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Marina De Liso|Saint-Saens: Music for the Prix de Rome (Camille Saint-Saens - Victor Roussy - Auguste Rollet)

Saint-Saens: Music for the Prix de Rome (Camille Saint-Saens - Victor Roussy - Auguste Rollet)

Camille Saint-Saens - Victor Roussy - Auguste Rollet

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One of the most significant challenges facing young French composers in the 19th century was to compete for the Prix de Rome, not only for the considerable prize money and residency in Rome, but more importantly for the recognition it granted. Camille Saint-Saëns competed for the prize twice, in 1852 with his youthful cantata, Le Retour de Virginie, and in 1864 with his nearly operatic setting of Ivanhoé. Though he didn't win in either year, Saint-Saëns had already achieved success between his Roman efforts and won prestige for his increasingly progressive works, which were strongly influenced by Liszt and Wagner and therefore quite antithetical to the conservative leanings of the prize committee. This album by Hervé Niquet and the Brussels Philharmonic revives both works, and offers the Ode, the Choeur des Sylphes, excerpts from the Messe, Op. 4, and eight Motets au Saint Sacrement, all works from the period that demonstrate Saint-Saëns' mastery of vocal and choral writing.While these compositions are superior to much of the French academic music of the Second Empire, they still seem like minor efforts from the early stage of Saint-Saëns' career, and are therefore of primary interest to specialists.

© TiVo

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Saint-Saens: Music for the Prix de Rome (Camille Saint-Saens - Victor Roussy - Auguste Rollet)

Marina De Liso

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1
Prelude
Hervé Niquet
00:04:37

, Contributor - Herve Niquet, Conductor - Pierre-Yves Pruvot, baritone - Bernard Richter, tenor - Brussels Philharmonic Orchestra, Orchestra

2
Recitative: D'ou vient que par moment (Rebecca)
Hervé Niquet
00:01:42

, Contributor - Herve Niquet, Conductor - Pierre-Yves Pruvot, baritone - Bernard Richter, tenor - Brussels Philharmonic Orchestra, Orchestra

3
Priere: Sion, berceau de mon enfance (Rebecca)
Hervé Niquet
00:01:33

, Contributor - Herve Niquet, Conductor - Pierre-Yves Pruvot, baritone - Bernard Richter, tenor - Brussels Philharmonic Orchestra, Orchestra

4
Recitative: Rebecca !. (Rebecca, Bois-Guilbert)
Hervé Niquet
00:01:37

, Contributor - Herve Niquet, Conductor - Pierre-Yves Pruvot, baritone - Bernard Richter, tenor - Brussels Philharmonic Orchestra, Orchestra

5
Air et Recitative: Au mont Carmel en Palestine . (Rebecca, Bois-Guilbert)
Hervé Niquet
00:02:14

, Contributor - Herve Niquet, Conductor - Pierre-Yves Pruvot, baritone - Bernard Richter, tenor - Brussels Philharmonic Orchestra, Orchestra

6
Duo: Juste ciel que j'implore . (Rebecca, Bois-Guilbert)
Hervé Niquet
00:02:24

, Contributor - Herve Niquet, Conductor - Pierre-Yves Pruvot, baritone - Bernard Richter, tenor - Brussels Philharmonic Orchestra, Orchestra

7
Duo: J'ai prie trop longtemps . (Rebecca, Bois-Guilbert)
Hervé Niquet
00:01:35

, Contributor - Herve Niquet, Conductor - Pierre-Yves Pruvot, baritone - Bernard Richter, tenor - Brussels Philharmonic Orchestra, Orchestra

8
Trio: Ivanhoe !. Quoi !. Lui !. (Rebecca, Ivanhoe, Bois-Guilbert)
Hervé Niquet
00:01:31

, Contributor - Herve Niquet, Conductor - Pierre-Yves Pruvot, baritone - Bernard Richter, tenor - Brussels Philharmonic Orchestra, Orchestra

9
Chant et Trio: Oui, malgre mon jeune age . (Rebecca, Ivanhoe, Bois-Guilbert)
Hervé Niquet
00:04:30

, Contributor - Herve Niquet, Conductor - Pierre-Yves Pruvot, baritone - Bernard Richter, tenor - Brussels Philharmonic Orchestra, Orchestra

10
Recitative: A travers les vitraux . (Rebecca)
Hervé Niquet
00:02:55

, Contributor - Herve Niquet, Conductor - Pierre-Yves Pruvot, baritone - Bernard Richter, tenor - Brussels Philharmonic Orchestra, Orchestra

11
Air: Pres du bucher en flamme . (Rebecca)
Hervé Niquet
00:02:44

, Contributor - Herve Niquet, Conductor - Pierre-Yves Pruvot, baritone - Bernard Richter, tenor - Brussels Philharmonic Orchestra, Orchestra

12
Final: Mais que vois-je ?. (Rebecca, Ivanhoe)
Hervé Niquet
00:01:43

, Contributor - Herve Niquet, Conductor - Pierre-Yves Pruvot, baritone - Bernard Richter, tenor - Brussels Philharmonic Orchestra, Orchestra

13
Prelude
Hervé Niquet
00:03:06

, Contributor - Nicolas Courjal, bass - Herve Niquet, Conductor - Bernard Richter, tenor - Brussels Philharmonic Orchestra, Orchestra

14
Danse de negres
Hervé Niquet
00:02:27

, Contributor - Nicolas Courjal, bass - Herve Niquet, Conductor - Bernard Richter, tenor - Brussels Philharmonic Orchestra, Orchestra

