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Orchestre De Chambre De Lausanne|Respighi: Ancient Airs and Dances & Trittico botticelliano

Respighi: Ancient Airs and Dances & Trittico botticelliano

Orchestre De Chambre De Lausanne, Jesús López Cobos

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The three suites of Ottorino Respighi's Ancient Airs and Dances are arrangements of Renaissance and early Baroque keyboard and lute pieces, arrayed with the sonorities of the modern symphony orchestra. With only a nod to archaic color in the addition of a harpsichord, Respighi runs riot with his palette of post-Romantic timbres. A liking for these pieces depends on one's historical perspective; since this kind of lavish scoring of early music was common in Respighi's day -- note several other famous arrangements by the likes of Elgar, Beecham, and Stokowski -- it may be excused by some as well-intentioned, if excessively puffed-up and sweet. Fans of authentic period practice may avoid these pieces, but they have remained popular among many others for their catchy tunes and will continue to win over ensembles because the orchestration is always flattering and gratifying. Trittico Botticelliano, inspired by Botticelli's paintings, Spring, Adoration of the Magi, and Birth of Venus, is in three corresponding movements and is almost wholly original with Respighi, except for occasional quotations of plainchant. The Lausanne Chamber Orchestra, brilliantly conducted by Jesús López-Cobos, is exceptionally vivid and clear in Telarc's spotless reproduction, so this is a fine disc for all who enjoy Respighi, and a guilty pleasure for those who won't admit it.

© TiVo

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Respighi: Ancient Airs and Dances & Trittico botticelliano

Orchestre De Chambre De Lausanne

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1
Ancient Airs and Dances, Suite No. 1, P 109: I. Balletto detto "Il Conte Orlando"
Jesús López-Cobos
00:02:54

James Mallinson, Producer, Recording Producer - Orchestre De Chambre De Lausanne, Orchestra, MainArtist - Ottorino Respighi, Composer - Henk Kooistra, Editor, StudioPersonnel - Jesús López Cobos, Conductor, MainArtist - MICHAEL CLEMENTS, Asst. Recording Engineer, StudioPersonnel - Elaine Martone, Recording Supervisor, StudioPersonnel - Jack Renner, Recording Engineer, StudioPersonnel

℗ 1992 Telarc International Corp.

2
Ancient Airs and Dances, Suite No. 1, P 109: II. Gagliarda
Jesús López-Cobos
00:03:36

James Mallinson, Producer, Recording Producer - Orchestre De Chambre De Lausanne, Orchestra, MainArtist - Ottorino Respighi, Composer - Henk Kooistra, Editor, StudioPersonnel - Jesús López Cobos, Conductor, MainArtist - MICHAEL CLEMENTS, Asst. Recording Engineer, StudioPersonnel - Elaine Martone, Recording Supervisor, StudioPersonnel - Jack Renner, Recording Engineer, StudioPersonnel

℗ 1992 Telarc International Corp.

3
Ancient Airs and Dances, Suite No. 1, P 109: III. Villanella
Jesús López-Cobos
00:04:38

James Mallinson, Producer, Recording Producer - Orchestre De Chambre De Lausanne, Orchestra, MainArtist - Ottorino Respighi, Composer - Henk Kooistra, Editor, StudioPersonnel - Jesús López Cobos, Conductor, MainArtist - MICHAEL CLEMENTS, Asst. Recording Engineer, StudioPersonnel - Elaine Martone, Recording Supervisor, StudioPersonnel - Jack Renner, Recording Engineer, StudioPersonnel

℗ 1992 Telarc International Corp.

4
Ancient Airs and Dances, Suite No. 1, P 109: IV. Passo mezzo e mascherada
Jesús López-Cobos
00:03:44

James Mallinson, Producer, Recording Producer - Orchestre De Chambre De Lausanne, Orchestra, MainArtist - Ottorino Respighi, Composer - Henk Kooistra, Editor, StudioPersonnel - Jesús López Cobos, Conductor, MainArtist - MICHAEL CLEMENTS, Asst. Recording Engineer, StudioPersonnel - Elaine Martone, Recording Supervisor, StudioPersonnel - Jack Renner, Recording Engineer, StudioPersonnel

℗ 1992 Telarc International Corp.

