 1 (Heinrich Schütz)

1
No. 1, O primavera, SWV 1
Jan Kobow
00:03:30

Ludger Rémy, Organ, MainArtist, AssociatedPerformer - Traditional, Author - Heinrich Schütz, Composer - Hans-Christoph Rademann, Conductor, MainArtist - Dresdner Kammerchor, Choir, MainArtist - Jan Kobow, Tenor, MainArtist, AssociatedPerformer - Hille Perl, Lute, MainArtist, AssociatedPerformer - Tobias Mathger, Tenor, MainArtist, AssociatedPerformer - Felix Rumpf, Bass, MainArtist, AssociatedPerformer - The Sirius Viols, Ensemble, MainArtist

℗ 2011 Carus

2
No. 2, O dolcezze amarissime, SWV 2
Jan Kobow
00:02:38

Ludger Rémy, Organ, MainArtist, AssociatedPerformer - Traditional, Author - Heinrich Schütz, Composer - Hans-Christoph Rademann, Conductor, MainArtist - Dresdner Kammerchor, Choir, MainArtist - Jan Kobow, Tenor, MainArtist, AssociatedPerformer - Hille Perl, Lute, MainArtist, AssociatedPerformer - Felix Rumpf, Bass, MainArtist, AssociatedPerformer - The Sirius Viols, Ensemble, MainArtist

℗ 2011 Carus

3
No. 3, Selve beate, SWV 3
Jan Kobow
00:02:45

Ludger Rémy, Organ, MainArtist, AssociatedPerformer - Traditional, Author - Heinrich Schütz, Composer - Hans-Christoph Rademann, Conductor, MainArtist - Dresdner Kammerchor, Choir, MainArtist - Jan Kobow, Tenor, MainArtist, AssociatedPerformer - Hille Perl, Lute, MainArtist, AssociatedPerformer - Felix Rumpf, Bass, MainArtist, AssociatedPerformer - The Sirius Viols, Ensemble, MainArtist

℗ 2011 Carus

4
No. 4, Alma afflitta, SWV 4
Marie Luise Werneburg
00:02:46

Traditional, Author - Heinrich Schütz, Composer - Hans-Christoph Rademann, Conductor, MainArtist - Dresdner Kammerchor, Choir, MainArtist - Jan Kobow, Tenor, MainArtist, AssociatedPerformer - Hille Perl, Lute, MainArtist, AssociatedPerformer - Tobias Mathger, Tenor, MainArtist, AssociatedPerformer - Jorg Genslein, Tenor, MainArtist, AssociatedPerformer - Marie Luise Werneburg, Soprano, MainArtist, AssociatedPerformer - Georg Preißler, Bass, MainArtist, AssociatedPerformer

℗ 2011 Carus

5
No. 5, Così morir debb'io, SWV 5
Jan Kobow
00:03:08

Ludger Rémy, Organ, MainArtist, AssociatedPerformer - Traditional, Author - Heinrich Schütz, Composer - Hans-Christoph Rademann, Conductor, MainArtist - Dresdner Kammerchor, Choir, MainArtist - Jan Kobow, Tenor, MainArtist, AssociatedPerformer - Hille Perl, Lute, MainArtist, AssociatedPerformer - Felix Rumpf, Bass, MainArtist, AssociatedPerformer - The Sirius Viols, Ensemble, MainArtist

℗ 2011 Carus

6
No. 6, D'orrida selce alpina, SWV 6
Jan Kobow
00:03:01

Ludger Rémy, Organ, MainArtist, AssociatedPerformer - Traditional, Author - Heinrich Schütz, Composer - Hans-Christoph Rademann, Conductor, MainArtist - Dresdner Kammerchor, Choir, MainArtist - Jan Kobow, Tenor, MainArtist, AssociatedPerformer - Hille Perl, Lute, MainArtist, AssociatedPerformer - Felix Schwandtke, MainArtist, AssociatedPerformer, Bass (Vocal) - Felix Rumpf, Bass, MainArtist, AssociatedPerformer - The Sirius Viols, Ensemble, MainArtist

℗ 2011 Carus

7
No. 7, Ride la primavera, SWV 7
Jan Kobow
00:03:28

Ludger Rémy, Organ, MainArtist, AssociatedPerformer - Traditional, Author - Heinrich Schütz, Composer - Hans-Christoph Rademann, Conductor, MainArtist - Dresdner Kammerchor, Choir, MainArtist - Jan Kobow, Tenor, MainArtist, AssociatedPerformer - Hille Perl, Lute, MainArtist, AssociatedPerformer - The Sirius Viols, Ensemble, MainArtist