15
Recitative: Virginie !. (Paul)
Hervé Niquet
00:01:12

, Contributor - Nicolas Courjal, bass - Herve Niquet, Conductor - Bernard Richter, tenor - Brussels Philharmonic Orchestra, Orchestra

16
Air: Echos de mon deuil solitaire . (Paul)
Hervé Niquet
00:04:14

, Contributor - Nicolas Courjal, bass - Herve Niquet, Conductor - Bernard Richter, tenor - Brussels Philharmonic Orchestra, Orchestra

17
Scene et Duo: Mon fils !. Sois heureux . (Marguerite, Paul)
Hervé Niquet
00:05:10

, Contributor - Nicolas Courjal, bass - Herve Niquet, Conductor - Bernard Richter, tenor - Brussels Philharmonic Orchestra, Orchestra

18
Recitative et Duo: Mon ame etait partie . (Marguerite, Paul)
Hervé Niquet
00:02:51

, Contributor - Nicolas Courjal, bass - Herve Niquet, Conductor - Bernard Richter, tenor - Brussels Philharmonic Orchestra, Orchestra

19
Recitative: Amis, entendez-vous la tempete naissante . (Le Missionnaire)
Hervé Niquet
00:02:09

, Contributor - Nicolas Courjal, bass - Herve Niquet, Conductor - Bernard Richter, tenor - Brussels Philharmonic Orchestra, Orchestra

20
Priere: O roi des cieux . (Marguerite, Paul, Le Missionnaire)
Hervé Niquet
00:02:13

, Contributor - Nicolas Courjal, bass - Herve Niquet, Conductor - Bernard Richter, tenor - Brussels Philharmonic Orchestra, Orchestra

21
Finale: Entendez-vous ?. (Marguerite, Paul, Le Missionnaire)
Hervé Niquet
00:03:40

, Contributor - Nicolas Courjal, bass - Herve Niquet, Conductor - Bernard Richter, tenor - Brussels Philharmonic Orchestra, Orchestra

22
Finale: Mon fils, elle est au ciel . (Marguerite, Paul, Le Missionnaire)
Hervé Niquet
00:01:27

, Contributor - Nicolas Courjal, bass - Herve Niquet, Conductor - Bernard Richter, tenor - Brussels Philharmonic Orchestra, Orchestra

DISC 2

1
Ode a Sainte-Cecile
Hervé Niquet
00:06:22

, Contributor - Herve Niquet, Conductor - Brussels Philharmonic Orchestra, Orchestra

2
Choeur de Sylphes
Hervé Niquet
00:05:00

, Contributor - Flemish Radio Choir, Choir - Herve Niquet, Conductor - Brussels Philharmonic Orchestra, Orchestra - Solenn' Lavanant-Linke, mezzo-soprano

3
Credo
Hervé Niquet
00:08:48

, Contributor - Herve Niquet, Conductor - Brussels Philharmonic Orchestra, Orchestra - Francois Saint-Yves, organ

4
Agnus Dei
Hervé Niquet
00:04:26

, Contributor - Herve Niquet, Conductor - Brussels Philharmonic Orchestra, Orchestra - Francois Saint-Yves, organ

5
Inviolata in F major
Hervé Niquet
00:05:51

, Contributor - Herve Niquet, Conductor - Francois Saint-Yves, organ

6
Tantum ergo in E flat major
Hervé Niquet
00:02:44

, Contributor - Herve Niquet, Conductor - Francois Saint-Yves, organ

7
Ave Maria in F major
Hervé Niquet
00:04:34

, Contributor - Herve Niquet, Conductor - Francois Saint-Yves, organ

8
O salutaris in E major
Hervé Niquet
00:02:12

, Contributor - Herve Niquet, Conductor - Francois Saint-Yves, organ

9
Deus Abraham
Hervé Niquet
00:03:09

, Contributor - Herve Niquet, Conductor - Francois Saint-Yves, organ

10
O salutaris in A flat major
Hervé Niquet
00:03:43

, Contributor - Herve Niquet, Conductor - Francois Saint-Yves, organ

11
Ave Maria in A major
Hervé Niquet
00:04:27

, Contributor - Herve Niquet, Conductor - Francois Saint-Yves, organ

12
Ave verum corpus
Hervé Niquet
00:05:14

, Contributor - Herve Niquet, Conductor - Bart Cypers, horn - Francois Saint-Yves, organ

Albumbeschreibung

One of the most significant challenges facing young French composers in the 19th century was to compete for the Prix de Rome, not only for the considerable prize money and residency in Rome, but more importantly for the recognition it granted. Camille Saint-Saëns competed for the prize twice, in 1852 with his youthful cantata, Le Retour de Virginie, and in 1864 with his nearly operatic setting of Ivanhoé. Though he didn't win in either year, Saint-Saëns had already achieved success between his Roman efforts and won prestige for his increasingly progressive works, which were strongly influenced by Liszt and Wagner and therefore quite antithetical to the conservative leanings of the prize committee. This album by Hervé Niquet and the Brussels Philharmonic revives both works, and offers the Ode, the Choeur des Sylphes, excerpts from the Messe, Op. 4, and eight Motets au Saint Sacrement, all works from the period that demonstrate Saint-Saëns' mastery of vocal and choral writing.While these compositions are superior to much of the French academic music of the Second Empire, they still seem like minor efforts from the early stage of Saint-Saëns' career, and are therefore of primary interest to specialists.

© TiVo

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