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Lucile Richardot|Perpetual Night: 17th Century Airs and Songs

Perpetual Night: 17th Century Airs and Songs

Lucile Richardot, Correspondances, Sébastien Daucé

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We could say that the composers chosen here by Sébastien Daucé and the Ensemble Correspondances cover England from 1600 to 1700, from Coprario's generation (real name Cooper, but Italicised for fashion reasons!), Johnson and Lanier, all born before the turn of the 17th century, up to Hart and Blow who died just after. Step by step, we follow the integration of the new art brought over from Italy, although the typically-Italian recitations remain coloured by "declamation", a typical feature of English music. Another clear pivot is the twenty-year musical hiatus between the start of the Civil War in 1642 and the Restoration with Charles II's return to the throne, and in between, the Puritan religious dictatorship of Cromwell, which tried to ban more or less any form of celebration, including music. A number of English artists chose exile in the countryside, teaching music, or went abroad. This comprehensive selection spanning a whole century allows the Correspondances ensemble, a broad group of singers and instrumentalists, to show their deep knowledge of this whole epoch, which is extremely rich despite often precarious conditions of life and threats to survival. © SM/Qobuz




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Perpetual Night: 17th Century Airs and Songs

Lucile Richardot

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Care-charming sleep (Robert Johnson)

1
Care-charming sleep
Lucile Richardot
00:05:15

Lucile Richardot, Mezzo-Soprano - Ensemble Correspondances - Sébastien Daucé, Conductor - Robert Johnson, Composer

harmonia mundi harmonia mundi

Justitiae sacrum (William Lawes)

2
Whiles I this standing lake
Lucile Richardot
00:03:07

Lucile Richardot, Mezzo-Soprano - Ensemble Correspondances - Sébastien Daucé, Conductor - William Lawes, Composer

harmonia mundi harmonia mundi

The Masque of Squires (John Coprario)

3
Go, happy man
Lucile Richardot
00:02:00

Lucile Richardot, Mezzo-Soprano - Ensemble Correspondances - Sébastien Daucé, Conductor - John Coprario, Composer

harmonia mundi harmonia mundi

What tears, dear Prince, can serve (Robert Ramsey)

4
What tears, dear Prince, can serve
Lucile Richardot
00:03:27

Lucile Richardot, Mezzo-Soprano - Ensemble Correspondances - Sébastien Daucé, Conductor - Robert Ramsey, Composer

harmonia mundi harmonia mundi

Music, the master of thy art is dead (William Lawes)

5
Music, the master of thy art is dead
Lucile Richardot
00:02:50

Lucile Richardot, Mezzo-Soprano - Ensemble Correspondances - Sébastien Daucé, Conductor - William Lawes, Composer

harmonia mundi harmonia mundi

Select Ayres and Dialogues (Nicholas Lanier)

6
No more shall meads
Lucile Richardot
00:03:10

Lucile Richardot, Mezzo-Soprano - Ensemble Correspondances - Sébastien Daucé, Conductor - Nicholas Lanier, Composer

harmonia mundi harmonia mundi

Go, perjured man (Robert Ramsey)

7
Go, perjured man
Lucile Richardot
00:01:18

Lucile Richardot, Mezzo-Soprano - Ensemble Correspondances - Sébastien Daucé, Conductor - Robert Ramsey, Composer

harmonia mundi harmonia mundi

Pavan in F major (John Jenkins)

8
Pavan in F Major
Ensemble Correspondances
00:04:02

Ensemble Correspondances - Sébastien Daucé, Conductor - John Jenkins, Composer

harmonia mundi harmonia mundi

Choice Ayres & Songs (John Banister)

9
Give me my lute
Lucile Richardot
00:02:27

Lucile Richardot, Mezzo-Soprano - Ensemble Correspondances - Sébastien Daucé, Conductor - John Banister, Composer

harmonia mundi harmonia mundi

Howl not, you ghosts and furies (Robert Ramsey)

