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Basque National Orchestra|Saint-Saëns: Orchestral Works

Saint-Saëns: Orchestral Works

Guillermo Pastrana, Jun Markl, Basque National Orchestra

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Now, no-one could argue that there are too many recordings of the orchestral suites of Saint-Saëns! All the more reason, then, to welcome this new album from the Basque National Orchestra (Euskadiko Orkestra Sinfonikoa, in Basque), which as well as the Suite algérienne Op. 60 of 1879-1880, the Suite in D major Op. 49 written for harmonium in 1863, orchestrated by the composer in 1877, offers us the Suite in D minor Op. 16b, first written in 1863 for cello and piano and then orchestrated, by the master himself, in 1919 – and augmented with two additional movements. The Suite algérienne is mainly Algerian in name - consider that the fourth and final movement is a "French military march", hurrah for Empire - while the exotic accents seem to roam around, from Bohemia to Moorish Spain, with only very sporadic jaunts to North Africa, a part of the world that the composer did know well, but perhaps not so much musically as... well. In Suite Op. 49, the discreet instrumentation and the language which has been deliberately borrowed from baroque serve to underline the first composition for harmonium. Finally, the Suite Op. 15b is a kind of concerto-fantasia for cello, and here the Spanish cellist Guillermo Pastrana officiates with panache. Here again, Bach is never far away, even in these delightful romantic tones, which would not have disgraced Lalo! © SM/Qobuz

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Saint-Saëns: Orchestral Works

Basque National Orchestra

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Suite algerienne, Op. 60, R. 173 (Camille Saint-Saëns)

1
I. Prélude
Basque National Orchestra
00:03:52

CAMILLE SAINT-SAENS, Composer - Tim Handley, Producer - Basque National Orchestra, Orchestra, MainArtist - Jun Markl, Conductor

(C) 2018 Naxos (P) 2018 Naxos

2
II. Rhapsodie mauresque
Basque National Orchestra
00:05:21

CAMILLE SAINT-SAENS, Composer - Basque National Orchestra, Orchestra, MainArtist - Jun Markl, Conductor

(C) 2018 Naxos (P) 2018 Naxos

3
III. Rêverie du soir
Basque National Orchestra
00:05:42

CAMILLE SAINT-SAENS, Composer - Basque National Orchestra, Orchestra, MainArtist - Jun Markl, Conductor

(C) 2018 Naxos (P) 2018 Naxos

4
IV. Marche militaire française
Basque National Orchestra
00:04:19

CAMILLE SAINT-SAENS, Composer - Basque National Orchestra, Orchestra, MainArtist - Jun Markl, Conductor

(C) 2018 Naxos (P) 2018 Naxos

Suite in D Major, Op. 49, R. 165 (Camille Saint-Saëns)

5
I. Prélude
Basque National Orchestra
00:02:57

CAMILLE SAINT-SAENS, Composer - Tim Handley, Producer - Basque National Orchestra, Orchestra, MainArtist - Jun Markl, Conductor

(C) 2018 Naxos (P) 2018 Naxos

6
II. Sarabande
Basque National Orchestra
00:03:05

CAMILLE SAINT-SAENS, Composer - Basque National Orchestra, Orchestra, MainArtist - Jun Markl, Conductor

(C) 2018 Naxos (P) 2018 Naxos

7
III. Gavotte
Basque National Orchestra
00:03:24

CAMILLE SAINT-SAENS, Composer - Basque National Orchestra, Orchestra, MainArtist - Jun Markl, Conductor

(C) 2018 Naxos (P) 2018 Naxos

8
IV. Romance
Basque National Orchestra
00:06:51

CAMILLE SAINT-SAENS, Composer - Basque National Orchestra, Orchestra, MainArtist - Jun Markl, Conductor

(C) 2018 Naxos (P) 2018 Naxos

9
V. Final
Basque National Orchestra
00:03:56

CAMILLE SAINT-SAENS, Composer - Basque National Orchestra, Orchestra, MainArtist - Jun Markl, Conductor

(C) 2018 Naxos (P) 2018 Naxos

Suite in D Minor, Op. 16b, R. 211 (Camille Saint-Saëns)

10
I. Prélude
Guillermo Pastrana
00:02:35

CAMILLE SAINT-SAENS, Composer - Tim Handley, Producer - Basque National Orchestra, Orchestra - Jun Markl, Conductor - Guillermo Pastrana, Artist, MainArtist

(C) 2018 Naxos (P) 2018 Naxos

11
II. Sérénade
Guillermo Pastrana
00:03:36

CAMILLE SAINT-SAENS, Composer - Basque National Orchestra, Orchestra - Jun Markl, Conductor - Guillermo Pastrana, Artist, MainArtist

(C) 2018 Naxos (P) 2018 Naxos

12
III. Gavotte
Guillermo Pastrana
00:03:54

CAMILLE SAINT-SAENS, Composer - Basque National Orchestra, Orchestra - Jun Markl, Conductor - Guillermo Pastrana, Artist, MainArtist

(C) 2018 Naxos (P) 2018 Naxos

13
IV. Romance
Guillermo Pastrana
00:07:17

CAMILLE SAINT-SAENS, Composer - Basque National Orchestra, Orchestra - Jun Markl, Conductor - Guillermo Pastrana, Artist, MainArtist

(C) 2018 Naxos (P) 2018 Naxos

14
V. Tarentelle
Guillermo Pastrana
00:03:53

CAMILLE SAINT-SAENS, Composer - Basque National Orchestra, Orchestra - Jun Markl, Conductor - Guillermo Pastrana, Artist, MainArtist

(C) 2018 Naxos (P) 2018 Naxos

Sérénade, Op. 15 (version for orchestra) (Camille Saint-Saëns)

15
Sérénade, Op. 15 (version for orchestra)
Basque National Orchestra
00:06:16

CAMILLE SAINT-SAENS, Composer - Tim Handley, Producer - Basque National Orchestra, Orchestra, MainArtist - Jun Markl, Conductor

(C) 2018 Naxos (P) 2018 Naxos

Albumbeschreibung

Now, no-one could argue that there are too many recordings of the orchestral suites of Saint-Saëns! All the more reason, then, to welcome this new album from the Basque National Orchestra (Euskadiko Orkestra Sinfonikoa, in Basque), which as well as the Suite algérienne Op. 60 of 1879-1880, the Suite in D major Op. 49 written for harmonium in 1863, orchestrated by the composer in 1877, offers us the Suite in D minor Op. 16b, first written in 1863 for cello and piano and then orchestrated, by the master himself, in 1919 – and augmented with two additional movements. The Suite algérienne is mainly Algerian in name - consider that the fourth and final movement is a "French military march", hurrah for Empire - while the exotic accents seem to roam around, from Bohemia to Moorish Spain, with only very sporadic jaunts to North Africa, a part of the world that the composer did know well, but perhaps not so much musically as... well. In Suite Op. 49, the discreet instrumentation and the language which has been deliberately borrowed from baroque serve to underline the first composition for harmonium. Finally, the Suite Op. 15b is a kind of concerto-fantasia for cello, and here the Spanish cellist Guillermo Pastrana officiates with panache. Here again, Bach is never far away, even in these delightful romantic tones, which would not have disgraced Lalo! © SM/Qobuz

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