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Marty Ehrlich|Pliant Plaint

Pliant Plaint

Marty Ehrlich

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The first of two Enja sets matching Marty Ehrlich (on clarinet, bass clarinet, alto, flute and alto flute) with Stan Strickland (tenor, soprano and flute), this inside/outside music also features bassist Anthony Cox and drummer Bobby Previte. The complex yet consistently colorful repertoire has plenty of variety, including one piece ("After After All") that is totally composed by and has Ehrlich as the only musician, overdubbing on several of his horns. The many tone colors provided by the two horn players and the strong originals make this a set worth searching for by listeners into the more adventurous side of jazz.

© Scott Yanow /TiVo

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Pliant Plaint

Marty Ehrlich

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1
Celebration in Capetown (Strangers No More)
00:07:35

Marty Ehrlich, Performer

1988 ENJA RECORDS Matthias Winkelmann GmbH 1988 ENJA RECORDS Matthias Winkelmann GmbH

2
The All Told Alto Blues
00:04:05

Marty Ehrlich, Performer

1988 ENJA RECORDS Matthias Winkelmann GmbH 1988 ENJA RECORDS Matthias Winkelmann GmbH

3
After After All
00:02:32

Marty Ehrlich, Performer

1988 ENJA RECORDS Matthias Winkelmann GmbH 1988 ENJA RECORDS Matthias Winkelmann GmbH

4
Pliant Plaint
00:07:59

Marty Ehrlich, Performer

1988 ENJA RECORDS Matthias Winkelmann GmbH 1988 ENJA RECORDS Matthias Winkelmann GmbH

5
After All
00:10:31

Marty Ehrlich, Performer

1988 ENJA RECORDS Matthias Winkelmann GmbH 1988 ENJA RECORDS Matthias Winkelmann GmbH

6
Willie Whipporwill's Back Slidin' Heart Throb Two-Step
00:06:34

Marty Ehrlich, Performer

1988 ENJA RECORDS Matthias Winkelmann GmbH 1988 ENJA RECORDS Matthias Winkelmann GmbH

7
What I Know Now
00:04:05

Marty Ehrlich, Performer

1988 ENJA RECORDS Matthias Winkelmann GmbH 1988 ENJA RECORDS Matthias Winkelmann GmbH

Albumbeschreibung

The first of two Enja sets matching Marty Ehrlich (on clarinet, bass clarinet, alto, flute and alto flute) with Stan Strickland (tenor, soprano and flute), this inside/outside music also features bassist Anthony Cox and drummer Bobby Previte. The complex yet consistently colorful repertoire has plenty of variety, including one piece ("After After All") that is totally composed by and has Ehrlich as the only musician, overdubbing on several of his horns. The many tone colors provided by the two horn players and the strong originals make this a set worth searching for by listeners into the more adventurous side of jazz.

© Scott Yanow /TiVo

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