℗ 2011 Carus

8
No. 8, Fuggi o mio core, SWV 8
Jan Kobow
00:02:25

Ludger Rémy, Organ, MainArtist, AssociatedPerformer - Traditional, Author - Heinrich Schütz, Composer - Hans-Christoph Rademann, Conductor, MainArtist - Dresdner Kammerchor, Choir, MainArtist - Jan Kobow, Tenor, MainArtist, AssociatedPerformer - Hille Perl, Lute, MainArtist, AssociatedPerformer - Felix Schwandtke, MainArtist, AssociatedPerformer, Bass (Vocal) - The Sirius Viols, Ensemble, MainArtist

℗ 2011 Carus

9
No. 9, Feritevi, ferite, SWV 9
Jan Kobow
00:03:11

Ludger Rémy, Organ, MainArtist, AssociatedPerformer - Traditional, Author - Heinrich Schütz, Composer - Hans-Christoph Rademann, Conductor, MainArtist - Dresdner Kammerchor, Choir, MainArtist - Jan Kobow, Tenor, MainArtist, AssociatedPerformer - Hille Perl, Lute, MainArtist, AssociatedPerformer - Felix Rumpf, Bass, MainArtist, AssociatedPerformer - The Sirius Viols, Ensemble, MainArtist

℗ 2011 Carus

10
No. 10, Flamma ch'allacia, SWV 10
Stefan Kunath
00:02:34

Traditional, Author - Heinrich Schütz, Composer - Hans-Christoph Rademann, Conductor, MainArtist - Dresdner Kammerchor, Choir, MainArtist - Jan Kobow, Tenor, MainArtist, AssociatedPerformer - Hille Perl, Lute, MainArtist, AssociatedPerformer - Stefan Kunath, Alto, MainArtist, AssociatedPerformer - Claudius Pobbig, Tenor, MainArtist, AssociatedPerformer - Felix Rumpf, Bass, MainArtist, AssociatedPerformer - Dirk Döbrich, Bass, MainArtist, AssociatedPerformer

℗ 2011 Carus

11
No. 11, Quella damma son io, SWV 11
Jan Kobow
00:02:38

Ludger Rémy, Organ, MainArtist, AssociatedPerformer - Traditional, Author - Heinrich Schütz, Composer - Hans-Christoph Rademann, Conductor, MainArtist - Dresdner Kammerchor, Choir, MainArtist - Jan Kobow, Tenor, MainArtist, AssociatedPerformer - Hille Perl, Lute, MainArtist, AssociatedPerformer - The Sirius Viols, Ensemble, MainArtist

℗ 2011 Carus

12
No. 12, Mi saluta costei, SWV 12
Hille Perl
00:03:03

Ludger Rémy, Organ, MainArtist, AssociatedPerformer - Traditional, Author - Heinrich Schütz, Composer - Hans-Christoph Rademann, Conductor, MainArtist - Dresdner Kammerchor, Choir, MainArtist - Hille Perl, Lute, MainArtist, AssociatedPerformer - The Sirius Viols, Ensemble, MainArtist

℗ 2011 Carus

13
No. 13, Io moro, eccho ch'io moro, SWV 13
Dorothee Mields
00:03:14

Ludger Rémy, Conductor, MainArtist - Traditional, Author - Heinrich Schütz, Composer - Hans-Christoph Rademann, Conductor, MainArtist - Dorothee Mields, Soprano, MainArtist, AssociatedPerformer - Dresdner Kammerchor, Choir, MainArtist - Matthias Muller, Violone, MainArtist, AssociatedPerformer - Ulrike Hofbauer, Soprano, MainArtist, AssociatedPerformer - Stefan Maass, Theorbo, MainArtist, AssociatedPerformer

℗ 2011 Carus

14
No. 14, Sospir che del bel petto, SWV 14
Dorothee Mields
00:03:16

Ludger Rémy, Conductor, MainArtist - Traditional, Author - Heinrich Schütz, Composer - Hans-Christoph Rademann, Conductor, MainArtist - Dorothee Mields, Soprano, MainArtist, AssociatedPerformer - Dresdner Kammerchor, Choir, MainArtist - Matthias Muller, Violone, MainArtist, AssociatedPerformer - Georg Poplutz, Tenor, MainArtist, AssociatedPerformer - Ulrike Hofbauer, Soprano, MainArtist, AssociatedPerformer - Stefan Maass, Theorbo, MainArtist, AssociatedPerformer