5
Ancient Airs and Dances, Suite No. 2, P 138: I. Laura soave. Balletto con gagliarda, saltarello e canario
Jesús López-Cobos
00:03:55

James Mallinson, Producer, Recording Producer - Orchestre De Chambre De Lausanne, Orchestra, MainArtist - Ottorino Respighi, Composer - Henk Kooistra, Editor, StudioPersonnel - Jesús López Cobos, Conductor, MainArtist - MICHAEL CLEMENTS, Asst. Recording Engineer, StudioPersonnel - Elaine Martone, Recording Supervisor, StudioPersonnel - Jack Renner, Recording Engineer, StudioPersonnel

℗ 1992 Telarc International Corp.

6
Ancient Airs and Dances, Suite No. 2, P 138: II. Danza rustica
Jesús López-Cobos
00:03:57

James Mallinson, Producer, Recording Producer - Orchestre De Chambre De Lausanne, Orchestra, MainArtist - Ottorino Respighi, Composer - Henk Kooistra, Editor, StudioPersonnel - Jesús López Cobos, Conductor, MainArtist - MICHAEL CLEMENTS, Asst. Recording Engineer, StudioPersonnel - Elaine Martone, Recording Supervisor, StudioPersonnel - Jack Renner, Recording Engineer, StudioPersonnel

℗ 1992 Telarc International Corp.

7
Ancient Airs and Dances, Suite No. 2, P 138: III. Campanae parisienses - Aria
Jesús López-Cobos
00:05:42

James Mallinson, Producer, Recording Producer - Orchestre De Chambre De Lausanne, Orchestra, MainArtist - Ottorino Respighi, Composer - Henk Kooistra, Editor, StudioPersonnel - Jesús López Cobos, Conductor, MainArtist - MICHAEL CLEMENTS, Asst. Recording Engineer, StudioPersonnel - Elaine Martone, Recording Supervisor, StudioPersonnel - Jack Renner, Recording Engineer, StudioPersonnel

℗ 1992 Telarc International Corp.

8
Ancient Airs and Dances, Suite No. 2, P 138: IV. Bergamasca
Jesús López-Cobos
00:05:10

James Mallinson, Producer, Recording Producer - Orchestre De Chambre De Lausanne, Orchestra, MainArtist - Ottorino Respighi, Composer - Henk Kooistra, Editor, StudioPersonnel - Jesús López Cobos, Conductor, MainArtist - MICHAEL CLEMENTS, Asst. Recording Engineer, StudioPersonnel - Elaine Martone, Recording Supervisor, StudioPersonnel - Jack Renner, Recording Engineer, StudioPersonnel

℗ 1992 Telarc International Corp.

9
Ancient Airs and Dances, Suite No. 3, P 172: I. Italiana
Jesús López-Cobos
00:03:13

James Mallinson, Producer, Recording Producer - Orchestre De Chambre De Lausanne, Orchestra, MainArtist - Ottorino Respighi, Composer - Henk Kooistra, Editor, StudioPersonnel - Jesús López Cobos, Conductor, MainArtist - MICHAEL CLEMENTS, Asst. Recording Engineer, StudioPersonnel - Elaine Martone, Recording Supervisor, StudioPersonnel - Jack Renner, Recording Engineer, StudioPersonnel

℗ 1992 Telarc International Corp.

10
Ancient Airs and Dances, Suite No. 3, P 172: II. Arie di corte
Jesús López-Cobos
00:06:55

James Mallinson, Producer, Recording Producer - Orchestre De Chambre De Lausanne, Orchestra, MainArtist - Ottorino Respighi, Composer - Henk Kooistra, Editor, StudioPersonnel - Jesús López Cobos, Conductor, MainArtist - MICHAEL CLEMENTS, Asst. Recording Engineer, StudioPersonnel - Elaine Martone, Recording Supervisor, StudioPersonnel - Jack Renner, Recording Engineer, StudioPersonnel

℗ 1992 Telarc International Corp.

