Carlos Miguel Prieto, Royal Scottish National Orchestra, Boris Giltburg Rachmaninoff: Piano Concerto No. 3 - Variations on a Theme of CorelliAanbieding

Rachmaninoff: Piano Concerto No. 3 - Variations on a Theme of Corelli

Carlos Miguel Prieto, Royal Scottish National Orchestra, Boris Giltburg

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Inbegrepen: 1 Booklet

Verschenen op 11 mei 2018 bij Naxos

Hoofdartiest: Boris Giltburg

Genre: Klassiek

Onderscheidingen: Gramophone Editor's Choice (juli 2018)

Speciale prijs : Nog maar 51 dagen
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Album : 1 album - 4 tracks Totale duur : 01:01:52

    Piano Concerto No. 3 in D minor, Op. 30 (Sergei Rachmaninov)
  1. 1 I. Allegro ma non tanto

    Sergei Rachmaninoff, Composer - Andrew Keener, Producer - Royal Scottish National Orchestra, Orchestra - Boris Giltburg, Artist, MainArtist - Carlos Miguel Prieto, Conductor - Phil Rowlands, Engineer Auteursrecht : (C) 2018 Naxos (P) 2018 Naxos

  2. 2 II. Intermezzo: Adagio - Un poco più mosso

    Sergei Rachmaninoff, Composer - Royal Scottish National Orchestra, Orchestra - Boris Giltburg, Artist, MainArtist - Carlos Miguel Prieto, Conductor Auteursrecht : (C) 2018 Naxos (P) 2018 Naxos

  3. 3 III. Finale: Alla breve

    Sergei Rachmaninoff, Composer - Royal Scottish National Orchestra, Orchestra - Boris Giltburg, Artist, MainArtist - Carlos Miguel Prieto, Conductor Auteursrecht : (C) 2018 Naxos (P) 2018 Naxos

  4. Variations on a theme of Corelli, Op. 42
  5. 4 Variations on a Theme of Corelli, Op. 42

    Sergei Rachmaninoff, Composer - Andrew Keener, Producer - Boris Giltburg, Artist, MainArtist - Phil Rowlands, Engineer Auteursrecht : (C) 2018 Naxos (P) 2018 Naxos

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While Israeli-Russian pianist Boris Giltburg’s career is taking off all over the world, he has felt very close to Belgium ever since he won first prize in the 2013 Queen Elisabeth Competition. After several recordings for EMI (Warner), here he gives a studio rendition of the Third Concerto, and the Variations on a Theme of Corelli by Sergei Rachmaninov, on his tenth album for Naxos, which completes his often-unique approach to the Russian pianist-composer. The Études-tableaux and the Second Concerto divided opinion, with some seeing him as a "new Glenn Gould" (sic) who would do away with routines, while others drew attention to the total indifference of his style.
Boris Giltburg's technique is such that he can give free rein to his imagination while taking care of the minute details of one of the most difficult concertos in the repertoire. Fascinated by the manufacture of instruments, in 2016 he took up the new 102-key piano from French manufacturer Stephen Paulello, a thrilling instrument which the musical world has been eagerly anticipating for a long time, and which proves that, just like in the 19th century, the piano can still evolve towards other sounds.
For this Concerto n° 3, recorded at Glasgow's Royal Concert Hall, Boris Giltburg returns to his dear Fazioli piano and is joined by Mexican conductor Carlo Miguel Prieto at the head of the Royal Scottish National Orchestra. © François Hudry/Qobuz

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Naxos

Since 1987, Naxos has redefined how classical music is presented and marketed. Innovative strategies of recording exciting new repertoire with exceptional talent have enabled the label to develop one of the largest and fastest growing catalogues of unduplicated repertoire available anywhere--currently over 2500 titles--with state-of-the-art sound and consumer-friendly prices. Naxos is the brainchild of Klaus Heymann, a German-born entrepreneur and music lover based in Hong Kong. To boost the sales for his electronics equipment company, Heymann began organising concerts of classical music in Hong Kong sponsored by Bose and Revox. When visiting artists involved in the c...

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