℗ 2011 Carus

15
No. 15, Dunque addio, SWV 15
Dorothee Mields
00:04:06

Ludger Rémy, Conductor, MainArtist - Traditional, Author - Heinrich Schütz, Composer - Hans-Christoph Rademann, Conductor, MainArtist - Dorothee Mields, Soprano, MainArtist, AssociatedPerformer - Dresdner Kammerchor, Choir, MainArtist - Matthias Muller, Violone, MainArtist, AssociatedPerformer - Felix Schwandtke, MainArtist, AssociatedPerformer, Bass (Vocal) - Ulrike Hofbauer, Soprano, MainArtist, AssociatedPerformer - Andreas Wolf, Bass, MainArtist, AssociatedPerformer - Stefan Maass, Theorbo, MainArtist, AssociatedPerformer

℗ 2011 Carus

16
No. 16, Tornate, o cari baci, SWV 16
Dorothee Mields
00:02:28

Ludger Rémy, Conductor, MainArtist - Traditional, Author - Heinrich Schütz, Composer - Hans-Christoph Rademann, Conductor, MainArtist - Dorothee Mields, Soprano, MainArtist, AssociatedPerformer - Dresdner Kammerchor, Choir, MainArtist - Matthias Muller, Violone, MainArtist, AssociatedPerformer - Ulrike Hofbauer, Soprano, MainArtist, AssociatedPerformer - Stefan Maass, Theorbo, MainArtist, AssociatedPerformer

℗ 2011 Carus

17
No. 17, Di marmo siete voi, SWV 17
Dorothee Mields
00:02:31

Ludger Rémy, Conductor, MainArtist - Traditional, Author - Heinrich Schütz, Composer - Hans-Christoph Rademann, Conductor, MainArtist - Dorothee Mields, Soprano, MainArtist, AssociatedPerformer - Dresdner Kammerchor, Choir, MainArtist - Matthias Muller, Violone, MainArtist, AssociatedPerformer - Georg Poplutz, Tenor, MainArtist, AssociatedPerformer - Andreas Wolf, Bass, MainArtist, AssociatedPerformer - Stefan Maass, Theorbo, MainArtist, AssociatedPerformer - David Erler, Counter-Tenor, MainArtist, AssociatedPerformer

℗ 2011 Carus

18
No. 18, Giunto è pur, Lidia, SWV 18
Ulrike Hofbauer
00:02:50

Ludger Rémy, Conductor, MainArtist - Traditional, Author - Heinrich Schütz, Composer - Hans-Christoph Rademann, Conductor, MainArtist - Dresdner Kammerchor, Choir, MainArtist - Matthias Muller, Violone, MainArtist, AssociatedPerformer - Ulrike Hofbauer, Soprano, MainArtist, AssociatedPerformer - Andreas Wolf, Bass, MainArtist, AssociatedPerformer - Stefan Maass, Theorbo, MainArtist, AssociatedPerformer

℗ 2011 Carus

19
No. 19, Vasto mar, SWV 19
Dorothee Mields
00:03:38

Ludger Rémy, Conductor, MainArtist - Traditional, Author - Heinrich Schütz, Composer - Hans-Christoph Rademann, Conductor, MainArtist - Dorothee Mields, Soprano, MainArtist, AssociatedPerformer - Dresdner Kammerchor, Choir, MainArtist - Ulrike Hofbauer, Soprano, MainArtist, AssociatedPerformer - Andreas Wolf, Bass, MainArtist, AssociatedPerformer

℗ 2011 Carus

Albumbeschreibung

Heinrich Schütz's Italian madrigals might be thought of as his dissertation work, composed in 1611 and presented to his patron, the Landgrave of Hesse, who had sent him to Italy on a scholarship for study with Giovanni Gabrieli. They had an effect far beyond their immediate purpose, serving to introduce a newly expressive Italian spirit into German music and thus kicking off a trend that would endure for two centuries. (He also snared an extra year's scholarship money for his trouble.) Schütz's madrigals did not follow either the radical harmonic experiments of Gesualdo or the new declamatory experiments of Monteverdi; instead, they would have fit right into the mainstream of madrigal composition around 1600, with high-quality Italian texts dealing mainly with the pleasures and pains of love. There are flashes of dissonance and an assured handling of harmony in general, with complex but coherent harmonic layouts. Perhaps the madrigals' most distinctive characteristic is their vivid word-painting. This reading by the Dresden Chamber Choir under Hans-Christoph Rademann might be classified as skilled but old-school. The choir has 18 predominantly young voices, with ten female and eight male adult singers; their control of pitch in a completely a cappella setting is impressive, and these are sensitive, expressive performances, especially for people whose native language is not Italian. It's also true that the trend in the performance of vocal music of this type has been toward smaller ensembles, especially in the case of madrigals, which were likely meant for part-singing from the start. For those interested in the Dresden Chamber Choir, which has gained quite a reputation for its performances of music of the early Baroque, this may not be the best place to start, but for those who enjoy choral performances of madrigals (for example, the numerous British university choir madrigal performances) this will be an enjoyable outing.

© TiVo

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