11
Ancient Airs and Dances, Suite No. 3, P 172: III. Siciliana
Jesús López-Cobos
00:03:29

James Mallinson, Producer, Recording Producer - Orchestre De Chambre De Lausanne, Orchestra, MainArtist - Ottorino Respighi, Composer - Henk Kooistra, Editor, StudioPersonnel - Jesús López Cobos, Conductor, MainArtist - MICHAEL CLEMENTS, Asst. Recording Engineer, StudioPersonnel - Elaine Martone, Recording Supervisor, StudioPersonnel - Jack Renner, Recording Engineer, StudioPersonnel

℗ 1992 Telarc International Corp.

12
Ancient Airs and Dances, Suite No. 3, P 172: IV. Passacaglia
Jesús López-Cobos
00:03:09

James Mallinson, Producer, Recording Producer - Orchestre De Chambre De Lausanne, Orchestra, MainArtist - Ottorino Respighi, Composer - Henk Kooistra, Editor, StudioPersonnel - Jesús López Cobos, Conductor, MainArtist - MICHAEL CLEMENTS, Asst. Recording Engineer, StudioPersonnel - Elaine Martone, Recording Supervisor, StudioPersonnel - Jack Renner, Recording Engineer, StudioPersonnel

℗ 1992 Telarc International Corp.

13
Trittico botticelliano: I. La primavera
Jesús López-Cobos
00:05:30

James Mallinson, Producer, Recording Producer - Orchestre De Chambre De Lausanne, Orchestra, MainArtist - Ottorino Respighi, Composer - Henk Kooistra, Editor, StudioPersonnel - Jesús López Cobos, Conductor, MainArtist - MICHAEL CLEMENTS, Asst. Recording Engineer, StudioPersonnel - Elaine Martone, Recording Supervisor, StudioPersonnel - Jack Renner, Recording Engineer, StudioPersonnel

℗ 1992 Telarc International Corp.

14
Trittico botticelliano: II. L'adorazione dei Magi
Jesús López-Cobos
00:08:00

James Mallinson, Producer, Recording Producer - Orchestre De Chambre De Lausanne, Orchestra, MainArtist - Ottorino Respighi, Composer - Henk Kooistra, Editor, StudioPersonnel - Jesús López Cobos, Conductor, MainArtist - MICHAEL CLEMENTS, Asst. Recording Engineer, StudioPersonnel - Elaine Martone, Recording Supervisor, StudioPersonnel - Jack Renner, Recording Engineer, StudioPersonnel

℗ 1992 Telarc International Corp.

15
Trittico botticelliano: III. La nascita di Venere
Jesús López-Cobos
00:04:43

James Mallinson, Producer, Recording Producer - Orchestre De Chambre De Lausanne, Orchestra, MainArtist - Ottorino Respighi, Composer - Henk Kooistra, Editor, StudioPersonnel - Jesús López Cobos, Conductor, MainArtist - MICHAEL CLEMENTS, Asst. Recording Engineer, StudioPersonnel - Elaine Martone, Recording Supervisor, StudioPersonnel - Jack Renner, Recording Engineer, StudioPersonnel

℗ 1992 Telarc International Corp.

Albumbeschreibung

The three suites of Ottorino Respighi's Ancient Airs and Dances are arrangements of Renaissance and early Baroque keyboard and lute pieces, arrayed with the sonorities of the modern symphony orchestra. With only a nod to archaic color in the addition of a harpsichord, Respighi runs riot with his palette of post-Romantic timbres. A liking for these pieces depends on one's historical perspective; since this kind of lavish scoring of early music was common in Respighi's day -- note several other famous arrangements by the likes of Elgar, Beecham, and Stokowski -- it may be excused by some as well-intentioned, if excessively puffed-up and sweet. Fans of authentic period practice may avoid these pieces, but they have remained popular among many others for their catchy tunes and will continue to win over ensembles because the orchestration is always flattering and gratifying. Trittico Botticelliano, inspired by Botticelli's paintings, Spring, Adoration of the Magi, and Birth of Venus, is in three corresponding movements and is almost wholly original with Respighi, except for occasional quotations of plainchant. The Lausanne Chamber Orchestra, brilliantly conducted by Jesús López-Cobos, is exceptionally vivid and clear in Telarc's spotless reproduction, so this is a fine disc for all who enjoy Respighi, and a guilty pleasure for those who won't admit it.

© TiVo

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