10
Howl not, you ghosts and furies
Lucile Richardot
00:04:40

Lucile Richardot, Mezzo-Soprano - Ensemble Correspondances - Sébastien Daucé, Conductor - Robert Ramsey, Composer

harmonia mundi harmonia mundi

Britannia triumphans (William Lawes)

11
Chorus "Britanocles the great and good appears" (King's Masque Final)
Lucile Richardot
00:03:18

Lucile Richardot, Mezzo-Soprano - Ensemble Correspondances - Sébastien Daucé, Conductor - William Lawes, Composer

harmonia mundi harmonia mundi

Powerful Morpheus, let thy charms (William Webb)

12
Powerful Morpheus, let thy charms
Lucile Richardot
00:04:46

Lucile Richardot, Mezzo-Soprano - Ensemble Correspondances - Sébastien Daucé, Conductor - Rhys Webb, Composer

harmonia mundi harmonia mundi

The Judgment of Paris (John Hilton)

13
Rise, princely shepherd
Lucile Richardot
00:06:39

Lucile Richardot, Mezzo-Soprano - Ensemble Correspondances - Sébastien Daucé, Conductor - John Hilton, Composer

harmonia mundi harmonia mundi

Choice Ayres & Songs (James Hart)

14
Adieu to the pleasures
Lucile Richardot
00:04:44

Lucile Richardot, Mezzo-Soprano - Ensemble Correspondances - Sébastien Daucé, Conductor - Mickey Hart, Composer

harmonia mundi harmonia mundi

15
Amintas, that true hearted swain
Lucile Richardot
00:03:43

Lucile Richardot, Mezzo-Soprano - Ensemble Correspondances - Sébastien Daucé, Conductor - John Banister, Composer

harmonia mundi harmonia mundi

Amphion Anglicus (John Blow)

16
Poor Celadon, he sighs in vain (Loving above himself)
Lucile Richardot
00:05:10

Lucile Richardot, Mezzo-Soprano - Ensemble Correspondances - Sébastien Daucé, Conductor - John Blow, Composer

harmonia mundi harmonia mundi

17
IV. Saraband
Ensemble Correspondances
00:01:24

Ensemble Correspondances - Sébastien Daucé, Conductor - Matthew Locke, Composer

harmonia mundi harmonia mundi

Celestial music did the gods inspire, Z 322 (Henry Purcell)

18
When Orpheus sang
Lucile Richardot
00:04:16

Lucile Richardot, Mezzo-Soprano - Ensemble Correspondances - Sébastien Daucé, Conductor - Henry Purcell, Composer

harmonia mundi harmonia mundi

Choice Ayres & Songs (Milt Jackson)

19
Phillis, oh! turn that face
Lucile Richardot
00:02:02

Lucile Richardot, Mezzo-Soprano - Ensemble Correspondances - Sébastien Daucé, Conductor - Milt Jackson, Composer

harmonia mundi harmonia mundi

Amphion Anglicus (John Blow)

20
Epilogue "Sing, sing, Ye Muses"
Lucile Richardot
00:03:43

Lucile Richardot, Mezzo-Soprano - Ensemble Correspondances - Sébastien Daucé, Conductor - John Blow, Composer

harmonia mundi harmonia mundi

Album Description

We could say that the composers chosen here by Sébastien Daucé and the Ensemble Correspondances cover England from 1600 to 1700, from Coprario's generation (real name Cooper, but Italicised for fashion reasons!), Johnson and Lanier, all born before the turn of the 17th century, up to Hart and Blow who died just after. Step by step, we follow the integration of the new art brought over from Italy, although the typically-Italian recitations remain coloured by "declamation", a typical feature of English music. Another clear pivot is the twenty-year musical hiatus between the start of the Civil War in 1642 and the Restoration with Charles II's return to the throne, and in between, the Puritan religious dictatorship of Cromwell, which tried to ban more or less any form of celebration, including music. A number of English artists chose exile in the countryside, teaching music, or went abroad. This comprehensive selection spanning a whole century allows the Correspondances ensemble, a broad group of singers and instrumentalists, to show their deep knowledge of this whole epoch, which is extremely rich despite often precarious conditions of life and threats to survival. © SM/Qobuz




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